The Mammalian Daily

Satirical fiction in newspaper form

Lovely to look at - Book by Noreen

New “Beats of Burden”music fest will aid Park refugees

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What a difference a letter makes!

Despite having decided months before that their comeback would include an annual charity concert in aid of The Park’s refugees, the Beasts of Burden found themselves putting off an official announcement. Stopped dead in their tracks by their inability to find an appropriate name for the event, they even considered shelving the project, worthy though they thought it was.

“I understood the problem, but I couldn’t help. They didn’t just want to put their name on it and call it ‘The Annual Beasts of Burden Charity Concert.’ They wanted the name to have more meaning than that,” said the band’s manager, Ignatius Herder.

“So, we had a meeting at The Draft (the band’s pub) to strategize. Alfredo (Ox, the band’s lead singer) started filling out some forms that we needed and then Haimo (Maultier) noticed he’d left a letter out of the word ‘Beasts,’ so it read, ‘Beats of Burden.’ We all laughed, then we looked at each other and we knew we were all thinking the same thing.”

And that is how the annual “Beats of Burden” Music Festival was born.

“It was pure genius and one hundred per cent serendipitous,” laughs Ox. “If I’d been more careful, we’d still be sitting there planning, instead of announcing the biggest charity music festival ever in The Park.”

With almost every Park band and singer signed on to the event, the new festival promises to be something truly out of the ordinary.

“A concert can only do so much, but a festival, with all sorts of different music and events and other things tied in…we can really make a difference to the lives of The Park’s refugees,” says an excited Ox.

The festival, which is scheduled to begin at sunrise on September 14 will go on for three days, with the music expected to last late into each night.

“The way I see it, they’re [the audience] going to have to ask us to go home. We’re not going to want to stop playing. Nobody is,” says Maultier.

Just the facts

What:    The Beats of Burden Music Festival
When:   Every year from now on; September 14-16 inclusive, sunrise to whenever
Where:  At venues across The Park; expect more details in the coming weeks
Why:     To raise funds in aid of The Park’s refugees
Who:     Almost all Park bands and singers; expect some “surprises” as well

Theatre Review: The Sound of One Nut Cracking

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Mixed Nuts Stage Play PosterThe power is in the understatements in “Mixed Nuts,” the compelling one-Chipmunk drama that opened for a short time in Alepou (November) and is scheduled for a return engagement this Barnabus (February) at the Park Repertory Theatre.

This should come as no surprise, given that the author is Imogen Aardeekhoorn, who has adapted her now famous chronicles for the stage. Understatement is the hallmark of Chipmunk literature and Aardeekhoorn ranks among the best of her species, drawing on the tradition as if she were sucking sand from a straw. Take, for example, the line with which she concludes the story of her harrowing escape from a trap that was set in the backyard of a house outside The Park: “It wasn’t my time.”

A lesser writer might say more but Aardeekhoorn, played by the lovely and lively Millicent Hayberry, need not explain. We know, from the get-go, how she will react to the many challenges of modern Chipmunk life. We are also privileged to be her confidantes as she lays bare her feelings about herself, her ancestors, and her species as a whole, in this deeply personal account that lasts only sixty-five minutes but sweeps across the terrain of some fifty generations.

The struggle of Park Chipmunks has not gone uncharted; as a founding family, they have experienced the best and the worst of The Park. But it is a rare occasion on which a member of this secretive species speaks openly about the struggle for survival, the trials of colonial life, and the emotional burden that is placed on a generation born and raised in a world unfamiliar to its parents.

The strength of the piece lies in this rarity; the operative word here is “speak.” Having read the original chronicles in hardshell, I wondered whether Aardeekhoorn’s voice could translate faithfully to the stage. I needn’t have worried; a seasoned performer such as Millicent Hayberry could not do otherwise but bring authenticity to the rôle. She does so brilliantly, all the while infusing it with an “everyAnimal” sensibility that draws us closer to her with every revelation.

And it is here that Hayberry reveals the full range of her dramatic and vocal artistry. Few of the “great secrets” that she is given to impart are, in fact, unknown to the audience. Aardeekhoorn’s life is legendary in The Park; the secrets of this “twitching teller of tales” are, at once, shocking, familiar, and predictable. Yet, in mining the depths of her own emotions, Hayberry conveys Aardeekhoorn’s own sense of shock and dismay and jolts the audience out of its complacency. No longer predictable, she disarms and charms her captive audience for the full sixty-five minutes. It is a performance well worth studying for her technique alone.

A good deal of credit for the play’s vigour must go to director Donald Merriami, whose fluid style marries well with Hayberry’s vocal dynamism. Praise must also go to set designer, Roland Xerus, whose faux burrow is exquisitely lit by Constantine Lampris, and to costume designer, Oberon Pavo, whose “over-the-top” stripes add an extra dimension to the drama.

MIXED NUTS
By Imogen Aardeekhoorn, based upon her chronicles; directed by Donald Merriami; sets by Roland Xerus; costumes by Oberon Pavo; lighting by Constantine Lampris; sound by Marit Chauna; production stage manager, Burkhard Shepherd; associate director, A.S. Tami. Presented by Hudson Meerkat and Anthony Abert, executive producers. At the Park Repertory Theatre, 2-13 Alepou (returning 14 Barnabus-32 Varrah). Running time: 65 minutes.

This article originally appeared in Issue #117 of The Mammalian Daily

Stoat calls for more diversity in Park’s dance community

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Park dance community lacks diversity

Choreograher Herman Stoat has called for more diversity in The Park’s dance community.

Acclaimed choreographer Herman Stoat is sounding the alarm about the lack of diversity in The Park’s professional dance community.

“We’re a pretty homogeneous group…mostly Mammals…and I don’t understand the reason for that,” he said at a gathering held to celebrate the debut of his new television show.

The Park’s premier choreographer says that, as the artistic director of his eponymous dance company, he has experienced first hand the difficulty in recruiting non-Mammalian species.

“We have auditions eight times a year and it’s such an effort to get them [non-Mammals] out. Several times a year, we advertise in papers like The Avian Messenger and The Ornis Interpreter. We know they have trained dancers; we know there are brilliant amateurs in many non-Mammalian communities…but we can’t seem to interest them in pursuing a professional career.”

To that end, Stoat says, he has initiated talks with members of The Park’s non-Mammalian communities to see if they are interested in partnering with his company to establish a school of dance.

“I see it as a feeder institution,” says Stoat. “We would be training the next generation of dancers, choreographers, and teachers…so that, in ten years, you might attend a performance of the Herman Stoat Dance Company and see Birds, Reptiles, Mammals, Insects…all dancing together. That is the dream that I would like to see become a reality.”

See also:

Herman Stoat named decade’s best choreographer
Reality TV series planned for Herman Stoat dance company

Tricolore book “strong contender” at 2013 literary festivals

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Tricolore book

Renowned Park chef Tab Tricolore could take home two or more prizes from The Park’s literary festivals this June for his most recent book,”The Feral Roots of our Festive Cuisine.”

Renowned Park chef Tab Tricolore could take home two or more prizes from this year’s literary festivals for his book, “The Feral Roots of our Festive Cuisine.”

Part recipe book, part memoir, and part historical overview, Tricolore’s most recent effort has received glowing reviews from a number of Park publications, including The Panther Post and The Silvestris Star. Home cooks and other Park readers have weighed in on the book as well, with some calling it a “tour de force” and others suggesting that it should become part of The Park’s early Animal education curriculum.

“His description of his Kittenhood and of the feral world has tremendous value, especially for our young,” says Beatrice Zilonis, professor of history at the University of West Terrier.

The book is up for prizes in the non-fiction category at both the Chitter Radio Literary Awards and the Feline Fiction Fest. It is also entered in the hybrid category at the Feline Fiction Fest.

Wyuna Winkle, proprietor of The Literary Apothecary, said her shop was “overrun” by Tricolore enthusiasts when he spent a half-day there recently.

“He arrived for a short pawprinting session, but they wouldn’t let him go. He’s become quite the celebrity,” she said.

The Chitter Radio Literary Awards (formerly The Park Literary Awards) will take place on 15 June. The Feline Fiction Fest will run from 16-18 June.

Funding cuts, ignorance threaten Barkettes’ legacy: CMA

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Canine Music Association

The Canine Music Association has accused The Park Finance Office of threatening the legacy of The Barkettes by underfunding cultural endeavours

The Canine Music Association is pulling no punches in its most recent criticism of The Park’s underfunding of cultural endeavours.

In the latest issue of its newsletter, which is sent to CMA members and affiliates, the Association voiced its strongest attack yet on The Park’s Finance Office (PFO) and its policies. Calling PFO officials “incompetent and ignorant,” the Association stopped just short of accusing the PFO of corruption.

“We’re howling mad about this,” said CMA president, R.F. Aarrf, in an interview on Mammalian Daily Radio this morning.

“It seems as though the PFO and related departments, such as Holidays, Festivals, and Celebrations, only care about Park culture when it can hire it for a day or two as entertainment. Other than that, they provide very little support for educating our young about The Park’s cultural heritage,” he said.

Aarrf went on to discuss the results of a recent survey conducted by the CMA.

“One out of four Animals in The Park under the age of 20 has no idea of The Barkettes’ role in breaking the species barrier,” he said. “One or two more generations of Animals who are not taught about this…that’s all it takes to wipe out their [The Barkettes’] legacy completely and kill what we’ve all worked so hard for.”

Aarrf says he’s sounding the alarm now lest Park Animals become so complacent that they lose everything their ancestors fought for.

“If we lose sight of our hard-won accomplishments, it won’t take very long for us to discover that we have to do it all over again. And, next time, the world may not be so accommodating,” he says.

See also:

History and Legacy of The Barkettes
Canine Music Association announces award

Banded Brothers to hold benefit concert for Avian population

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Park musical group Banded Brothers announced plans today to hold a benefit concert this Spring for our Avian population

In response to The Department of Well-Being and Safety’s latest advisory to The Park’s Avian population, the musical group Banded Brothers announced that it will hold a benefit concert this Spring.

“We are very concerned about our population’s vulnerability outside The Park,” said the band’s manager Kostas Kotsifas. “And this new warning makes it seem even more urgent for us to help.”

The DWBS advisory, which was issued three weeks ago, alerts The Park’s Avians to the dangers they may face when flying outside The Park. It reads, in part:

Be vigilant at rest stops and when visiting the nests of friends. Be aware that traps have been set by Human “researchers” who will attempt to tag or band your feet. If you are captured, head back to The Park as soon as you are set free. It is important that you access the services of the Park Hospital for the Afflicted and Infirm as soon as possible.

The benefit concert will take place at the Ancient, Open-Air Theatre on May 19, Kotsifas said. Tickets will go on sale May 1. All proceeds from the sale of tickets will go to a special fund that the Banded Brothers have established to help offset the cost of medical care.

“Band removal is very expensive, as the Brothers know from experience,” Kotsifas said.

The Banded Brothers also have partnered with the University of West Terrier School of Medicine to establish a multifaceted health programme called the Avian Health Initiative (AHI).

Park Museum’s fundraising efforts to include calendar

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Registered members of The Park’s Builders’ Guild (Association of Professional Park Construction Workers), dressed in their work clothes, pose for pictures outside the construction site of the Park Museum. The Guild agreed to donate the photos to a calendar that will be sold by the Park Museum to raise funds for its construction.

The Park Museum has taken the unusual step of enlisting the help of its own construction workers in its campaign to raise funds for the Museum.

In a press release dated today and posted on the Museum’s web site, the Board of Governors of the Museum announced that they will be publishing a fundraising calendar that will be available for purchase as early as September.

According to a SpokesAnimal for the Builders’ Guild, the photographs will be “candid, at-work pictures that will give Park Animals an appreciation of the size of the project and the kind of work that went into building the Museum.”

In addition to the workers’ photographs, the calendar will offer a “sneak peek” of the Museum’s interior and of a number of recently-acquired items in the Museum’s collection.

The calendar will be sold at a small kiosk outside the Museum construction site as well as at select shops in The Park. Online orders will also be taken, a SpokesAnimal for the Museum said. For more information, please contact the Park Museum order desk at orders@parkmuseum.info.

Museum of Contemporary Art to unveil first art installation

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The Park Museum of Contemporary Art (PMoCA) is set to unveil its newest exhibit this weekend. The live art installation is entitled, How Much Was That Doggie in the Window?

The Park Museum of Contemporary Art (PMoCA) is set to unveil its newest exhibit to the public this weekend and it promises to be one of the most talked-about artistic events in Park history.

At a gala opening tomorrow evening, patrons finally will be able to view the Museum’s — and The Park’s — first art installation. But that’s not all: the installation, which is entitled, How Much Was That Doggie in the Window? is a live art installation.

“It’s been a long slog for all of us, but we’re finally ready. All systems are go and we couldn’t be more excited,” says Aulikki Norsu, president of PMoCA’s board of directors.

The live exhibition, which depicts the sorry life of the domestic Canine, was curated by Dorika Pumi, whose previous work for the Museum includes the K-NONical Kismet exhibit and the controversial but well-received series of sketches entitled, Better To Be Lost Than Loved.

But this new exhibit is not just another one-dimensional criticism of Canine domesticity, Pumi insists.

“This is a living, breathing, depiction of one of the least-discussed but most horrifying aspects of domestic Canine life,” she says.

According to Pumi, thousands of Canines are bought every year (“purchased” is the word that Pumi uses) on the open market outside The Park, then housed in apartment complexes that are sometimes hundreds of feet in height, and left there to languish while their Human companions — the ones who profess to love them — stay away for hours on end.

“These Dogs have no idea whether those Humans will ever return,” says Pumi. “They don’t know what’s going to happen to them. They can’t get out of there on their own and every day they wonder whether they will die there, distraught and alone.”

To get her message across, Pumi enlisted the services of those who know whereof she speaks: The Park’s Canine refugees.

“These are the Dogs who have received assistance from Runaway Rovers, the immigrant aid group that helps formerly domestic Canines establish a better life in The Park,” she says.

Four different groups of these formerly domestic Dogs will work in the exhibit. Their shifts will be four hours long and two different groups will work on the installation each day. They will need a break after four hours, Pumi says, because they will have spent the entirety of that time howling while hanging out of the window of a wall that was specially constructed for the exhibit.

“It’s a tough job, but there was no shortage of Dogs who were willing to take it on when they heard about the project,” says Pumi. “They’ve lived the life and we’ve given them the chance to show us what it’s like.”

How Much Was That Doggie in the Window?  will be installed at the Park Museum of Contemporary Art until November, 2013.

“The Strange Case of the Topaz Toepad” to begin filming this Spring

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The Strange Case of the Topaz Toepad, the best-selling mystery novel by Kylie Springbok, will begin its journey to the big screen this Spring.

Annika Maasusi, Editor-in-Chief of Hyena Whodunits, the book’s publisher, confirmed the sale of the film rights in a press release late this afternoon.

“Hyena Whodunits is pleased to announce that Mandrill Entertainment has purchased the rights to the highly successful novel, The Strange Case of the Topaz Toepad,” the release said.

Mandrill Entertainment, best known for producing fast-paced action and adventure films, released a statement simultaneously, confirming both the purchase and its plan to begin filming in The Park in the late Spring.

“We are pleased to inform Park Animals that the film’s casting and shooting will all be done within The Park,” the release also said. No other information regarding the cast was revealed.

The book, which was originally published in 2007, will be re-released in March to coincide with the making of the film, Maasusi confirmed.

UWT expansion to include art gallery

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UWT Coat of Arms

The University of West Terrier plans to open an art gallery as part of the University’s expansion programme

The University of West Terrier has announced plans to open an art gallery on its campus.

At a press conference held during the annual UWT open house on January 29, Bibiano Montanaro, spokesAnimal for the President of the University, confirmed that several architectural firms have submitted plans for a two-storey facility that will house paintings, sculpture, and textiles by Park artists. The gallery will form a significant part of the institution’s expansion over the next five years.

“The University of West Terrier wishes to broaden its commitment to The Park’s artistic and cultural community and we feel that this is an important first step toward that goal,” Montanaro said.

The University will be seeking a curator and other staff members for the gallery as soon as building commences, Montanaro said, but he refused to confirm rumours that the curator has already been selected from the faculty of The Park’s Hani Gajah School of Art.

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