The Mammalian Daily

Satirical fiction in newspaper form

Lovely to look at - Book by Noreen

Stan the Spitman speaks out about the use and misuse of his product at PIFF

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Park Interspecial Film FestivalLess than a week after the end of the Park Interspecial Film Festival (PIFF), Stan the Spitman is speaking out about the unlawful use of his product at PIFF events.

In an op-ed piece published today in The Burro Beacon, Estanislao “Stan” Gonzalo de Llama condemned in no uncertain terms what some Animals did with his product at the film festival. And he let it be known that he intends to put a stop to it.

“I am proud of what I make and I don’t make it to be used to attack others, particularly others whose species or politics differ from my own,” he wrote in the newspaper.

The second generation SpitMeister (master of the art of spitmaking) was referring to the repeated use of spitballs at the screening of WINK, which opened the festival on October 1. Police charged twenty-one Animals with crimes of a specist nature after they threw spitballs at the director and other attendees as they entered the Park Cinema.

Although Stan has never condoned that sort of behaviour, he expressed a different view about it in Searching for the Spitman: A Journey Through Foam, Froth, and Fun, a film about his life that premiered at PIFF 2015.

In that film, he estimated that ninety per cent of his products go toward humiliating other Animals.

“It’s a fact of life in the profession,” he said. “But it doesn’t keep me up at night.”

In today’s o-ed piece, however, he said he’d changed his mind after witnessing events at this year’s festival.

“I can’t stand by and watch Animals use my product that way anymore,” he wrote. “It needs to stop.”

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WINK director to host pre-premiere party tonight at The Feeding Station

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WINK Movie PosterWINK director G.D. Zebra will host a pre-premiere party tonight at Mikko Tikkeri’s The Feeding Station, The Mammalian Daily has learned.

According to our sources, the guests are all A-listers, not only in the film industry, but in the fight against discrimination against Animals of Pattern.

The coveted party invitations were sent out Tuesday night and our sources tell us that it’s a definite “yes” for WINK producer Kevin Kodkod and one of the film’s stars, Willem Leopard. Other invitees are said to include Douglas Cheetah, Mary Margay, Millicent Hayberry, Monique Tigress, Carlos Geraldo Gato de León, director of Noon Nuttiness film I Am Geoffrey’s Cat, Faramund Stinktier, ZEAL, S.L. Pomfret (aka Fish Rap), Zachariah Skunk, Balbina Ko of Holstein Fashion, and Momoko Yamaneko, and Editor-in-Chief of Prionailurus Press.

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#PIFFPiffle: Mary Margay and the truth about her PIFF tiff with Douglas Cheetah

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PIFF mugIt was announced yesterday that actress Mary Margay will attend the gala opening of the Park Interspecial Film Festival (PIFF) on Saturday, October 1.

Margay, who is best known for her performance in Black Cats Can’t Jump, has made her home outside The Park for over a decade and has only performed in a few short films. She says her work on behalf of spotted Animals has “consumed her” and hasn’t left her time for much else.

She told #PIFFPiffle in a telephone interview that she was surprised to receive director G.D. Zebra’s invitation to the WINK gala opening, even though she knew of the film and has been supportive of it.

Her appearance this coming weekend ties in with her own work and though she was reluctant to discuss her most famous performance, she put to rest rumours that she is not on speaking terms with Black Cats director Douglas Cheetah.

“Douglas and I have never argued or had any kind of tiff. I had a hard time coming to terms with that film and it had nothing to do with him. I was criticized for doing it by many in my own community. There are some Animals of Pattern who believe we should only do films about ourselves. I think that’s nonsense. Douglas, who is himself an Animal of Pattern, did a wonderful job on that film and I’ve worked with many directors and actors who weren’t part of my own community. We all have to live and work together. We all have challenges,” she said.

We look forward to talking more with Mary Margay when #PIFF2016 opens on Saturday.

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#PiffPiffle: What we know for sure

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PIFF BowlThere are only three days left until the opening of the 2016 Park Interspecial Film Festival (PIFF), but most of us have more questions than answers. Here are a few things we know for sure:

  • Confirmed: Chef Tab Tricolore has confirmed that The Tabby Club will be open to all species from October 1-5, 2016
  • Confirmed: Director G.D. Zebra, whose film WINK will open the festival, will host a Q&A along with producer Kevin Kodkod and one of the film’s stars, Willem Leopard. Time and location to be announced
  • Confirmed: Zebra has invited formerly domestic Canine singer Bone Weary and SCENTIENT Beings composer and father of Reekabilly music Faramund Stinktier to perform at the gala after-party on October 1
  • Confirmed: Carlos Geraldo Gato de León, director of Noon Nuttiness film I AM GEOFFREY’S CAT: MY HILAIREIOUS SEARCH FOR AN INDEPENDENT IDENTITY will hold auditions for his new film at The Burrow Theatre on October 3. Doors open to Park comedians and aspiring actors at seven o’clock in the morning
  • Confirmed: Actress Mary Margay (Black Cats Can’t Jump) will attend the gala opening, after receiving a personal invitation from director G.D. Zebra
  • Confirmed: Actress Millicent Hayberry (Mixed Nuts) will be in attendance throughout all five days of PIFF. No word as yet, however, whether candidate Hayberry will be there
  • Confirmed: The full lineup of films will be announced on Thursday
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#PIFFPiffle: Rumour says Tab Tricolore to open Tabby Club to all for PIFF 2016

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The Tabby ClubThe latest out of the PIFF 2016 rumour mill is that celebrity chef Tab Tricolore intends to open up The Tabby Club to all during the five-day film fest.

The pub, which was founded and run by Jor, The Park’s first leader, has always been a “striped-only” establishment. That has caused some controversy in the past and in May, Toro Talk Radio host Yannis Tavros launched his #BullinTheTabbyClub campaign after he was was denied entry to the pub.

But now, those close to him say that the Bad Boy chef has decided throw open the doors of his pub to all. But only for the duration of the festival.

“He wants to do it to celebrate the spirit of ‘full equality of experience,’ which is what WINK, the opening film, is all about,”  says Barry “Béarnaise” Burmilla, the chef’s former saucier.

According to our sources, the celebrity chef and restaurateur was the driving force behind choosing WINK as the festival’s opening night film. WINK explores the experience of a group of Park citizens as they make the transition from being Animals of pattern to living their lives as solid-coloureds. The film’s subject matter is believed to be so dear to Tricolore’s heart that he was among the film’s financial backers.

Tricolore is expected to make an official announcement regarding the opening of The Tabby Club in the next few days.

The Park Interspecial Film Festival (PIFF) runs from 1-5 October 2016.

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WINK: Most controversial opening film ever for PIFF 2016

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Park Interspecial Film FestivalIf controversy is a predictor of success, then award-winning director G.D Zebra’s WINK is set to be the most successful opening film ever at The Park Interspecial Film Festival (PIFF).

PIFF Communications President Leola Ocelot announced the opening choice this morning at a press conference outside the Park Cinema. It didn’t take long for the hoots and howls to begin.

Flanked by the film’s director and one of its stars, Willem Leopard, Ocelot fielded questions from Park media while she ducked stones, sticks, and balls of mud. It is not clear whether these were intended for her or for Zebra and Leopard.

The film, which was produced by Kevin Kodkod (of Black Cats Can’t Jump fame), follows a group of striped and spotted Animals for a period of three years—before, during, and after they have their stripes and spots removed. The film records for “posterity and illumination” the group’s experiences, feelings, and fears—both as Animals of pattern and then as solid-coloureds.

Included in the film are interviews with popular Park musician and anti-stripe-removalist ZEAL, anti-sortitionist and self-described “naturalist,” director Douglas Cheetah, and SCENTIENT Beings composer and father of Reekabilly music Faramund Stinktier, who announced his transition to a Zebra last year.

Ocelot said the October 1 gala screening would be the film’s début.

“There be no sneak preview or even a trailer release,” she said.

The Park Interspecial Film Festival (PIFF) runs from 1-5 October 2016.

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PIFF extends deadline for submission of films to PIFF Pockets category

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Park Interspecial Film FestivalThe Park Interspecial Film Festival (PIFF) has extended the deadline for the submission of short films to the 2015 PIFF Pockets category.

In a statement issued this morning, PIFF Communications President Leola Ocelot confirmed that the new date will be September 25, giving filmmakers an extra four days to edit and submit their films.

Ocelot gave no specific reason for the deadline extension, but said in the statement that it was decided on the basis of “fairness to all.”

Pocket films are generally defined as films that do not exceed three minutes in length. To qualify for the PIFF Pocket category, films must have been made specifically for the Festival and must have their first screening at the Festival. Both pocket documentary and pocket fiction films are eligible for submission.

The Park Interspecial Film Festival runs 1-5 October 2015.

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PIFF takes park by storm

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After 11 months of rabid anticipation leading up to this year’s 21 film screenings, 4 free concerts, 2 charity auctions, 12 parties, 15 different Top 10 lists (selected by and published in as many different Park newspapers), 5 days of celebrity sightings, 10 prizes, and enough flashbulbs snapped to keep The Park alight through the next Winter, the 5th annual Park Interspecial Film Festival (PIFF) officially closed just after 3:00 a.m. on 6 Felis.

“It’s a wrap,” declared award-winning director, G.D. Zebra, as he and his entourage posed for one last picture before leaving The Park.

“How are you spelling that?” quipped S.L. Pomfret, a.k.a. Fish Rap, who hosted the first of four free concerts at The Park’s open-air theatre on 2 Felis.

The crowd of film fanatics ate up every moment and vowed to return next year in even greater numbers. As of today, that seems likely: according to PIFF organizers, the Festival has become such a popular Park event that it could, conceivably, become a week-long affair.

Tens of thousands of Animals attended the films at this year’s Festival, which ran the gamut from the controversial opening oeuvre, Stuffed Dogs Don’t Shed, to the poignant, Down Under tale, Joining Joey, which closed the event. In between, Animals were treated to some humour (Mum and Pup Shop, Willoughby Wallaby), some tragedy (Horse with No Mane), a bit of animation (Peter Popinjay), and some fantastic footage (best-documentary winner, Stag Nation).

In all, 21 films were introduced at the Festival, but, by no means, were they the only draw: the celebrity-studded parties brought fans out in droves and had photographers snapping pictures until the wee hours of the morning. The most notable (and outrageous) of these, of course, was the “InFESTation,” hosted at The Battering Ram Café by the producers of Fleas Ticked Off. That party is likely to be the talk of The Park for some time to come.

On the evening of 5 Felis, as the Festival drew to a close, PIFF organizers dealt with their last order of business: handing out the much-anticipated awards. As is usual for these events, the decisions were controversial, but well-received, particularly in the case of the Golden Cougar, the Festival’s highest honour, which was awarded to Hyenic Verses.

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