Wednesday Rewind:
Original Publication Date: 23 January 2014

We may be ten days away from the POPS prediction and related celebrations, but this year’s Groundhog Day program is already proving to be controversial.

The decision made by the 2013 Archons to substitute a “musical interlude” for the Park Historical Society’s Tribute to Zoocracy has sparked some heated discussion, particularly on talk radio stations.

Yesterday morning, Park Historical Society President Clark Cascanueces admitted he was “blindsided” by the exclusion of his organization’s short film on zoocracy. He and University of West Terrier history professor Beatrice Zilonis were guests of talk show host Yannis Tavros on Toro Talk Radio.

“I was gobsmacked, truly,” Zilonis said. They went on to characterize the 2013 Archons as “the most ignorant, anti-education group of Animals” they had ever seen.

While Cascanueces and Zilonis are not alone in their opinions, many in The Park support the Archons’ decision. Citing Hieronymous Hedgehog’s criticism of the film last year as “a touch Human,” Mammalian Daily advice columnist and UWT adjunct professor of Human Studies reiterated her opinion of the tribute on a Canine Communications Radio (CCR) call-in show.

“There is something almost Human about our celebrating ourselves,” she said.

“It’s not the Animal way. I think we’ve imbibed this sort of ‘Rah Rah’ attitude from the Humans around us and I’m not sure it’s such a good idea. In any case, I don’t think it’s quite appropriate for Groundhog Day and I’m behind the Archons on this. I think their decision to remove it from the program was a sound one,” she said.

Wednesday Rewind:
Original Publication Date: 5 April 2013

The Park Museum of Contemporary Art (PMoCA) is set to unveil its newest exhibit to the public this weekend and it promises to be one of the most talked-about artistic events in Park history.

At a gala opening tomorrow evening, patrons finally will be able to view the Museum’s — and The Park’s — first art installation. But that’s not all: the installation, which is entitled, How Much Was That Doggie in the Window? is a live art installation.

“It’s been a long slog for all of us, but we’re finally ready. All systems are go and we couldn’t be more excited,” says Aulikki Norsu, president of PMoCA’s board of directors.

The live exhibition, which depicts the sorry life of the domestic Canine, was curated by Dorika Pumi, whose previous work for the Museum includes the K-NONical Kismet exhibit and the controversial but well-received series of sketches entitled, Better To Be Lost Than Loved.

But this new exhibit is not just another one-dimensional criticism of Canine domesticity, Pumi insists.

“This is a living, breathing, depiction of one of the least-discussed but most horrifying aspects of domestic Canine life,” she says.

According to Pumi, thousands of Canines are bought every year (“purchased” is the word that Pumi uses) on the open market outside The Park, then housed in apartment complexes that are sometimes hundreds of feet in height, and left there to languish while their Human companions — the ones who profess to love them — stay away for hours on end.

“These Dogs have no idea whether those Humans will ever return,” says Pumi. “They don’t know what’s going to happen to them. They can’t get out of there on their own and every day they wonder whether they will die there, distraught and alone.”

To get her message across, Pumi enlisted the services of those who know whereof she speaks: The Park’s Canine refugees.

“These are the Dogs who have received assistance from Runaway Rovers, the immigrant aid group that helps formerly domestic Canines establish a better life in The Park,” she says.

Four different groups of these formerly domestic Dogs will work in the exhibit. Their shifts will be four hours long and two different groups will work on the installation each day. They will need a break after four hours, Pumi says, because they will have spent the entirety of that time howling while hanging out of the window of a wall that was specially constructed for the exhibit.

“It’s a tough job, but there was no shortage of Dogs who were willing to take it on when they heard about the project,” says Pumi. “They’ve lived the life and we’ve given them the chance to show us what it’s like.”

How Much Was That Doggie in the Window?  will be installed at the Park Museum of Contemporary Art until November, 2013.

Wednesday Rewind
Original Publication Date: 15 February 2013

The Strange Case of the Topaz Toepad, the best-selling mystery novel by Kylie Springbok, will begin its journey to the big screen this Spring.

Annika Maasusi, Editor-in-Chief of Hyena Whodunits, the book’s publisher, confirmed the sale of the film rights in a press release late this afternoon.

“Hyena Whodunits is pleased to announce that Mandrill Entertainment has purchased the rights to the highly successful novel, The Strange Case of the Topaz Toepad,” the release said.

Mandrill Entertainment, best known for producing fast-paced action and adventure films, released a statement simultaneously, confirming both the purchase and its plan to begin filming in The Park in the late Spring.

“We are pleased to inform Park Animals that the film’s casting and shooting will all be done within The Park,” the release also said. No other information regarding the cast was revealed.

The book, which was originally published in 2007, will be re-released in March to coincide with the making of the film, Maasusi confirmed.

Wednesday Rewind
Original Publication Date: 19 January 2010

The Park Postal Service introduced its first commemorative stamp yesterday. The stamp, which honours Jor, The Park’s first leader and the founder of modern zoocracy, features a rarely-seen photograph of Jor. The caption reads, simply, “Our First Leader.”

The stamp carries a value of 55 in Cow currency (approximately .11 Ftoo) and will be available for purchase by 22 Proto.

This is the first time in its history that the Postal Service has issued commemorative stamps. According to a Postal Service spokesanimal, the decision was taken because it was felt that “such honours were long overdue.”

Wednesday Rewind
Original Publication Date: 20 September 2015

All PIFF documentaries are good. Some, of course, are better than others. Then, there are those that are spectacular.[pullquote]You might say that I survived success. But you might also say that I didn’t.—Renowned choreographer Herman Stoat[/pullquote]

And, that adjective is more than appropriate for the much-anticipated Herman Stoat: Mon Chemin Compliqué.

Conceived and produced by Pussyfoot Productions, this film about the life and work of the renowned dancer, choreographer, and founder and artistic director of the eponymous dance company has been in the making for more than four years. Yet, it received its official title only last year, after Stoat and his company’s assistant choreographer Gustav Hermelin created the dance, Le Chemin Compliqué, for the 2014 Celebration of the Winter Solstice.

“That was how we knew we were done,” Stoat said in a PRANCE magazine interview last month. “Somehow, with that dance and that title, we’d come full circle.”

Stoat knows a lot about circles, having danced professionally for years before founding the Herman Stoat Dance Company. And while he’s achieved a level of artistic success that was previously unknown in The Park, that success, which includes being named Choreographer of the Decade by PRANCE Magazine, has come at a cost.

“You might say that I survived success,” Stoat jokes in an early scene in the film. “But you might also say that I didn’t.”

Even Stoat fans who watched the choreographer’s reality series three years ago on Vertebrate Vision TV will be surprised at the physical, mental, and emotional pain this film uncovers and how complicated a road Stoat has travelled.

A Park refugee, both Stoat’s parents died at the hands of Humans.

“They were in their prime but, unfortunately, so were their coats,” he says matter-of-factly.

Left to his own devices, the young Stoat found his way to The Park, where he was taken in by a family and raised, as he says, “with love and care.” But there were problems in the household, jealousies among the family’s natural offspring, and expectations he could not meet.

“Early on, I discovered my natural talent for dancing and it saved me. I could go off on my own, explore my ideas, and set my moves to music,” he says.

It was during that time that he discovered the effect his moves had on others, as well.

“It was almost hypnotic, the effect. I noticed crowds gathering and they were mesmerized by my dancing. Suddenly, I found I couldn’t stop and they didn’t want me to, either.”

Stoat danced himself into Park history, but there came a time when he did have to stop for a while, after the anguish of his early years caught up with him.

“I’d packed it all away and suddenly, after I won a few awards, it all came tumbling out. I needed some time alone and even contemplated retirement,” he says.

Fortunately for Park dance lovers, Stoat finally returned to the stage refreshed and ready to take on new challenges, including teaching, working with artists in other genres, and calling for more diversity of species in dance. And, he reveals in the film, there is even more to come.

“There are days when I wake up and I think, ‘I’ve only just begun,’ ” he says with joy.

---

Herman Stoat: Mon Chemin Compliqué will screen at the Park Cinema on Friday, October 2 at 2:00 p.m. and on Sunday, October 4 at 4:00 p.m.

Wednesday Rewind
Original Publication Date: 18 December 2014

TMD EXCLUSIVE: Excerpt from Laulaa® Magazine
Although Thisbe needs no introduction in The Park, she says that this time around, she’s determined “to let my fans in as much as possible so they know who I really am.”[pullquote]I never lost my bark but for a while, I lost my bite. — Thisbe[/pullquote]

As the founder and lead singer of The Park’s most popular group prepares for a comeback tour, she appears more settled and thoughtful than before.

“I didn’t realize how important my fans were to me,” she says in an exclusive interview in Laulaa® Magazine, due out on December 25.

“And I think they deserve a little more than I’ve given them … not in my singing so much, but in my time and thought.”

The singer has had a lot of time for thought the last few years. Since cancelling the group’s farewell tour in 2007, Thisbe has suffered from a variety of illnesses, the worst of which she says was melancholia.

“When I had to stop performing, I thought I would enjoy it. There were so many things I’d never done … so many of my senses I’d never used. But it didn’t turn out to be that way at all. First, I lost one of my littermates. And even though we weren’t exactly close, that loss hit home. It made me focus on what I really wanted and what I wanted to do. I could see that time was of the essence. But it took me a while before I could use that realization to any advantage. And in the meantime, I kept myself isolated, which was the exact opposite of what I had planned,” she says.

The star credits her fans, who never forgot her, with re-awakening her interest in living.

“I never lost my bark but for a while, I lost my bite,” she laughs.

The full interview with Thisbe will appear in Laulaa® Magazine, The Official Magazine of the Canine Music Association, on December 25, 2014. 

Wednesday Rewind:
Original Publication Date: 23 December 2012

Setting aside their dispute with Park administration for a day, The Park’s Doves of Peace appeared at the Celebration of the Winter Solstice on December 21.

“It was a very generous thing to do, considering the intensity of their feelings on the matter,” said Aintza Kanariar, Director of Public Relations for The Park’s Department of Holidays, Festivals, and Celebrations.

Kanariar also confirmed that, after consulting with the Department of Well-Being and Safety as well as with Park Police, her Department decided to keep Police presence at the event “minimal and discreet.”

“Perhaps that was one of the reasons they were willing to attend,” she said.

The Doves, who are a fully autonomous sub-group of Park Police, usually attend all Park celebrations and days of significance. On November 15, however, they initiated a strike to protest against and to shed light on what they called The Park Police’s “heavy-handed tactics” at recent events. As a result of the strike, Winter Solstice celebrants expected the Doves to stay away from this year’s event.

“Their appearance was “one of the greatest surprises of the day,” said Dewi Beruang, who has attended every Park festival this year.

“They said there were going to be surprises, but I don’t think they had the Doves in mind. Seeing them made the celebration even more special,” she said.

For their part, the Doves were “delighted” to make a non-official appearance, according to their SpokesBird, Georgina Golub.

“We have attended every Celebration of the Winter Solstice since the establishment of zoocracy,” Golub said. “We didn’t want to miss it this year, even though we weren’t, officially, working. So, we held a vote and the decision was made to attend as guests. It’s a very important celebration and we wanted to be there, no matter what,” she said.

Wednesday Rewind:
Original Publication Date:  11 December 2013

The Park’s retail and construction services sectors are set to show strong gains in the fourth quarter, according to Xavier Dingo, chief financial analyst at A. Corn and Partners.

“It’s an ill wind that blows nobody any good,” he says. “And for these sectors, the extension of the pre-hibernation period was truly a gift.”

That extension, which was itself a result of the POPS election debacle, enabled Animals who otherwise would have been in a state of torpor to continue to spend on their hibernation preparations.

“There was a flurry of activity, at just about the time that we would have been putting away our hibernation gear,” says GoUnderground’s director of sales Nafari Bongo.

The Park’s largest hibernation outfitter is not alone. Throughout the retail sector, sales were unusually high.

“Our members were kept busy, that’s for sure,” says a spokesAnimal for the Park Association of Shops and Services (PASS). She was speaking on behalf of founder and current president Wellington Whistlepig, who went into hibernation on December 1.

The construction services sector also saw unusual gains for the season, says Dingo.

“Many Animals took the opportunity to renovate their hibernating quarters and some even built brand new ones,” he says.

Kerman Astoa, vice-president of sales for Burrows and Beyond confirms this. His construction company is The Park’s only business that specializes in hibernation facilities.

“Quite frankly, we were overwhelmed by last-minute orders,” he admits. “There was a day when we thought we might not be able to fulfil all the new orders. But we did.”

Businesses that serve Animals at pre-hibernation time were not the only ones to see gains, though. Provisions by Petrounel, the prestigious Park grocer and caterer that provides post-hibernation sustenance to many, saw its orders triple at the end of November.

“I think many Animals anticipated needing a little something extra…a little pick-me-up to get them going after hibernation, since they won’t be under for as long this year,” says the shop’s owner Beatrice T. Orang.

Wednesday Rewind:
Original Publication Date: 26 November 2014

Celebrity Chef and award-winning author Tab Tricolore will collaborate with a group of artists on the Park Museum of Contemporary Art’s 2015 installation.

Aulikki Norsu, president of PMoCA’s board of directors, confirmed the collaboration between the museum and the controversial chef in a statement released this morning.

“We are pleased to announce that renowned Park Chef Tab Tricolore will serve as creative director of our 2015 art installation. The chef will work closely with our in-house staff as well as with Park artists that he will select personally to craft what we anticipate will be a thought-provoking piece,” the statement reads.

The subject of the installation remains a “closely-guarded secret,” the statement said, but those close to Tricolore say it is safe to assume that it will be food-related.

“As you know, Tab is obsessed with food. He can barely be distracted; his mind is always going, he’s always working and reworking recipes, sourcing new ingredients, looking to other species for inspiration. He’s an artist, himself, and I can’t imagine that if he got involved in a ‘real’ art project, that it wouldn’t at least include food, if not be totally about food,” said his former saucier, Barry “Béarnaise” Burmilla.

Although a date has not been announced for the opening, the museum statement said it expected the installation to be ready by the Spring.

Wednesday Rewind
Original Publication Date: 24 November 2013

Park Police say they are closing in on the abductors of the Marmot wrestling team, which went missing during the 2013 Interspecial Summer Games.

No member of the team has been seen since September 26. Police were called to investigate when the team failed to show up on September 27 for the wrestling competition, which they were favoured to win. At that time, Police reported they had found evidence of a struggle and possible abduction. They later confirmed they had elevated the investigation to that of an abduction after a review of the evidence. That evidence included a trail of hair that led outside The Park and a small pile of shavings that they believe came from a wooden box.

In a short statement released this morning, Inspector Antonia T. Fossa of the Interspecial Investigations Unit (IIU) said her officers believe they have located the hiding place outside The Park that was chosen by the team’s abductors.

The IIU, which is an independent division of the Police force’s Specist and Hate Crimes Unit (SHCU), joined the investigation in mid-October, when the SHCU determined definitively that the abduction was an interspecial crime. The IIU’s mandate is to investigate “all occurrences in which the suggestion of specist intent is present.”

No motive for the crime has been determined as yet, a spokesAnimal for SHCU Chief Inspector Maurice Addax told The Mammalian Daily.

“Our concern at the moment is for the team,” the spokesAnimal said. “We will be able to determine more about the motive after we have the abductors in custody and the team members are safe and back in their homes.”

Concern for the well-being of the team grows every day, the spokesAnimal said, since they should already have gone into hibernation.

“Every day that they are away and, presumably, conscious, the risk to them grows greater. That is why we are hoping for a positive outcome very soon,” he said.