George Angus Doo’s controversial and arresting film Shoot the Messenger will open the 9th annual Park Interspecial Film Festival (PIFF) on October 1.

The announcement was made this morning in a statement released by PIFF Communications President Leola Ocelot.

“We are thrilled to announce that George Doo’s award-winning film Shoot the Messenger will open the 9th annual Park Interspecial Film Festival. The Festival is very grateful to him for giving us the chance to screen his great film,” the statement read.

The film, which received the 2013 Winkie Award, explores the relationship between Humans and Doo’s own species, the Pigeon.

This is the first film in which Doo has put his own species at the centre. His previous films dealt mostly with underwater crises and desert themes. In an interview last spring with film critic Hernando Gorrión of The Avian Messenger, Doo said he was at first reluctant to use his own species as the subject of a film because he thought the issues were too close for him to be able to see them clearly.

“There is so much conflict, so many emotions on both sides. In many ways, it is a relationship of mutual respect and dependence, yet we have seen too many misunderstandings and far too many deaths,” he said.

Shoot the Messenger will screen at The Park Cinema on the Festival’s opening night, and again on Oct 4.

The Park Interspecial Film Festival runs from October 1-5, 2013.

The Park is in a party mood, as anticipation mounts on the eve of the opening of the 8th annual Park Interspecial Film Festival (PIFF).

“It’s game on! We’re ready!” announced PIFF Communications President Leola Ocelot at the final pre-opening press conference this afternoon. “This is going to be the biggest and best film festival The Park has ever seen,” she said.

Festival goers appear to agree. Tickets were snapped up earlier than in previous years, with new events such as Noon Nuttiness and PIFF Pockets attracting a younger crowd.

“It [PIFF] is no longer an adults-only event,” said Ocelot, who confirmed that twenty-five percent of tickets were sold to those under five years of age.

“They bought up Noon Nuttiness and also went for the PIFF Pocket Films. We didn’t expect that at all,” she said.

Meanwhile, adult film fans were busy primping and preening in anticipation of five days of screenings, celebrity sightings and top-secret social events.

“We haven’t had an opening in days,” said Amoltrud’s Aesthetics’ groomer Elspeth Rinder. “We have a waiting list the size of a Python,” she said.

The Park’s other grooming houses reported the same situation.

“We had to lock our doors and pretend we were closed,” said stylist Tano Pagun of The Pluming Room. “We were afraid that, otherwise, we’d see fur and feathers fly.”

The festival will open tomorrow night with “I Love a Man in a Collar”, the much-anticipated documentary about Thisbe and the Barkettes. All eyes will be on the front row, as film goers attempt to catch a glimpse of The Park’s most famous singing group, who have confirmed they will attend the documentary’s debut. The five members have not been seen together for a number of years.

Other highly anticipated events include the opening night gala at Clowder and the Cackle-ary hosted by GooseBook.

The Mammalian Daily plans to publish full details of events in the coming days.

The Park Interspecial Film Festival (PIFF) has announced the addition of a new category to festival judging: PIFF Pockets.

At a press conference held this morning, PIFF Communications President, Leola Ocelot, confirmed the long-awaited addition.

“The Park’s filmmakers have a proud history in the area of pocket films,” she said. “We are delighted to be adding that category to our roster this year and we look forward to awarding our first prize in the category of PIFF Pockets.”

Pocket films are generally defined as films that do not exceed three minutes in length. To qualify for the PIFF Pocket category, films must have been made specifically for the Festival and must have their first screening at the Festival. Both pocket documentary and pocket fiction films are eligible for submission, Ocelot said.

Submissions to the Festival will be accepted from 9:00 a.m. on Friday, July 20, 2012 until midnight on Friday, September 21, 2012.

The 8th annual Park Interspecial Film Festival will take place October 1-5, 2012.

PIFF organizers appeared jubilant last night, as they gathered outside The Park Cinema following the screening of the festival’s opening film, Naked, Toothless, and Blind.  Alongside them, celebrities and reporters stood, dodging flashbulbs and waving to the adoring crowd.

“It’s been an uphill battle all year,” said PIFF Communications President, Leola Ocelot, referring not just to funding problems but to the fact that several films that were scheduled to debut here were still in the shooting stage when the 2011 list was announced.

“In the end, though, everything worked out perfectly and it looks as though this is going to be our most successful festival yet,” she concluded.

On the red carpet, flashing freshly-whitened teeth and swishing tails adorned with carefully-placed rhinestones , NT and B‘s twin stars Anders and Frederikke Egern answered reporters’ questions in between chatting with their film’s producers, Etienne Escurel and Mabbina Marmot.

The 7th Annual Park Interspecial Film Festival continues until October 5.  A total of thirty films will be screened at venues across The Park.

With less than two weeks to go before the first red carpet affair, the organizers of The Park Interspecial Film Festival (PIFF) today confirmed the name of the work that will open this year’s event.

At a press conference held this morning at the Park Cinema, PIFF Communications President, Leola Ocelot, announced that the first film to be screened at the opening gala on October 1 will be Naked, Toothless, and Blind.  The film, which was produced by Etienne Escurel and Mabbina Marmot, has been described as a “dark tale enveloping a bright interior.”

The Park Interspecial Film Festival is celebrating its 7th year this season.  Before calendar harmonization, the Festival was known, affectionately, as “Five Days in Felis.”  In its first year, the Festival screened six films; this year, organizers say, thirty films will grace screens across The Park and the list of celebrity attendants is the longest in the Festival’s history.