The Mammalian Daily

Satirical fiction in newspaper form

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Introducing PIFF Piffle: relevant irrelevancies about our annual film fest

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Park Interspecial Film FestivalThe Park Interspecial Film Festival (PIFF) is one of our most popular annual events. Yet, very little is known about its inner workings: the behind-the-scenes triumphs and tragedies, the disasters or even near-misses, and the antagonism, jealousy, and pettiness that play a part in The Park’s most cutthroat film industry.

But that is all about to change this year.

As a celebration of the festival’s twelfth year and in recognition of the maturation of the industry over the past decade and the value of film in Park life, The Mammalian Daily has given a new assignment to our official PIFF reporter, Aivis Burunduks. From now until the end of the festival, Burunduks will be reporting from behind the camera, behind the curtain, and behind the press conference. He’ll show you what goes into making a PIFF-worthy film and how that film makes it into the festival. He’ll expose the messy machinations of the industry and introduce you to the fire-breathing producers and the pandering publicists.

So, take a seat while we take you on a whirlwind tour of the second-greatest show in The Park.

PIFF 2016 sneak peek: Noon Nuttiness

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Park Interspecial Film FestivalThe Park Interspecial Film Festival (PIFF) is a little more than a month away and today, we got a sneak peek at what’s going to tickle our funny bones come October.

At a short press conference this morning, PIFF Communications President Leola Ocelot announced two of the films that will screen during the Noon Nuttiness portion of PIFF 2016:

AS I LIVE AND BREED: A NATURAL BUNNY’S HOME VIDEOS
Directed by Ilona Pupu
The Park | 20 minutes | Noon Nuttiness Première

Comedienne Ilona Pupu, who regularly makes fun of the ability of her species to produce what she calls, “three generations, no waiting,” directs and stars in this sendup of the life of a “natural bunny.”

With candid clips from her own life (and birthing) and actors standing in for her relatives and friends, Pupu pokes fun at her species without entirely spearing it. “Education? Who has time!” she declares as she nurses one litter while birthing another. One of the funniest parts of this film shows three of the four seasons go by in the background as Pupu’s niece Veera gives birth. Over and over again.

I AM GEOFFREY’S CAT: MY HILAIREIOUS SEARCH FOR AN INDEPENDENT IDENTITY
Directed by Carlos Geraldo Gato de León
The Park | 22 minutes | Noon Nuttiness Première

How are you supposed to have an independent identity when the Human boy you live with has the same name as your breed?

That is just one of the questions this Noon Nuttiness selection poses. But if that sounds too serious for you, don’t worry: this short film will have you in stitches as you watch the confusion mount. The star, who is also the director’s cousin, has a wicked sense of humour, which he loves to turn on his Human victims.

The title, by the way, invokes the name of the Human, Geoffrey St. Hilaire, after whom the star’s breed is named.

The Park Interspecial Film Festival runs 1-5 October 2016.

Glass shape made of nuts with strawNoon Nuttiness gratefully acknowledges the support of The Nut Bar, the most trusted nut shop in The Park.

Searching for the Spitman: Noon Nuttiness Review

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Park Interspecial Film Festival
Searching for the Spitman: A Journey Through Foam, Froth, and Fun
♥♥♥♥♥♥

Directed by Ernesto Santiago Camello | 23 minutes | Final screening October 5 at the Park Cinema

We’re all familiar with our friend Stan the Spitman’s signature phrase, “Spitballs from Heaven!” Yet how much do we know about the Spitman, himself?[pullquote]I tell my clients it’s an old family recipe, but it’s not. I made it up on the fly and it worked…because the fly stuck to the wall.—Estanislao Gonzalo de Llama, aka Stan the Spitman[/pullquote]

Not a lot, as it turns out. But writer and director Ernesto Santiago Camello has set out to change all that in this alarmingly candid short film about one of The Park’s funniest citizens engaged in one of the world’s oldest professions: spitmaking.

Estanislao “Stan” Gonzalo de Llama is a second generation SpitMeister, a master of the art of spitmaking.

“It’s an honourable profession,” he says with a wry smile, “that makes products used for dishonourable purposes.”

That wasn’t always so, as Camello demonstrates in his short look back at the history of spitmaking. But, these days, Stan estimates that about ninety per cent of his products go toward humiliating other Animals.

“It’s a fact of life in the profession,” he says. “But it doesn’t keep me up at night.”

Camello follows Stan through his day, from rising long before dawn to set a pot on the fire, to the arduous task of mixing, boiling, and stirring the ingredients.

“I tell my clients it’s an old family recipe, but it’s not. I made it up on the fly and it worked…because the fly stuck to the wall,” he jokes.

The film is full of lines like that—jokes that wouldn’t even be funny if they came out of another Animal’s mouth. But Stan gets away with it, largely because he is an honourable Animal. Last year, for instance, when Milton Struts, then head of the Park Finance Office, found himself covered in spitballs at the PIFF Awards ceremony, Stan secretly sent him a gift certificate for a full “do” at The Pluming Room.

“I don’t even know for sure that it was my spit they were using, but I know how it would feel and I didn’t think he deserved that. I’m not sure any Animal does,” he says in one of his more thoughtful moments in the film.

In another of those moments, Stan lets slip that if he hadn’t been pressured into joining the family business, he probably would have become a comedian or even a musician. And just so you don’t dwell on the poignancy of that admission, he quickly offers up another:

“No matter what, I’d have made my way back to spit[making]. It’s in my DNA,” he laughs.

PIFF preview: Herman Stoat: Mon Chemin Compliqué

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Park Interspecial Film FestivalAll PIFF documentaries are good. Some, of course, are better than others. Then, there are those that are spectacular.

And, that adjective is more than appropriate for the much-anticipated Herman Stoat: Mon Chemin Compliqué.

Conceived and produced by Pussyfoot Productions, this film about the life and work of the renowned dancer, choreographer, and founder and artistic director of the eponymous dance company has been in the making for more than four years. Yet, it received its official title only last year, after Stoat and his company’s assistant choreographer Gustav Hermelin created the dance, Le Chemin Compliqué, for the 2014 Celebration of the Winter Solstice.

“That was how we knew we were done,” Stoat said in a PRANCE magazine interview last month. “Somehow, with that dance and that title, we’d come full circle.”

Stoat knows a lot about circles, having danced professionally for years before founding the Herman Stoat Dance Company. And while he’s achieved a level of artistic success that was previously unknown in The Park, that success, which includes being named Choreographer of the Decade by PRANCE Magazine, has come at a cost.

“You might say that I survived success,” Stoat jokes in an early scene in the film. “But you might also say that I didn’t.”

Even Stoat fans who watched the choreographer’s reality series three years ago on Vertebrate Vision TV will be surprised at the physical, mental, and emotional pain this film uncovers and how complicated a road Stoat has travelled.

A Park refugee, both Stoat’s parents died at the hands of Humans.

“They were in their prime but, unfortunately, so were their coats,” he says matter-of-factly.

Left to his own devices, the young Stoat found his way to The Park, where he was taken in by a family and raised, as he says, “with love and care.” But there were problems in the household, jealousies among the family’s natural offspring, and expectations he could not meet.

“Early on, I discovered my natural talent for dancing and it saved me. I could go off on my own, explore my ideas, and set my moves to music,” he says.

It was during that time that he discovered the effect his moves had on others, as well.

“It was almost hypnotic, the effect. I noticed crowds gathering and they were mesmerized by my dancing. Suddenly, I found I couldn’t stop and they didn’t want me to, either.”

Stoat danced himself into Park history, but there came a time when he did have to stop for a while, after the anguish of his early years caught up with him.

“I’d packed it all away and suddenly, after I won a few awards, it all came tumbling out. I needed some time alone and even contemplated retirement,” he says.

Fortunately for Park dance lovers, Stoat finally returned to the stage refreshed and ready to take on new challenges, including teaching, working with artists in other genres, and calling for more diversity of species in dance. And, he reveals in the film, there is even more to come.

“There are days when I wake up and I think, ‘I’ve only just begun,’ ” he says with joy.

Herman Stoat: Mon Chemin Compliqué will screen at the Park Cinema on Friday, October 2 at 2:00 p.m. and on Sunday, October 4 at 4:00 p.m.

Retired novelist’s film to open PIFF 2015

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Park Interspecial Film FestivalThe first film of retired novelist Hentrick Olifant will open the 2015 Park Interspecial Film Festival (PIFF) in October, it was announced today.

At a short press conference this morning, PIFF Communications President Leola Ocelot confirmed the selection.

“We are thrilled to announce that Hentrick Olifant’s first film, Parade, will open our festival this year. As you will see for yourselves, Parade is a wonderful mix of history and autobiography with a futuristic twist. We are grateful to have the chance to screen this film,” she said.

Ocelot said the October 1 gala screening would be the film’s début, but she could not confirm that Olifant would be in attendance.

“Since he retired from writing novels, he’s been a bit of a recluse, but we are going to try our best to coax him out for this,” she said.

Best known for his novel, Grasses, Leaves, Bamboo, Bark, which won the 2006  award for fiction at the Park Annual Literary Awards (now Chitter Radio Literary Awards), Olifant also served as a Park Archon in 2009. He was last in the public eye in April of 2014, when he announced his retirement from writing fiction by auctioning off his unused novel titles (all proceeds went to charity).

Regarded as one of The Park’s most prolific writers, Olifant said at the time of his retirement that should be decide to resume writing, it would most likely be in the form of history or personal memoir. Instead, he combined the two and chose to work in a different medium.

“I find film much more dynamic than the novel these days,” he said in a rare interview last month. “There is more to do and, thus, more scope. Yet, alas, there is less time in which to do it,” he said.

In the opening credits of Parade, Olifant is listed as screenwriter, co-director, and producer.

The Park Interspecial Film Festival (PIFF) runs from 1-5 October 2015.

PIFF extends deadline for submission of films to PIFF Pockets category

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Park Interspecial Film FestivalThe Park Interspecial Film Festival (PIFF) has extended the deadline for the submission of short films to the 2015 PIFF Pockets category.

In a statement issued this morning, PIFF Communications President Leola Ocelot confirmed that the new date will be September 25, giving filmmakers an extra four days to edit and submit their films.

Ocelot gave no specific reason for the deadline extension, but said in the statement that it was decided on the basis of “fairness to all.”

Pocket films are generally defined as films that do not exceed three minutes in length. To qualify for the PIFF Pocket category, films must have been made specifically for the Festival and must have their first screening at the Festival. Both pocket documentary and pocket fiction films are eligible for submission.

The Park Interspecial Film Festival runs 1-5 October 2015.

PIFF 2015 sneak peek: Noon Nuttiness

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Park Interspecial Film FestivalThe Park Interspecial Film Festival (PIFF) may be many weeks away, but today, at least, we got a sneak peek at what’s going to tickle our funny bones come October.

At a short press conference this morning, PIFF Communications President Leola Ocelot announced three of the films that will screen during the Noon Nuttiness portion of PIFF 2015:

SEARCHING FOR THE SPITMAN: A JOURNEY THROUGH FOAM, FROTH, AND FUN
Directed by Ernesto Santiago Camello
The Park | 23 minutes | Noon Nuttiness Première

We’re all familiar with our friend Stan the Spitman’s signature phrase, “Spitballs from Heaven!” Yet how much do we know about the Spitman, himself?

Not a lot, as it turns out. But writer and director Ernesto Santiago Camello has set out to change all that in this alarmingly candid short film about one of The Park’s funniest citizens engaged in one of the world’s oldest professions: spitmaking.

WOODRUFF DALMATIO: FINE LINES AND WRINKLES
Directed by Ludmilla Ptak
The Park | 26 minutes | Noon Nuttiness Première

Not just a hastily put together version of his award-winning book of the same name, but a film that shows the outrageous Dalmatio at work and at play, which for him appears to be the same thing.

NOT FOR POLITICAL PORPOISES
Directed by Cong Da Jiāngtún
The Park | 35 minutes | Noon Nuttiness Première

It takes a certain kind of mind to create humour out of adversity, and there’s no doubt Cong Da Jiāngtún has it.

Jiāngtún, whose own species is endangered, has written and directed this “tour of the everyday life of the almost extinct.”

“Life on the out and out,” he says in the film, “can be extraordinarily amusing.”

The Park Interspecial Film Festival runs 1-5 October 2015.

Glass shape made of nuts with strawNoon Nuttiness gratefully acknowledges the support of The Nut Bar, the most trusted nut shop in The Park.

Park Finance Officer mobbed at last night’s PIFF awards ceremony

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Park Interspecial Film FestivalPark Finance Officer Milton Struts was mobbed last night, according to witnesses, as he attempted to enter the Park Cinema for the Park Interspecial Film Festival (PIFF) awards presentation.

Several attendees, some of whom were producers whose films were up for awards, said that four of the Guard Dogs stationed at the entrance had to intervene when a group representing the Small Animal Hibernating Community (SAHC) started to bite Struts as he passed by.

One witness said that some of the Animals pulled at Struts’s feathers, while another confirmed that “more than one” sent spitballs his way.

“They were hopping mad [about the budget] and they weren’t going to let him pass without letting him know,” said one source who wished to remain anonymous.

Other Animals claimed that Stan the Spit Man, whose signature slogan is “Spitballs from Heaven!” instigated the attack on Struts as a publicity stunt to promote his business.

“There was sort of a pop-up spit shop right behind the Park Cinema. I saw it,” said witness Konrad Eule.

Calls to Stan the Spit Man have not been answered directly, but through a spokesAnimal, Stan denied any involvement in the campaign against Struts.

“Stan the Spit Man does not involve himself in politics,” the spokesAnimal said. “Nor does he endorse the use of spitballs for political purposes.”

Struts, who was ushered into the Cinema for the awards presentation, was not seen exiting at the end of the evening. He is believed to have stayed at the Cinema until it was safe for him to be escorted home by Park Police.

The Nut Bar assumes annual sponsorship of PIFF’s “Noon Nuttiness”

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Glass shape made of nuts with straw

The Nut Bar: official sponsor of PIFF’s “Noon Nuttiness”

It’s always made sense but now they’ve made it official: The Nut Bar announced today that it will become the annual sponsor of “Noon Nuttiness” at the Park Interspecial Film Festival (PIFF).

“Noon Nuttiness,” the exclusive screening of comedy films between the hours of 12:00 p.m. and 2:00 p.m., has been wildly successful since its inception. Now entering its third year, PIFF organizers believe it will prove to be the most popular event of this year’s festival.

“This is huge news,” said PIFF Communications President Leola Ocelot, referring to The Nut Bar’s sponsorship announcement.

Speaking at a hastily-arranged press conference this morning, she praised the company for their initiative.

“They’re a very generous company and we greatly appreciate their support of our annual comedy mini-fest,” she said. “This was entirely their idea and it took us all by surprise. I hope other companies will follow their example,” she added.

The Park Interspecial Film Festival will run from 1-5 October, 2014.
The first “Noon Nuttiness” film will be screened on October 2.

PIFF 2014 takes the political high road with choice of opening film

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Park Interspecial Film FestivalDirector-turned-producer Ulla Kojootti’s engaging collage film, 32 Short Films About Zoocracy, has been selected to open the 10th annual Park Interspecial Film Festival (PIFF) on October 1.

PIFF Communications President Leola Ocelot made the announcement at a brief press conference this morning.

“We screened the film about a month ago and thought it would be perfect for the opening,” Ocelot said.

“It is a fine celebration of our struggle to establish and maintain Animal self-rule and it fits nicely with our own celebration of a decade of showcasing the work of Park filmmakers.”

The film is an unusual project for Kojootti, who is better known as a “lone Wolf” in the industry than as a collaborator. Her best known films, such as Coexistence, were written, directed and produced by her with no assistance from any other Animal.

Even so, Kojootti said in an interview recently, she was drawn to the subject “because I had been thinking about our life here in The Park and I wanted to know what others thought about it.”

She invited The Park’s film community to a discussion and, she says, “the idea began there.”

Kojootti invited 32 directors (one for each year of zoocracy in The Park) to make a short film about the subject either from their personal point of view or from that of their species. The result is what those who have seen it call a “brilliant, maddening, engaging, thought-provoking” film.

Ironically, Kojootti produced the work but did not direct any of the films. She has no regrets, though.

“Maybe we’ll do it again in a few years,” she says. “Then I will definitely save one [film] for myself.”

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