The Park Museum of Contemporary Art (PMoCA) is set to unveil its newest exhibit this weekend. The live art installation is entitled, How Much Was That Doggie in the Window?

Wednesday Rewind:
Original Publication Date: 5 April 2013

The Park Museum of Contemporary Art (PMoCA) is set to unveil its newest exhibit to the public this weekend and it promises to be one of the most talked-about artistic events in Park history.

At a gala opening tomorrow evening, patrons finally will be able to view the Museum’s — and The Park’s — first art installation. But that’s not all: the installation, which is entitled, How Much Was That Doggie in the Window? is a live art installation.

“It’s been a long slog for all of us, but we’re finally ready. All systems are go and we couldn’t be more excited,” says Aulikki Norsu, president of PMoCA’s board of directors.

The live exhibition, which depicts the sorry life of the domestic Canine, was curated by Dorika Pumi, whose previous work for the Museum includes the K-NONical Kismet exhibit and the controversial but well-received series of sketches entitled, Better To Be Lost Than Loved.

But this new exhibit is not just another one-dimensional criticism of Canine domesticity, Pumi insists.

“This is a living, breathing, depiction of one of the least-discussed but most horrifying aspects of domestic Canine life,” she says.

According to Pumi, thousands of Canines are bought every year (“purchased” is the word that Pumi uses) on the open market outside The Park, then housed in apartment complexes that are sometimes hundreds of feet in height, and left there to languish while their Human companions — the ones who profess to love them — stay away for hours on end.

“These Dogs have no idea whether those Humans will ever return,” says Pumi. “They don’t know what’s going to happen to them. They can’t get out of there on their own and every day they wonder whether they will die there, distraught and alone.”

To get her message across, Pumi enlisted the services of those who know whereof she speaks: The Park’s Canine refugees.

“These are the Dogs who have received assistance from Runaway Rovers, the immigrant aid group that helps formerly domestic Canines establish a better life in The Park,” she says.

Four different groups of these formerly domestic Dogs will work in the exhibit. Their shifts will be four hours long and two different groups will work on the installation each day. They will need a break after four hours, Pumi says, because they will have spent the entirety of that time howling while hanging out of the window of a wall that was specially constructed for the exhibit.

“It’s a tough job, but there was no shortage of Dogs who were willing to take it on when they heard about the project,” says Pumi. “They’ve lived the life and we’ve given them the chance to show us what it’s like.”

How Much Was That Doggie in the Window?  will be installed at the Park Museum of Contemporary Art until November, 2013.

Wednesday Rewind
Original Publication Date: 15 February 2013

The Strange Case of the Topaz Toepad, the best-selling mystery novel by Kylie Springbok, will begin its journey to the big screen this Spring.

Annika Maasusi, Editor-in-Chief of Hyena Whodunits, the book’s publisher, confirmed the sale of the film rights in a press release late this afternoon.

“Hyena Whodunits is pleased to announce that Mandrill Entertainment has purchased the rights to the highly successful novel, The Strange Case of the Topaz Toepad,” the release said.

Mandrill Entertainment, best known for producing fast-paced action and adventure films, released a statement simultaneously, confirming both the purchase and its plan to begin filming in The Park in the late Spring.

“We are pleased to inform Park Animals that the film’s casting and shooting will all be done within The Park,” the release also said. No other information regarding the cast was revealed.

The book, which was originally published in 2007, will be re-released in March to coincide with the making of the film, Maasusi confirmed.

Wednesday Rewind
Original Publication Date: 19 January 2010

The Park Postal Service introduced its first commemorative stamp yesterday. The stamp, which honours Jor, The Park’s first leader and the founder of modern zoocracy, features a rarely-seen photograph of Jor. The caption reads, simply, “Our First Leader.”

The stamp carries a value of 55 in Cow currency (approximately .11 Ftoo) and will be available for purchase by 22 Proto.

This is the first time in its history that the Postal Service has issued commemorative stamps. According to a Postal Service spokesanimal, the decision was taken because it was felt that “such honours were long overdue.”

Wednesday Rewind
Original Publication Date: 20 September 2015

All PIFF documentaries are good. Some, of course, are better than others. Then, there are those that are spectacular.[pullquote]You might say that I survived success. But you might also say that I didn’t.—Renowned choreographer Herman Stoat[/pullquote]

And, that adjective is more than appropriate for the much-anticipated Herman Stoat: Mon Chemin Compliqué.

Conceived and produced by Pussyfoot Productions, this film about the life and work of the renowned dancer, choreographer, and founder and artistic director of the eponymous dance company has been in the making for more than four years. Yet, it received its official title only last year, after Stoat and his company’s assistant choreographer Gustav Hermelin created the dance, Le Chemin Compliqué, for the 2014 Celebration of the Winter Solstice.

“That was how we knew we were done,” Stoat said in a PRANCE magazine interview last month. “Somehow, with that dance and that title, we’d come full circle.”

Stoat knows a lot about circles, having danced professionally for years before founding the Herman Stoat Dance Company. And while he’s achieved a level of artistic success that was previously unknown in The Park, that success, which includes being named Choreographer of the Decade by PRANCE Magazine, has come at a cost.

“You might say that I survived success,” Stoat jokes in an early scene in the film. “But you might also say that I didn’t.”

Even Stoat fans who watched the choreographer’s reality series three years ago on Vertebrate Vision TV will be surprised at the physical, mental, and emotional pain this film uncovers and how complicated a road Stoat has travelled.

A Park refugee, both Stoat’s parents died at the hands of Humans.

“They were in their prime but, unfortunately, so were their coats,” he says matter-of-factly.

Left to his own devices, the young Stoat found his way to The Park, where he was taken in by a family and raised, as he says, “with love and care.” But there were problems in the household, jealousies among the family’s natural offspring, and expectations he could not meet.

“Early on, I discovered my natural talent for dancing and it saved me. I could go off on my own, explore my ideas, and set my moves to music,” he says.

It was during that time that he discovered the effect his moves had on others, as well.

“It was almost hypnotic, the effect. I noticed crowds gathering and they were mesmerized by my dancing. Suddenly, I found I couldn’t stop and they didn’t want me to, either.”

Stoat danced himself into Park history, but there came a time when he did have to stop for a while, after the anguish of his early years caught up with him.

“I’d packed it all away and suddenly, after I won a few awards, it all came tumbling out. I needed some time alone and even contemplated retirement,” he says.

Fortunately for Park dance lovers, Stoat finally returned to the stage refreshed and ready to take on new challenges, including teaching, working with artists in other genres, and calling for more diversity of species in dance. And, he reveals in the film, there is even more to come.

“There are days when I wake up and I think, ‘I’ve only just begun,’ ” he says with joy.

Herman Stoat: Mon Chemin Compliqué will screen at the Park Cinema on Friday, October 2 at 2:00 p.m. and on Sunday, October 4 at 4:00 p.m.