Original Publication Date: 22 July 2014

Veteran playwright Imogen Aardeekhoorn has died, The Mammalian Daily has learned.

In a communication sent to managing editor Orphea Haas, Aardeekhoorn’s publicist confirmed that the author of “Mixed Nuts” died at her burrow sometime between Saturday evening and last night. Her body was discovered this morning by a friend, the publicist said.

Aardeekhoorn was born in The Park to an immigrant Chipmunk family. A prolific writer, she was the author of two novels, a book of poems, and three plays, as well as her “Chronicles,” upon which the one-Chipmunk show, “Mixed Nuts,” was based. Last year, Aardeekhoorn received the Chitter Radio Literary Award for her last work, ”Truffles.” She was also honoured at that event for her efforts on behalf of the Park Repertory Theatre.

Aardeekhoorn was nine years old.

Read also: Theatre Review: The Sound of One Nut Cracking

Original Publication Date: 18 June 2013

The power is in the understatements in “Mixed Nuts,” the compelling one-Chipmunk drama that opened for a short time in Alepou (November) and is scheduled for a return engagement this Barnabus (February) at the Park Repertory Theatre.

Original Publication Date: 14 June 2012

Retired Archon, Wyndham Seahorse, plunged headlong into renewed controversy yesterday, when he refused to retract a statement he made two weeks ago about “The Promise of The Park.”

Speaking at the 2012 commencement ceremony at the University of West Terrier, Seahorse called the concept “a sham” and told the graduating class, “You’ve been had.”

Asked point blank by a Park Aquatic Animal Television (PAATV) reporter whether he regretted his comments, Seahorse replied, “Not at all,” and began to elaborate further on his theme.

“I think it’s important for our young to know that they’re not headed in the direction they’ve been led to believe,” he said.

Seahorse continued in that vein for approximately a minute and a half before the reporter cut him off. Visibly frustrated, the 2008 Archon continued to talk, saying later that he believed he had a very important point to make, whether Animals wanted to hear it or not.

“I served as an Archon for one year and I saw what was going on in The Park and in the wider world. I would think the value of that would be recognized, but I see that, sadly, it is not,” he said.

Original Publication Date: 04 November 2011

The University of West Terrier announced today that it has secured the services of award-winning author, Pieter N. Paard, to write the definitive history of The Park’s oldest institution of higher learning.

In a statement released to all Park media, the President of UWT, Angus Abhag, said that this will be “a no-holds barred, complete history of the institution, from its foundation to the present day.”

The statement also said that UWT hoped all present and past faculty and staff members, as well as the university’s students, friends, and benefactors, would cooperate with Paard and be “completely honest about their experiences at the University of West Terrier.”

Pieter Paard is best known for his book, From Slavery to Freedom: A History of Pack Animals. A five-part television series, based on the book, aired on PBC Television this Autumn.

Original Publication Date: 20 June 2013

In their continuing effort to foster interspecial harmony in The Park, the 2013 Archons have instituted a series of public gatherings that will take place every Sunday at the Ancient, Open-Air Theatre.

“Stereotype Sundays,” as they will be called, are the latest in a long list of administrative efforts to promote the kind of peaceful coexistence among species that Jor hoped to achieve when he established modern zoocracy in The Park 31 years ago.

But, as the Archons admitted this morning when they announced this latest venture, “almost every success in this area has been hard-won. Worthwhile…and a major step forward, but hard-won.”

This new idea, which was unanimously approved by the Archons in April, differs in its approach in that it is meant “to encourage Animals to be open about what they think and how they feel,” said Chief Archon Dewi Rhinoceros this morning.

“Free is the operative word,” she emphasized.

“We want all Animals to feel free to bring something to these gatherings. And by that, I mean, to bring their beliefs, their ideas about other species. We want to hear what they think, what their ancestors taught them. We are going to try not to judge, but to educate…to illuminate. After all, we are a community of thousands of different species…there is bound to be an abundance of misinformation,” she said.

The gatherings will begin on Sunday, June 23. For the first event, the Archons have requested that those attending bring a “stereotype” of their own species to the forum.

“An idea, a picture, a quotation…anything…as long as it will spark discussion. That is all we need,” said the Rhinoceros.

The 5 Ws of it all:

Who:    All Park Animals, including citizens, residents, regular visitors, and their friends and families
What:   “Stereotype Sundays”
When:   Every Sunday, 1:00 pm until 6:00 pm
Where:  Ancient, Open-Air Theatre
Why: To foster harmony among all the species that live in The Park by dispelling myths and understanding others’ beliefs

Original Publication Date: 30 March 2014

After experiencing delays, underfunding, and the resignations of two of its directors, The Park’s new Centre for Interspecial Harmony (CIH) finally opened its doors yesterday afternoon.

The CIH is the brainchild of Dewi Rhinoceros, who is now the Chair of its Board of Directors. It was her 2013 term as Chief Archon that was partly to blame for the opening’s delay.

“Once I found out that I’d been appointed [Chief Archon], I knew I wouldn’t have the time to put into the Centre that I wanted to,” she said yesterday.

While she put the project on hold for the year, she and her fellow Archons instituted “Stereotype Sundays” as a way of  achieving the goal that is most dear to her heart: fostering harmony among all the species of Animals in The Park. This is, not coincidentally, the mission of the Centre for Interspecial Harmony.

“‘Stereotype Sundays’ was just the beginning and more of a foundation,” Dewi said. ” With them, we introduced the notion of openness and our willingness to look realistically at what we might be thinking about each other.”

The CIH plans to build on that foundation by running educational programmes, hosting events, and funding research projects in association with the University of West Terrier.

“Now that we’ve achieved self-government, we might think we can just sit back and enjoy the fruits of our labour. But there is so much work to be done to ensure the health and well-being of zoocracy and, I believe, attending to interspecial harmony may be the most important work of all,” said Dewi.

The Centre for Interspecial Harmony is open seven days a week from 10:00 to 21:00. 

Original Publication Date: 11 March 2014

It’s a bold idea that is sure to make waves. And, this morning, managing editor Orphea Haas confirmed that The Mammalian Daily is coming on board.

“That is music to our ears,” said Alvin Tinamou, publisher of The Avian Messenger and one of the organizers of The Park’s “Month Without Metaphor.”

The media-wide initiative, which is set to run for the entire month of May, promises to shake up what many regard as a moribund industry. And as of yesterday, almost ninety percent of The Park’s newspapers and magazines had agreed to participate in Tinamou’s “Grand Resuscitation.” The Mammalian Daily is the largest and latest to do so.

“We’re thrilled about it,” said Tinamou in an interview this afternoon. “The Mammalian Daily is such an influential paper in The Park and their participation gives us another quiver in our arsenal.”

The idea of the initiative, Tinamou says, is to “tell it like it really is…no embellishments, no idiotic comparisons, no ridiculous painting of pictures for the reading public. Just the facts. We think they’re enough. And not only do we think the facts are enough, we think all this metaphorical reporting is obscuring those facts and distracting our readers’ attention from the important issues. What we need is clarity, particularly during these challenging times, and we very much look forward to seeing how our readers react to being offered a month of just plain facts.”

The Park’s media-wide “Month Without Metaphor” will run from May 1-31, 2014.

Original Publication Date: 11 April 2016

First quarter results indicate that the Park Finance Office (PFO) did the right thing when it listened to the business community this past Winter and allowed shops to stay open on Groundhog Eve and Groundhog Day.

“We are very grateful to the Park Finance Office and, in particular, to PFO head Valentina Abeja, for supporting our community so strongly,” said Wellington Whistlepig, president of the Park Association of Shops and Services (PASS), in a statement released by the Association today.

According to Whistlepig, Park businesses reported average profits of more than double those of the same period last year.

“This should convince the Archons, the PFO, and Park citizens that a permanent change should be made to the law,” the statement says.

That assertion could signal the start of another major battle in The Park, as the issue of allowing shops to open on Groundhog Day and other holidays has been a contentious one. Those on both sides have argued passionately, but the Archons and the PFO have been reluctant to make any permanent move.

Such a move would require a change in the law, which could only be made after the receipt of submissions from business and the citizenry, followed by a full and open debate, says Delia Quagga, head of the Barnaby School of Government at the University of West Terrier. And that, she says, could take years.

“I think this informal arrangement might be more beneficial than an overhaul of the law,” she said at the time the announcement was made about this year’s opening.

Others in The Park agree.

“We need to look at all the factors responsible for the rise in profit before we make any changes to the law,” says Xavier Dingo, chief financial analyst at A. Corn and Partners. “Much more study needs to be done.”

Original Publication Date: 10 October 2013

The Board of Governors of the Park Museum has come under fire for appearing to blame members of the Association of Professional Park Construction Workers (APPCW) for the ongoing strike at the museum.

In an open letter addressed to the museum’s future patrons, the Board contends that it has bargained “in good faith” and been conscientious about attending negotiations with the APPCW’s representatives. The letter appears on the museum’s web site.

“At no time did we threaten to void our contract with the Builders’ Guild (APPCW), as was reported, nor have we ever failed to attend negotiations. We believe that we have bargained in good faith with the members of the APPCW and, to the best of our ability, we have met members’ demands,” the letter begins.

Some critics, however, have accused the museum’s Board of Governors of “whitewashing” and some have even suggested the letter is a form of sabotage.

“I think they might be using that letter to bait the APPCW,” said Gareth Shepherd, Park Police Officer and President of the Federation of Canine Security Workers (FCSW).

“We’ve seen this kind of thing happen and it can turn very ugly,” he said.

Construction of the main building of the Park Museum ceased on September 14, when talks between the APPCW and the museum’s Board of Governors broke down. In the letter, the museum’s Board of Governors appears to blame APPCW members’ “demands” for the current impasse, something which Shepherd says is common tactical error.

“More often than not, it backfires,” he says. “[Their] use of the word ‘demand’ is the first indication that they are trying to sway public opinion with the letter, rather than just using it to inform future patrons of the delay. Their hope appears to be that donors and future patrons will place the blame for the delay and for escalating costs on these ‘demands’ rather than on both parties’ inability to come to an agreement.”

The full letter appears here.

Original Publication Date: 13 August 2015

The Park Museum and the Institute for the Study of Mammalian Life (ISML) have ended their long battle over the establishment of a permanent home for one of The Park’s most iconic literary works.[pullquote]The citizens of The Park deserve to be able to visit the work in the building that was constructed to house our history.—Sakura Rhinoceros, member of the Board of Governors, The Park Museum[/pullquote]

The AutoZOËography of ZoëCat has been housed in a protected display in the lobby of the ISML since it was recovered in 2013 by workers excavating at the site of what is now The Park Museum. It had previously been displayed at the front of the Ancient, Open-Air Theatre, until a storm toppled the display and it went missing.

Because the excavators brought their precious find to the Institute for verification, the ISML decided to keep the beloved Park tome and to display it in the Institute’s lobby. Early last year, however, as The Park Museum neared completion, its Board of Governors initiated a series of meetings with the ISML aimed at convincing them that the museum was the only logical place to house the AutoZOËography on a permanent basis.

“Every one of the 6,975 pages of her book is a part of Park history and the citizens of The Park deserve to be able to visit the work in the building that was constructed to house our history,”  Sukuta Rhinoceros, one of the founders of the Museum and a member of its Board, said at the time.

The ISML held fast to its view that it had the sole right to display the work until last week, when the two institutions came to a “joint custody” agreement.

“We are happy to report that both The Park Museum and the Institute for the Study of Mammalian Life have agreed to act as joint official custodians of The AutoZOËography of ZoëCat, one of the most important works in Park history,” said a press release issued today by both institutions.

The agreement, which will be signed next week, names The Park Museum as the book’s official home, but allows it to be moved to the ISML for one month every Winter for the purpose of display and study. Throughout the other eleven months, the ISML will display a facsimile in the space that it built for the book two years ago.

According to sources close to both institutions, the agreement was hammered out late Sunday night, with the assistance of the Park Historical Society and members of a number of faculties and departments at the University of West Terrier.

“All parties are pleased with this agreement and we plan to move forward with the logistics as soon as possible,” the press release says.

The Park Museum’s press release may be read here.