The Park’s leading grooming houses will fund the establishment of a school dedicated to the teaching of multi-special aesthetics and hygiene

Wednesday Rewind:
Original Publication Date: 27 February 2013

The Park’s grooming houses announced today that they are banding together to fund an independent school dedicated to the teaching of aesthetics. The school, which is as yet unnamed, will be the first of its kind in The Park and will offer a certificate to those who complete its two-year programme.

The announcement was made this afternoon, when representatives of The Park’s five leading grooming houses gathered at The Pluming Room to outline their vision of a school that teaches multi-special grooming techniques, skin and hair care, and hygiene, “as well as the beautification techniques that have become so popular lately, such as Featherrection™.”

“There is a gap in The Park’s educational system, and we are looking to fill it,” said Elspeth Rinder, who holds a specialist certificate in Bovine Lumpy Skin Disease and practises at Amoltrud’s Aesthetics on a part-time basis.

The grooming houses, which together employ more than 300 practitioners of aesthetics and their assistants, say they have had trouble finding qualified staff and not one of their current employees trained at a school inside The Park.

“This is nothing short of embarrassing,” said Amoltrud Poedel, owner of Amoltrud’s Aesthetics, The Park’s oldest grooming house.

“I think that, as a Park, we are mature enough now to educate our own groomers.”

Tallulah of Tallulah’s Toilettage said that funding for the school will come “directly from our collective revenue” and that, initially, the school will be staffed by the grooming houses.

“In the beginning, all the instructors will be in active practice at our establishments. They will not receive any pay for their duties at the school, but their hours of work at the grooming houses will be reduced to accommodate their new responsibilities,” she said.

In addition, the school will invite guest instructors from outside The Park to teach classes and give demonstrations.

“Breadth of experience and technique is extremely important and we aim to provide a well-rounded education in the aesthetic arts,” Tallulah said.

Although a location for the school has yet to be determined, the founders are confident they will be ready to welcome their first class of students in the Autumn of 2013.

Wednesday Rewind:
Original Publication Date: 13 June 2012

A little more than two weeks before the official date of estivation, The Department of Well-Being and Safety (DWBS) has released a report on the health of The Park’s hibernating communities.

Entitled, “Premature Awakening: The Dawn of an Epidemic?” the report relates the results of a two-year study of the incidence of premature awakening among The Park’s hibernating citizens. The study was conducted by the DWBS in collaboration with the University of West Terrier’s School of Medicine and the Park General Hospital for the Afflicted and Infirm.

According to the report, deaths from premature awakening have risen 30% in the last two years. This past Winter alone, several hundred Ground Squirrels were found dead outside their burrows weeks before the official end of hibernation.

“We assume they were looking for food and became disoriented,” says Oliver S.P. Franklin, head of the Confederation of Ground Squirrels. “It was a real blow to the community.”

While the report documents the rise in incidence, it offers no definitive answers as to the cause.

“This is just the beginning,” says Dr. Jagger Zebu, Professor of Mammalian Medicine at the University of West Terrier and one of the authors of the report.

“The matter requires much further study before we can be confident of an explanation,” he says.

Wednesday Rewind:
Original Publication Date: 23 January 2014

We may be ten days away from the POPS prediction and related celebrations, but this year’s Groundhog Day program is already proving to be controversial.

The decision made by the 2013 Archons to substitute a “musical interlude” for the Park Historical Society’s Tribute to Zoocracy has sparked some heated discussion, particularly on talk radio stations.

Yesterday morning, Park Historical Society President Clark Cascanueces admitted he was “blindsided” by the exclusion of his organization’s short film on zoocracy. He and University of West Terrier history professor Beatrice Zilonis were guests of talk show host Yannis Tavros on Toro Talk Radio.

“I was gobsmacked, truly,” Zilonis said. They went on to characterize the 2013 Archons as “the most ignorant, anti-education group of Animals” they had ever seen.

While Cascanueces and Zilonis are not alone in their opinions, many in The Park support the Archons’ decision. Citing Hieronymous Hedgehog’s criticism of the film last year as “a touch Human,” Mammalian Daily advice columnist and UWT adjunct professor of Human Studies reiterated her opinion of the tribute on a Canine Communications Radio (CCR) call-in show.

“There is something almost Human about our celebrating ourselves,” she said.

“It’s not the Animal way. I think we’ve imbibed this sort of ‘Rah Rah’ attitude from the Humans around us and I’m not sure it’s such a good idea. In any case, I don’t think it’s quite appropriate for Groundhog Day and I’m behind the Archons on this. I think their decision to remove it from the program was a sound one,” she said.

The Park Museum of Contemporary Art (PMoCA) is set to unveil its newest exhibit this weekend. The live art installation is entitled, How Much Was That Doggie in the Window?

Wednesday Rewind:
Original Publication Date: 5 April 2013

The Park Museum of Contemporary Art (PMoCA) is set to unveil its newest exhibit to the public this weekend and it promises to be one of the most talked-about artistic events in Park history.

At a gala opening tomorrow evening, patrons finally will be able to view the Museum’s — and The Park’s — first art installation. But that’s not all: the installation, which is entitled, How Much Was That Doggie in the Window? is a live art installation.

“It’s been a long slog for all of us, but we’re finally ready. All systems are go and we couldn’t be more excited,” says Aulikki Norsu, president of PMoCA’s board of directors.

The live exhibition, which depicts the sorry life of the domestic Canine, was curated by Dorika Pumi, whose previous work for the Museum includes the K-NONical Kismet exhibit and the controversial but well-received series of sketches entitled, Better To Be Lost Than Loved.

But this new exhibit is not just another one-dimensional criticism of Canine domesticity, Pumi insists.

“This is a living, breathing, depiction of one of the least-discussed but most horrifying aspects of domestic Canine life,” she says.

According to Pumi, thousands of Canines are bought every year (“purchased” is the word that Pumi uses) on the open market outside The Park, then housed in apartment complexes that are sometimes hundreds of feet in height, and left there to languish while their Human companions — the ones who profess to love them — stay away for hours on end.

“These Dogs have no idea whether those Humans will ever return,” says Pumi. “They don’t know what’s going to happen to them. They can’t get out of there on their own and every day they wonder whether they will die there, distraught and alone.”

To get her message across, Pumi enlisted the services of those who know whereof she speaks: The Park’s Canine refugees.

“These are the Dogs who have received assistance from Runaway Rovers, the immigrant aid group that helps formerly domestic Canines establish a better life in The Park,” she says.

Four different groups of these formerly domestic Dogs will work in the exhibit. Their shifts will be four hours long and two different groups will work on the installation each day. They will need a break after four hours, Pumi says, because they will have spent the entirety of that time howling while hanging out of the window of a wall that was specially constructed for the exhibit.

“It’s a tough job, but there was no shortage of Dogs who were willing to take it on when they heard about the project,” says Pumi. “They’ve lived the life and we’ve given them the chance to show us what it’s like.”

How Much Was That Doggie in the Window?  will be installed at the Park Museum of Contemporary Art until November, 2013.