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OTD in 2014—Park Museum puts out call for personal items related to domestication

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Park Museum

The Park Museum needs domestication-related items for its upcoming exhibit

The Park Museum has put out a call for items of a personal nature related to domestication and enforced domestication. The Museum says it requires such items for display in its upcoming exhibit marking Enforced Domestication Awareness Month.

In a statement posted on the Museum’s web site, the Board of Governors requested contributions from Park Animals of items such as collars, leashes, cages, carrying cases, feeding paraphernalia (including bowls, etc.), grooming tools, toys, and I.D. tags. The Museum intends to borrow the requested items and assures Animals that their belongings will be “treated with the utmost care and respect” and be returned to their owners at the conclusion of the exhibit.

Details of the exhibit have not yet been released, but a spokesAnimal for the Board of Governors said the requested items will be displayed in a section called, “Ways and Means.”

To read the Museum’s full statement, click here.

OTD in 2012—Has Anixi Agrarian Jubilee become too politicized?

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A day after the most successful and best-attended Agrarian Jubilee in history, a menacing question hangs in the air: is the annual celebration becoming too politicized?

Organizers of the event, which marks the beginning of The Park’s growing season, sniff at the suggestion.

“I see no evidence of that [politicization] at all,” said Miriam Wapiti, the celebration’s chief organizer, at a post-event party. “With the numbers we get, there will always be those who see this as an opportunity to further their cause, but they’ll always be a small minority,” she said.

Not so, says Gareth Shepherd, President of the Federation of Canine Security Workers (FCSW) and a Guard Dog who was on duty during the Jubilee.

“We had to call in reinforcements, so many scuffles broke out…even among members of the [same] organization. It was three times more difficult to keep the peace and provide security this year than last year,” he said.

Sylvana Rana, of the anti-election group, Save Our Political System (SOPS), concurs with Shepherd’s view, though she sees it in a more favourable light:

“We signed up more Animals at the Jubilee than we have in the last five months,” she said.

Keeva Moffatt, President of the Spotted Skunk Sedan Patrol, said she counted representatives of so many organizations that “I lost count after a couple of hours.”

“I know there were at least twenty,” he said.

Even so, according to Aintza Kanariar, Director of Public Relations for The Park’s Department of Holidays, Festivals, and Celebrations, the Jubilee went off “without a hitch.”

“There were no deaths, injuries, or serious incidents. I’ve seen much worse, even on Groundhog Day,” she said.

OTD in 2013—Mating Dance offers first look at Archons’ modernization plan

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Staff from The Park's Extinction Anxiety Clinic will be on hand to aid participants in today's Mating Dance.

The presence of staff from the Extinction Anxiety Clinic at this month’s Mating Dance offered citizens a glimpse of the 2013 Archons’ modernization plan for The Park.

After weeks of negotiations, including a period of time during which they sequestered themselves in the Burrow Theatre, the 2013 Archons finally agreed on a number of conditions for staging the “new” Mating Dance. One of those conditions was the presence of professionals and support workers from the EAC.

“That one was non-negotiable,” said the Archons’ press secretary Balthasar Alouatta, in an interview yesterday.

“We’ve been inching toward this…but this year, it was do or die in terms of having counsellors from a number of different fields on hand. It seemed like the most obvious and practical thing to do to prevent some of the disasters we’ve seen in recent years,” he said.

Those disasters include the medical as well as the emotional consequences of Mating Dance mishaps.

On the emotional side, Alouatta said the Archons couldn’t think of any better professionals to counsel distraught participants than those who staff the EAC.

“There are data that suggest that the kind of intensive counselling the EAC professionals offer can prevent the onset of the Mating Dance Blues. That isn’t surprising. They are, after all, the ultimate experts in the field of rejection,” he said.

For other medical advice, the Archons consulted with health officials, researchers at the University of West Terrier, and The Park’s Department of Well-Being and Safety. The decision to bring in experts in genetics to tackle the thorny issue of interspecial breeding and to assist participants in achieving their reproductive goals was lauded by many, particularly those in the Avian community.

“It was a bold move and one that reflects their commitment to modern medicine,” said Dr. Simon Crow, director of Avian Medicine at the University of West Terrier. “We have to deal head-on with the problem of interspecial breeding, both in our community and in others. We need to educate Park Animals so that we can all make the correct mating choices and have our offspring live long, full, and healthy lives,” he said.

See also:

Archons mull proposed changes to Mating Dance rules
“Mating Dance Blues” are real, says expert

OTD in 2017—DWBS “disappointed” that Mating Dance selfie warnings not heeded

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Pig SelfieFor the second year in a row, selfies and other photos of Park Animals that were taken during last Friday’s Mating Dance have been posted on the internet.

“It appears that our repeated warnings to Park Animals to take precautions against Humans photographing them taking selfies fell on deaf ears,” said Cornelius Kakapo, Director of Public Relations for the Department of Well-Being and Safety (DWBS), at a press conference this morning.

While Kakapo confirmed that a second investigation has been launched into the posting of Mating Dance photos, he was quick to emphasize that little could be done about the problem at this point.

“This is about prevention, not about cure,” he said. “The time to do something about it is before it happens. We have no way of forcing Humans to remove the pictures from their sites. We can only do our best to prevent it. ”

Kakapo said the department had received legal advice and was told that although under Park law the posting of these photos is considered a hate crime, Park Animals have no ability to pursue their legal rights outside The Park.

“Unfortunately, that is the case,” explained Fionnula L. Fox, professor of law at the University of West Terrier and a specialist in extra-hortulanial law (law that applies outside The Park) on Mammalian Daily Radio this morning.

“It does not lie within our jurisdiction to prosecute Humans who reside outside The Park.”

OTD in 2013—Transport problems caused Spring’s tardy arrival: PWO

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The Park Weather Office finally has offered a response to Animals’ complaints about the delay in the arrival of Spring weather this year. But it’s not an explanation that is satisfying to many.

In the statement released yesterday, the PWO says that transport difficulties were responsible for Spring’s tardiness.

The statement, which was issued to all media, read in part:

“We would like to inform Park Animals that, after a lengthy investigation, The Park Weather Office has concluded that transport difficulties were the cause of the tardy arrival of Spring weather this year.”

The statement went on to say that the PWO “will do everything in its power to ensure that this situation does not reoccur.”

Although the statement may have been issued in an attempt to placate an angry public, it appears to have done just the opposite.

“It’s no surprise that the PWO is blaming someone else,” says Kalliope Sun Bear, president of the Weather Makers, Producers and Sellers Alliance of The Park (WMPSAP), whose members have alleged that they are being shut out of the weather-purchasing process by The Park Finance Office’s commitment to cost-cutting.

“It has consistently refused to take responsibility for its bad decisions and this is just one more example of that,” she says.

Those bad decisions, according to Sun Bear, include purchasing cheap weather and weather that is produced outside the Park.

“The PWO says that, due to budget cuts, it has been forced to look elsewhere for better weather prices. It has totally ignored the fact that The Park produces some of the best weather that can be had. Even if it is slightly more expensive in the short run, it would save The Park a substantial amount in the long run, as we wouldn’t have to import as much food as we have been doing the last few years,” Sun Bear says.

For its part, the PWO says that it is reviewing its purchasing policies and will submit the results of that review in time for the new budget, which is due in mid-July.

See also:
DWBS shuts down Otter Slide following tragic accident
Otter Slide in jeopardy as victim released from hospital
Evidence presented at Mongoose trial sparks criticism of Park weather practices

OTD in 2016—Court reaffirms right to remain stupid

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Mr Justice Augustus DindonIn a landmark decision handed down this morning, Mr. Justice Augustus Dindon of The Park’s Superior Court kept alive the vision of The Park’s founder and reaffirmed the right of every Animal to remain stupid.

The decision, which will be posted in full outside the Court House tomorrow, came after a deliberation of more than five months. The decision was in response to an action brought by a collective that included the Park Education Working Collective (PEWC), the heads of admission of all The Park’s educational institutions, professionals from the Extinction Anxiety Clinic, and one hundred Animals known as the “concerned conglomerate.”

In their action, the collective argued that increasing apathy among the citizenry and the lack of formal education undermine the survival and prosperity of The Park. They asked the court to supersede the Archons and enact a law requiring all Park citizens to attend school.

The collective’s argument before the court in October was kept a secret from all except those directly involved in the proceedings. That decision was made to prevent the collective from initiating an awareness campaign they believed might sway the court’s decision.

During the deliberation period, Justice Dindon accepted submissions from The Department of Well-Being and Safety, the Park Hospital for the Afflicted and Infirm, and from medical and psychological experts on both sides of the argument. In addition, he called on Park historians to, as he said, “help me understand the founding vision of The Park.”

In the opening paragraph of the decision, Justice Dindon said he relied heavily on these words of Jor, The Park’s first leader and the founder of modern zoocracy: “We cannot force our views upon the citizenry; we can only inspire them to look beyond themselves and aid them in their search for a just and better life for all.”

OTD in 2017—Back by popular demand: PMoCA’s “ARCHONOGRAPHY” returns Sunday with special guest Ingolf Ewald

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pmoca-1The Park Museum of Contemporary Art (PMoCA) made a surprise announcement this morning: its ARCHONOGRAPHY installation, which broke all attendance records during its initial two-month run, will reopen this weekend. And, it will host a special guest: renowned artist Ingolf Ewald.

Ewald, who is known for his painting, “Plumpen Rolletariat,” last visited The Park in August of 2015, when he opened the PMoCA’s “Art of the Domestic Feline” exhibition.

The ARCHONOGRAPHY installation, which the museum describes as “ultra-live,” is a tribute to the thirty-fifth anniversary of zoocracy. It honours those who’ve served in The Park’s government over the past thirty-five years by having Park artists paint portraits of Archons chosen by museum-goers. All twelve hundred portraits completed thus far hang in the museum and they will do so until the end of the year.

This second iteration of the installation will differ slightly, according to head curator Aamuun Maroodiga’s announcement today. The artists will be on-site only eight hours a day instead of the previous twelve, and the installation will run from Sunday, April 16 until May 1, after which the museum will close to make preparations for its next major exhibition. Ingolf Ewald will be painting portraits of Archons from April 15 until April 21.

The Park Museum of Contemporary Art’s “ARCHONOGRAPHY” will reopen on Sunday, April 15 and run until May 1, 2017. Admission to the event is free. 

OTD in 2016—Raimundo Zorro strikes again: new web site violates conditions of sentence

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Raimundo Zorro

DEVELOPING STORY

Raimundo Zorro has struck again.

Zorro, who was convicted last August on two counts of inciting hate by owning and operating the controversial web site, “SplotchWatch,” appears to have violated the conditions of his sentence by starting a new web site.

Zorro’s sentence, which was handed down on September 11, 2015 by Mr. Justice Augustus Dindon, prohibited him from hosting “any web sites of any nature and pertaining to any subject for the next three years.”

But today, police confirmed the existence of a new web site hosted by Zorro.

“It appears that Zorro is up to his old tricks,” Chief Inspector Maurice Addax of the Park Police Force’s Specist and Hate Crimes Unit (SHCU) said at a press conference early this morning.

“We were alerted to the existence of the new site by Hortencia Guacamayo of headsNtales, and we would like to express our gratitude to her for demonstrating a commitment to interspecial harmony,” he said.

Addax offered only scant details about the site, which is called, “BANDland.” He confirmed that the site uses technology to track the movements of The Park’s striped community but would not say what he believes Zorro intends to do with that information.

“No matter what his intentions, the site is a violation of the privacy and security of our striped citizens and a violation of the conditions of his sentence,” Addax said.

The SHCU Chief Inspector also confirmed that police initiated steps this morning to have the site taken down. A warrant has been issued for Zorro’s arrest.

OTD in 2017—Domestic Animals have no control over their estates: UWT study

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dog-toysAt a time when Park residents are amassing greater amounts of wealth and material goods, a new study shows that Animals who live outside The Park have no legal control over their possessions during their lifetime and even afterwards.

The study, out of the University of West Terrier’s Chittenden School of Law, shows that ninety-nine percent of Animals who live in domestic situations with Humans have to relinquish control of their possessions—including toys, food, beds, clothing and other accoutrements, and even trophies and awards—after they die and, in some cases, even before that.

The study was conducted by UWT Law Professor Fionnula Fox and a team of Chittenden research assistants. After extensive and multiple interviews with three thousand, five hundred domestic Animals of seventeen different species, the researchers concluded that domestic Animals had virtually no control over their possessions during or after their lifetime, even if those possessions had been purchased or won by the Animals themselves.

“It is a dismal situation for the domestics,” says Fox, an expert in extra-hortulanial law (law that applies outside The Park).

“We heard the same stories, over and over, from these poor creatures, some of whom had to witness their own possessions being handed over to other Animals right in front of them. Others told of witnessing the dying wishes of their friends and families ignored by Humans, sometimes resulting in the very possessions they had most treasured becoming trash,” she told The Mammalian Daily.

The conclusions drawn from these heartbreaking interviews will be published in the Journal of Extra-Hortulanial Law (JEHL) in June, coincidentally the same month that The Park has designated as Enforced Domestication Awareness Month (EDAM).

OTD in 2013—Museum of Contemporary Art to unveil first art installation

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The Park Museum of Contemporary Art (PMoCA) is set to unveil its newest exhibit this weekend. The live art installation is entitled, How Much Was That Doggie in the Window?

The Park Museum of Contemporary Art (PMoCA) is set to unveil its newest exhibit to the public this weekend and it promises to be one of the most talked-about artistic events in Park history.

At a gala opening tomorrow evening, patrons finally will be able to view the Museum’s — and The Park’s — first art installation. But that’s not all: the installation, which is entitled, How Much Was That Doggie in the Window? is a live art installation.

“It’s been a long slog for all of us, but we’re finally ready. All systems are go and we couldn’t be more excited,” says Aulikki Norsu, president of PMoCA’s board of directors.

The live exhibition, which depicts the sorry life of the domestic Canine, was curated by Dorika Pumi, whose previous work for the Museum includes the K-NONical Kismet exhibit and the controversial but well-received series of sketches entitled, Better To Be Lost Than Loved.

But this new exhibit is not just another one-dimensional criticism of Canine domesticity, Pumi insists.

“This is a living, breathing, depiction of one of the least-discussed but most horrifying aspects of domestic Canine life,” she says.

According to Pumi, thousands of Canines are bought every year (“purchased” is the word that Pumi uses) on the open market outside The Park, then housed in apartment complexes that are sometimes hundreds of feet in height, and left there to languish while their Human companions — the ones who profess to love them — stay away for hours on end.

“These Dogs have no idea whether those Humans will ever return,” says Pumi. “They don’t know what’s going to happen to them. They can’t get out of there on their own and every day they wonder whether they will die there, distraught and alone.”

To get her message across, Pumi enlisted the services of those who know whereof she speaks: The Park’s Canine refugees.

“These are the Dogs who have received assistance from Runaway Rovers, the immigrant aid group that helps formerly domestic Canines establish a better life in The Park,” she says.

Four different groups of these formerly domestic Dogs will work in the exhibit. Their shifts will be four hours long and two different groups will work on the installation each day. They will need a break after four hours, Pumi says, because they will have spent the entirety of that time howling while hanging out of the window of a wall that was specially constructed for the exhibit.

“It’s a tough job, but there was no shortage of Dogs who were willing to take it on when they heard about the project,” says Pumi. “They’ve lived the life and we’ve given them the chance to show us what it’s like.”

How Much Was That Doggie in the Window?  will be installed at the Park Museum of Contemporary Art until November, 2013.

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