The Mammalian Daily

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Lovely to look at - Book by Noreen

On This Day—October 2, 2014: One last assignment: Noreen to cover Frankfurt Book Fair before leave starts

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Noreen official badge portraitNoreen will be taking a short break from her work here at The Mammalian Daily in order to promote her book, Lovely To Look At.

But before her leave starts on November 1, she has accepted one last Mammalian Daily assignment: covering the Frankfurt Book Fair in early October.

In a press release dated today, Mammalian Daily managing editor Orphea Haas confirmed both Noreen’s six-month leave from the paper and her last assignment:

It is with great pleasure that we announce today that our advice columnist Noreen will be taking a six-month leave of absence commencing November 1. She will be spending that time promoting her book, Lovely To Look At.

Before she leaves us, though, Noreen has accepted one last assignment. She will be covering the Frankfurt Book Fair between October 8 and October 12. We take pride in being the only Park newspaper to be sending a correspondent to the largest book fair in the world.

Although we will miss her come November, all of us at The Mammalian Daily wish her great success in this and in her future endeavours.” 

 

On This Day—September 30, 2012: PIFF 2012: Festival frenzy grips Park

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The Park is in a party mood, as anticipation mounts on the eve of the opening of the 8th annual Park Interspecial Film Festival (PIFF).

“It’s game on! We’re ready!” announced PIFF Communications President Leola Ocelot at the final pre-opening press conference this afternoon. “This is going to be the biggest and best film festival The Park has ever seen,” she said.

Festival goers appear to agree. Tickets were snapped up earlier than in previous years, with new events such as Noon Nuttiness and PIFF Pockets attracting a younger crowd.

“It [PIFF] is no longer an adults-only event,” said Ocelot, who confirmed that twenty-five percent of tickets were sold to those under five years of age.

“They bought up Noon Nuttiness and also went for the PIFF Pocket Films. We didn’t expect that at all,” she said.

Meanwhile, adult film fans were busy primping and preening in anticipation of five days of screenings, celebrity sightings and top-secret social events.

“We haven’t had an opening in days,” said Amoltrud’s Aesthetics’ groomer Elspeth Rinder. “We have a waiting list the size of a Python,” she said.

The Park’s other grooming houses reported the same situation.

“We had to lock our doors and pretend we were closed,” said stylist Tano Pagun of The Pluming Room. “We were afraid that, otherwise, we’d see fur and feathers fly.”

The festival will open tomorrow night with “I Love a Man in a Collar”, the much-anticipated documentary about Thisbe and the Barkettes. All eyes will be on the front row, as film goers attempt to catch a glimpse of The Park’s most famous singing group, who have confirmed they will attend the documentary’s debut. The five members have not been seen together for a number of years.

Other highly anticipated events include the opening night gala at Clowder and the Cackle-ary hosted by GooseBook.

The Mammalian Daily plans to publish full details of events in the coming days.

On This Day—September 29, 2015: PIFF preview: Herman Stoat: Mon Chemin Compliqué

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Park Interspecial Film FestivalAll PIFF documentaries are good. Some, of course, are better than others. Then, there are those that are spectacular.

And, that adjective is more than appropriate for the much-anticipated Herman Stoat: Mon Chemin Compliqué.

Conceived and produced by Pussyfoot Productions, this film about the life and work of the renowned dancer, choreographer, and founder and artistic director of the eponymous dance company has been in the making for more than four years. Yet, it received its official title only last year, after Stoat and his company’s assistant choreographer Gustav Hermelin created the dance, Le Chemin Compliqué, for the 2014 Celebration of the Winter Solstice.

“That was how we knew we were done,” Stoat said in a PRANCE magazine interview last month. “Somehow, with that dance and that title, we’d come full circle.”

Stoat knows a lot about circles, having danced professionally for years before founding the Herman Stoat Dance Company. And while he’s achieved a level of artistic success that was previously unknown in The Park, that success, which includes being named Choreographer of the Decade by PRANCE Magazine, has come at a cost.

“You might say that I survived success,” Stoat jokes in an early scene in the film. “But you might also say that I didn’t.”

Even Stoat fans who watched the choreographer’s reality series three years ago on Vertebrate Vision TV will be surprised at the physical, mental, and emotional pain this film uncovers and how complicated a road Stoat has travelled.

A Park refugee, both Stoat’s parents died at the hands of Humans.

“They were in their prime but, unfortunately, so were their coats,” he says matter-of-factly.

Left to his own devices, the young Stoat found his way to The Park, where he was taken in by a family and raised, as he says, “with love and care.” But there were problems in the household, jealousies among the family’s natural offspring, and expectations he could not meet.

“Early on, I discovered my natural talent for dancing and it saved me. I could go off on my own, explore my ideas, and set my moves to music,” he says.

It was during that time that he discovered the effect his moves had on others, as well.

“It was almost hypnotic, the effect. I noticed crowds gathering and they were mesmerized by my dancing. Suddenly, I found I couldn’t stop and they didn’t want me to, either.”

Stoat danced himself into Park history, but there came a time when he did have to stop for a while, after the anguish of his early years caught up with him.

“I’d packed it all away and suddenly, after I won a few awards, it all came tumbling out. I needed some time alone and even contemplated retirement,” he says.

Fortunately for Park dance lovers, Stoat finally returned to the stage refreshed and ready to take on new challenges, including teaching, working with artists in other genres, and calling for more diversity of species in dance. And, he reveals in the film, there is even more to come.

“There are days when I wake up and I think, ‘I’ve only just begun,’ ” he says with joy.

Herman Stoat: Mon Chemin Compliqué will screen at the Park Cinema on Friday, October 2 at 2:00 p.m. and on Sunday, October 4 at 4:00 p.m.

On This Day—September 26, 2016: Would Millicent Hayberry’s acting career give her an edge in POPS debate?

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Millicent campaignMillicent Hayberry has more than four weeks to confirm her candidacy for 2017 Park Official Prognosticator of Spring (POPS), but that hasn’t stopped political commentators and others from speculating on the effects her candidacy—and her career— would have on one of The Park’s few elected positions.

In an op-ed piece published today in The Simian Spectator, Magnus P. Marmoset, who holds the University of West Terrier’s Simian Chair in Political Philosophy, writes that he believes her candidacy would change the POPS landscape forever.

While Marmoset has always supported the decision to, as he puts it, “transition [the position] from an inherited one to a merited one,” he says he has mixed feelings about elections.

“So much of the election process is about performance, about favouritism, about alternate abilities, about things that do not relate at all to qualifications or to the position itself,” he writes.

And even though members of species other than Groundhogs have thrown their hats in the ring for POPS, Marmoset thinks that Hayberry’s candidacy would be a “game changer.”

“Her vocal skills, her acting skills, her reputation, her fame. These are the things she would bring to the table in addition to belonging to the hibernating class. I don’t doubt her prognostication skills or that she would be a good candidate. But I wonder if the other candidates will have an equal chance to appeal to the electorate if Millicent is among them. And I wonder whether future candidates will be reluctant to run if they can’t match her skills. I think it could have a lasting effect,” he writes.

On This Day—September 24, 2014: The Nut Bar assumes annual sponsorship of PIFF’s “Noon Nuttiness”

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Glass shape made of nuts with strawIt’s always made sense but now they’ve made it official: The Nut Bar announced today that it will become the annual sponsor of “Noon Nuttiness” at the Park Interspecial Film Festival (PIFF).

“Noon Nuttiness,” the exclusive screening of comedy films between the hours of 12:00 p.m. and 2:00 p.m., has been wildly successful since its inception. Now entering its third year, PIFF organizers believe it will prove to be the most popular event of this year’s festival.

“This is huge news,” said PIFF Communications President Leola Ocelot, referring to The Nut Bar’s sponsorship announcement.

Speaking at a hastily-arranged press conference this morning, she praised the company for their initiative.

“They’re a very generous company and we greatly appreciate their support of our annual comedy mini-fest,” she said. “This was entirely their idea and it took us all by surprise. I hope other companies will follow their example,” she added.

The Park Interspecial Film Festival will run from 1-5 October, 2014.
The first “Noon Nuttiness” film will be screened on October 2.

On This Day—September 19, 2014: Police called in as Zebras block stage to SCENTient Beings at music festival

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Zebras block stageThe dream of a peaceful Beats of Burden music festival was shattered last night when a herd of Zebras blocked the SCENTient Beings’ entry to the stage.

After several tense minutes, the festival’s official hosts, The Beasts of Burden, butted their way through the herd and made a heartfelt appeal to the Zebras.

“This festival is not about personal politics or identity politics,” Alfredo Ox said. “This festival is a peaceful and joyous attempt to support The Park’s refugees. These are Animals who have suffered terribly in their lives and we are here this weekend to lend our support to them, both emotionally and financially. I appeal to you as sentient beings, yourselves, to take your cause elsewhere. We will listen to you at another time, at another venue. But, for now, please step back and allow the next set of musicians to take the stage.”

Ox’s appeal fell on deaf ears, however, but as he was speaking, the Does of Peace moved in to begin active peacekeeping. While the Doves flew above the herd, the Does mixed among the Zebras, moving them to the sides and securing a path for the SCENTient Beings to ascend the stage.

The group of Zebras, led by Jafari Pundamilia and Elton Zebra, demanded an apology from SCENTient Beings composer Faramund Stinktier. In a communiqué last week, the Zebras accused Stinktier of committing a crime against them when he revealed that he’d always believed he was a Zebra.

“By perpetuating a stereotype and using that stereotype for the betterment of his own life, he has committed a crime against The Park’s Zebra community,” the communiqué said.

When the Beings finally made it to the stage, they briefly acknowledged the protesters by saying they had the “utmost respect for The Park’s Zebra community,” and dedicated the night’s set to “all Animals of all species everywhere.”

Park Police, who were called to the scene by Beasts of Burden manager Ignatius Herder, said no charges were laid last night.

“We attended at the scene, but no charges were laid. We’re not expecting to be called out again,” said spokesAnimal for the police.

The Beats of Burden music festival wraps up this evening. SCENTient Beings are scheduled to perform again this afternoon.

On This Day—September 18, 2014: Park’s grooming houses gear up for PIFF

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The Pluming RoomVowing not to repeat the mistakes that led to the stampede before last Spring’s Fowl Ball, The Park’s grooming houses have banded together to ensure that all clients are cared for as they prepare to attend The Park Interspecial Film Festival (PIFF).

“We want to assure our clients that they will be seen, no matter what. To that end, we will honour all appointments in the order in which they were made and all last-minutes will be seen, though they may have to wait a bit,” says Tallulah, owner of Tallulah’s Toilettage, the grooming house at which the Spring stampede occurred.

Tallulah confirmed that at a meeting held in late August, the owners of all The Park’s grooming houses voted in favour of establishing an ad hoc coalition to meet the needs of Park residents during the busy PIFF season. Last week, that coalition, which they call the Association of Registered Grooming Houses (ARGH), appointed nurse Hermione Hippo to triage the last-minute appointments, as well as to keep the groomers on schedule.

“It will require a military-like precision to ensure that all are groomed properly and Hermione is the best one to effect that,” says Tano Pagun, co-owner of The Pluming Room.

“I can’t imagine having to deal personally with fly-ins,” he says. “But we are committed to preventing the frustration that led to the Spring violence. In our view, once is too many [times]. We must learn from our mistakes.”

In addition to all their usual staff, the grooming houses will have a number of extra “paws and beaks on deck,” to assist because ARGH has drafted all members of the first graduating class of the School of Aesthetics.

“Even those who moved on to other careers will be using their knowledge and expertise in this field come early October,” Tallulah says.

On This Day—September 17, 2016: The Endeka Elephant Band plays on without its beloved bassist

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Tembo bassThe ten remaining members of The Endeka Elephant Band took to the stage last night for the first time since the death this past July of their beloved bassist, Zuberi Tembo.

In an emotional mid-set tribute during the first night of the Beats of Burden Music Festival, each member of the band placed a rose at the foot of Tembo’s bass, which stood at the front of the stage for the entirety of their set.

It was a fitting acknowledgement of the Elephant they described as “a gentle soul who loved music and valued freedom.”

“Even though we miss him terribly, we know that Zuberi’s spirit is with us now and will live on forever in the music he made, in the work he did, and in his tireless fight for freedom,” band member Árvakur Fíl said.

The band followed that with a sweet and tearful rendition of “Recollections” and ended their set with “Seismic Connections.” They returned for only one encore: Tembo’s rousing, “Food For All.”

The Endeka Elephant Band returns tonight to play one last set at the festival.

The Beats of Burden Music Festival continues until midnight 18 September 2016.

On This Day—September 13, 2016: PMoCA unveils Slow Art Movement painting in honour of Park’s estivators

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Heike Slak

Slow artist Heike Slak’s “Beacon”

Tomorrow marks the official end of estivation. It’s time to welcome back the friends we haven’t seen for over two months and to move into The Park’s busy Autumn social season.

But even though a large number of Park Animals will be coming out of a state of torpor tomorrow, estivation traditionally has not received as much attention as its Winter counterpart, hibernation.

All that is set to change in the coming years and the Park Museum of Contemporary Art (PMoCA) is leading the way.

Tomorrow evening, in honour of our estivating citizens, the PMoCA will unveil a painting by slow artist Heike Slak.

The painting, which bears the title, “Beacon,” was commissioned last year by the museum.

“This is the first work by a slow artist that we have displayed. We are very proud to hang this painting in the PMoCA in honour of our estivators. and we look forward to a long and happy relationship with the Slow Art Movement,” the museum’s head curator Aamuun Maroodiga told the press this morning.

Slak, who will come out of estivation tomorrow, delivered the painting to the museum at the end of May.  Maroodiga confirmed at the press gathering that Slak will attend the unveiling tomorrow evening.

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