The Mammalian Daily

Satirical fiction in newspaper form

Lovely to look at - Book by Noreen

OTD in 2016—Body of Zuberi Tembo interred in Africa; memorial service to be held in Park

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Zuberi Tembo

The late Zuberi Tembo (Photo taken last year)

The body of bassist Zuberi Tembo was interred in his native Africa yesterday, his cousin Thwayya Tembo told The Mammalian Daily.

The Endeka Elephant Band member was killed ten days ago on a trip home to visit his family. His cousin, who is acting as the family’s spokesAnimal, said they continue to mourn the loss of their loved one but are grateful for the outpouring of support from The Park.

“We are all devastated by the loss of Zuberi. His murder was made all the more painful by the irony that he had escaped the danger of Humans by defecting from the circus so many years ago and had lived peacefully in The Park. But we want to express our appreciation to the Archons and to all Park citizens for the outpouring of support for his family and friends. It is gratifying to know that there are so many who were touched by Zuberi during his lifetime.”

In a related statement released this morning, The Archons confirmed that a memorial service for the fallen musician will take place on July 26 at the Ancient Open-Air Theatre. Details will be available shortly.

OTD in 2012—PIFF adds new film category to 2012 roster

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The Park Interspecial Film Festival (PIFF) has announced the addition of a new category to festival judging: PIFF Pockets.

At a press conference held this morning, PIFF Communications President, Leola Ocelot, confirmed the long-awaited addition.

“The Park’s filmmakers have a proud history in the area of pocket films,” she said. “We are delighted to be adding that category to our roster this year and we look forward to awarding our first prize in the category of PIFF Pockets.”

Pocket films are generally defined as films that do not exceed three minutes in length. To qualify for the PIFF Pocket category, films must have been made specifically for the Festival and must have their first screening at the Festival. Both pocket documentary and pocket fiction films are eligible for submission, Ocelot said.

Submissions to the Festival will be accepted from 9:00 a.m. on Friday, July 20, 2012 until midnight on Friday, September 21, 2012.

The 8th annual Park Interspecial Film Festival will take place October 1-5, 2012.

OTD in 2015—Millicent Hayberry eulogizes superfan at Saturday’s memorial service

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Millicent Hayberry

Hayberry eulogized superfan Xanthippe Porcupine at Saturday’s memorial service

Outside the Burrow Theatre yesterday, Millicent Hayberry acknowledged the contributions of Xanthippe Porcupine, her “greatest fan,” and held court afterwards, signing autographs and mixing with the crowd at what some in attendance called a “bizarre combination of memorial service, self-promotion, and lovefest.”

At times unusually restrained and at others downright effusive, Hayberry spoke almost lovingly of an Animal whom she had at first feared.

“I was young, inexperienced, and unused to such focused attention,” she told the crowd of mourners standing under the bright sun. “Xanthippe changed all that for me.”

Hayberry said she’d found that one of the consequences of having a superfan was that she had to fight to maintain a more objective view of herself and her work. But, at the same time, Porcupine’s recommendations provided a balance.

“Xanthippe was never critical, even when she made suggestions, which other actors would have found outrageous and presumptuous. But she had a good ear and was particular about cadence and, in the end, I believe that made my performances better,” she said.

Among the others who spoke at the memorial was Porcupine’s daughter Carys, who thanked Hayberry for agreeing to give the eulogy, while gently teasing her about never feeling as important to her mother as Hayberry was.

“I was, in fact, my mother’s only daughter, but I always felt as if I were her second and Millicent Hayberry was her first,” she joked. “My only regret is that my mother wasn’t able to hear the wonderful things you said about her today.”

Porcupine was laid to rest in a private burial Saturday evening.

OTD in 2011—Star’s illness shuts down set of “Mixed Nuts”

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Lodgepole Productions has halted filming on the set of “Mixed Nuts” due to the ongoing health problems of its star, Millicent Hayberry.

In a press release issued this morning, the film’s Executive Producer, Victoria Sciurini, announced that filming had ceased “for the forseeable future” due to the hospitalization of the project’s star.

There has been no official announcement about the actress’s condition since she was bitten on the set by a fan and rushed to The Park Hospital for the Afflicted and Infirm.  Initial reports stated she was in stable condition and under observation.  Later, rumours began to circulate that she had contracted a deadly disease from the bite.  The actress’s representatives refused to comment on the rumours.

One source close to the actress said she was experiencing a high fever and tremors and that doctors had commenced a course of pharmaceutical therapy that would “take several weeks to complete”.

A spokesanimal for film company said they are committed to completing the project with Millicent Hayberry and that they eagerly await her return to good health.

OTD in 2013—Beasts of Burden unveil new song for upcoming music fest

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Beasts of Burden new song

Last night, in a rare appearance at their own pub, the Beasts of Burden unveiled their newest song, “Llego Con Tres Juguetes” (“I Arrive With Three Toys”). The band has dedicated the song to the victims of enforced domestication.

Last night, in a rare appearance at their own pub, The Beasts of Burden unveiled their newest song.

As he ascended the makeshift stage at The Draft, lead singer Alfredo Ox motioned to the crowd and asked for silence. Then he took the microphone and made a short speech in which he said he’d dedicated his new song to the survivors of enforced domestication.

“I was moved by the many stories I read about Animals who escaped enforced domestication,” he said. “They’re a different kind of refugee, one that maybe doesn’t get as much attention as others. But since we established our new music festival, the Beats of Burden, to aid all Park refugees, I thought it was appropriate that I write a song about their struggles.”

Then, joined by the other band members, Ox sang “Llego Con Tres Juguetes” (“I Arrive With Three Toys”):

Llego con tres juguetes (I arrive with three toys)
Un muñeco de peluche (A stuffed toy)
Una pelota  (A ball)
Un hueso falso (A fake bone)

The song is the story of a Canine refugee who arrives in The Park with no food, family, or friends. His only possessions are the three toys his captors gave him: a stuffed toy, a ball, and a bone.

When the band was done, the cheering crowd clamoured for an encore. But Ox said they couldn’t oblige.

“We’re saving the rest for the fest,” he said, leaving the band’s manager, Ignatius Herder, to reassure the crowd.

“They’ll be back…just not tonight,” said Herder.

Herder also confirmed that all proceeds from the song’s sales will go to charities that assist The Park’s refugees.

OTD in 2016—ZEAL to perform at Stereotype Sunday

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ZEALPopular Park singer ZEAL will perform at tomorrow’s Stereotype Sunday, it was announced today.

In a press release issued this afternoon, ZEAL’s manager, Lukas Numbat, confirmed the singer’s participation in the weekly event:

“It is with great pleasure that I announce on behalf of ZEAL that he will be performing tomorrow at the Ancient Open-Air Theatre during The Park’s Stereotype Sunday.”

According to the Department of Well-Being and Safety (DWBS), the event’s host, ZEAL will receive no compensation for his performance.

“It is not our policy to pay Animals who attend the event,” says Cornelius Kakapo, director of public relations for the DWBS.

This is the first time that any artist has performed at the event. Special guests in the past have included historians and other academics, and experts in the field of mental health.

According to Kakapo, ZEAL’s performance came via a suggestion from Holstein Fashion president Balbino Ko, who has agreed to cover ZEAL’s costs, including transportation, food, and accommodation for his band and backing singers. A passionate advocate for The Park’s striped and spotted population, ZEAL has performed at charity events in support of Holstein Fashion’s EQUALSS charity.

ZEAL is expected to use the occasion to debut his new single, “Crossing the Line.” Kakapo says he expects tomorrow’s event to be “extremely well-attended.”

OTD in 2013—Museum confirms addition of library to building complex

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Park MuseumThe Park Museum will house a library within its building complex, it has been confirmed.

In a statement released today, the Board of Governors of The Park Museum announced that after “extensive consultations” with the Museum’s architects, Fleck + Stone, they were able to alter the original plans for the Museum to include a library that will house books, manuscripts, and musical scores.

In what amounts to an admission of error on their part, the Board of Governors expressed their gratitude to the architects for allowing them the opportunity to “correct an oversight” and to reaffirm their commitment to making the project a comprehensive one.

No mention of extra cost was made in the statement, nor was the matter of further delay addressed.

The Park Museum is scheduled to be completed by the end of this year.

OTD in 2015—PFO head’s remark hints at new attitude to tourism promotion

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2015 Budget

 

In an interview yesterday with reporter Alfonsina Cavalletta of the Serangga Star Adviser, the head of the Park Finance Office (PFO) said she believed that tourism is “organic” and may not require much help from officials.

In response to a question about the promotion of tourism in The Park, Valentina Abeja said she believed that “tourism is an organic force and it builds on itself and from itself.”

Later in the interview, Abeja, who took office in February of this year, expanded on her views regarding tourism and its importance to The Park.

“I’ve listened to many of our shopkeepers over the past few months and they say they believe strongly that tourism is irrelevant to their bottom line. In some cases, I must say that I agree with them. In other cases, I think we could improve on our past ventures. I think we need to promote ourselves to a different kind of Human, as well as to domestic Animals. I think we missed the mark there. Perhaps if we bypass the Humans altogether and go directly to their Animal companions, we will attract a more profitable tourist. As it stands, however, our attempts have not yielded significant gains. I believe we need to revisit this area entirely,” she said.

Abeja will present the 2016 Park Budget in August.

OTD in 2014—It Could Happen to You: Park Museum exhibits tools of enforced domestication

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Museum display

Park Museum exhibits some of the  tools of enforced domestication

Review: “It Could Happen to You” at the Park Museum June 1-30, 2014

Balls, biscuits, bones. Bowls, boxes, beds. Collars, cages, leashes, toys. The list goes on. And they are all on display until midnight tomorrow at The Park Museum’s month-long exhibit marking Enforced Domestication Awareness Month.

Entitled, “It Could Happen to You,” the exhibit is the first of its kind in The Park and the first ever hosted at The Park Museum.

“We felt it was too important an event to wait for the museum’s completion,” says Sukuta Rhinoceros, as she guides me through the display cases. “We didn’t want to miss the opportunity to highlight this issue.”

One of the museum’s founders and a member of its Board of Governors, Rhinoceros spearheaded the campaign to open part of the main building’s ground floor wing for the exhibit. But come July, the construction workers will be back and if all goes well, the museum will officially open at the end of the year.

We stroll through the space together and as she details the provenance of many of the artefacts, it becomes clear that this is a deeply personal issue for Rhinoceros.

“Enforced domestication isn’t only a problem for small Animals,” she tells me later. “We were overwhelmed after we put out a call for personal items [of domestication] and I wasn’t surprised to find that the majority came from our Canine, Feline, Avian, Piscine, and Reptilian communities. But when some of our other citizens offered traps, harnesses, saddles and the like, our curator said we should put them at the front of the exhibit, so that attendees could see right away that no Animal is out of the sight line of the domesticator.”

The issue of domestication, of course, is much bigger than any museum exhibit can communicate. But “It Could Happen to You” is at its most poignant and effective when it deals with the tools that are used to entice Animals to give up their independence. The sadness and the pain lie in understanding the attraction of those tools. So many of our compatriots have suffered extreme difficulty and it is not hard to imagine succumbing to the promise of a nice meal, a warm bed, and some physical comfort.

If this exhibit accomplishes anything, let that be to remind us that we are responsible for each other and that we must work diligently to make it impossible for our fellow citizens to be tempted away from their lives in The Park.

“It Could Happen to You.”
The Park Museum
June 1-30, 2014 (10:00 a.m.-10:00 p.m daily.; until 11:59 p.m. on June 30)

OTD in 2013—New “Beats of Burden”music fest will aid Park refugees

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What a difference a letter makes!

Despite having decided months before that their comeback would include an annual charity concert in aid of The Park’s refugees, the Beasts of Burden found themselves putting off an official announcement. Stopped dead in their tracks by their inability to find an appropriate name for the event, they even considered shelving the project, worthy though they thought it was.

“I understood the problem, but I couldn’t help. They didn’t just want to put their name on it and call it ‘The Annual Beasts of Burden Charity Concert.’ They wanted the name to have more meaning than that,” said the band’s manager, Ignatius Herder.

“So, we had a meeting at The Draft (the band’s pub) to strategize. Alfredo (Ox, the band’s lead singer) started filling out some forms that we needed and then Haimo (Maultier) noticed he’d left a letter out of the word ‘Beasts,’ so it read, ‘Beats of Burden.’ We all laughed, then we looked at each other and we knew we were all thinking the same thing.”

And that is how the annual “Beats of Burden” Music Festival was born.

“It was pure genius and one hundred per cent serendipitous,” laughs Ox. “If I’d been more careful, we’d still be sitting there planning, instead of announcing the biggest charity music festival ever in The Park.”

With almost every Park band and singer signed on to the event, the new festival promises to be something truly out of the ordinary.

“A concert can only do so much, but a festival, with all sorts of different music and events and other things tied in…we can really make a difference to the lives of The Park’s refugees,” says an excited Ox.

The festival, which is scheduled to begin at sunrise on September 14 will go on for three days, with the music expected to last late into each night.

“The way I see it, they’re [the audience] going to have to ask us to go home. We’re not going to want to stop playing. Nobody is,” says Maultier.

Just the facts

What:    The Beats of Burden Music Festival
When:   Every year from now on; September 14-16 inclusive, sunrise to whenever
Where:  At venues across The Park; expect more details in the coming weeks
Why:     To raise funds in aid of The Park’s refugees
Who:     Almost all Park bands and singers; expect some “surprises” as well

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