Original Publication Date: 4 August 2011

It may not look as though anything is happening but, rest assured, our 35 Park Archons are working hard behind the scenes to secure the release of imprisoned journalist, ZeeZee Legy.

That is the message contained in a statement from the Office of the Archons and reiterated at a press conference late last night.  Balthasar Alouatta, press secretary to the Archons, confirmed that negotiations are underway with those outside The Park who have been holding Legy in custody since July 21, 2011.

Legy, a reporter for The Insect Intelligencer’s gossipy Fly on the Wall feature, was apprehended in connection with the death of one Human.  Five other reporters who work for the feature were arrested inside The Park after two of the reporters’ Human sources were hospitalized.  They are scheduled to appear in court late in August.

At first, Legy claimed he was not working at the time of the incident but, instead, was visiting family while on vacation.  But in a statement released last week, The Intelligencer’s editor-in-chief, Fannia di Volo, said there had been a misunderstanding and that Legy had, indeed, been on assignment outside The Park.

At the press conference, Alouatta confirmed that efforts to secure Legy’s release had stalled for a time, but they have resumed and the Archons are “cautiously optimistic” about the outcome.  Also present at the press gathering was UWT Law Professor Fionnula Fox, an expert in Extra-Hortulanial law (law that applies outside The Park).  She explained the Archons’ dilemma thus:

“It’s (Extra-Hortulanial law) a hard needle to thread,” she said.  “We can only negotiate with those outside The Park; we have no real power or authority there.  Basically, we have to rely on the goodwill of the people and try to convince them that there was no malicious intent.  If we can convince them of that, then it follows that a repeat of the incident is unlikely.”

Alouatta said that the Archons are expecting a breakthrough “by the end of the weekend” and that Park citizens could keep up-to-date with the negotiations by checking the information board outside the Court House.

Original Publication Date: 31 October 2014

We shouldn’t judge Park Finance Officer Milton Struts too harshly if, in fact, he did accept an offer of food from Humans.

So writes Noreen, Mammalian Daily advice columnist and adjunct professor of Human Studies at the University of West Terrier, who begins a leave of absence tomorrow to promote her new book, Lovely To Look At.

In an open letter to be published this weekend on The Mammalian Daily web site, Noreen encourages Park citizens to be “tolerant of the effects that proximity to Humans has had on our population.”

“There is scientific evidence that has come to us from experiments performed at the University of West Terrier that indicates very strongly that the prolonged exposure to Humans experienced by Park Animals has had a profound effect on our senses, most notably our senses of smell and taste,” she writes.

It is not surprising, then, that we have developed a taste for Human food, despite its inferior quality and our limited ability to digest it.

“Time was, no Park Animal would even consider eating something a Human eats. But times have changed. Not only do we consider it, but many more of us than we realize actually do it. It is the ‘dirty little secret’ that many Animals will not speak about. Whether or not Mr. Struts did eat the food as has been reported, it opens up a dialogue that we should have had a long time ago.” she writes.

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Noreen’s book, Lovely To Look At: What Animals Should Know About Humans, is available at Amazon.

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Wednesday Rewind
Original Publication Date: 23 April 2013

The Park Museum has taken the unusual step of enlisting the help of its own construction workers in its campaign to raise funds for the Museum.

In a press release dated today and posted on the Museum’s web site, the Board of Governors of the Museum announced that they will be publishing a fundraising calendar that will be available for purchase as early as September.

According to a SpokesAnimal for the Builders’ Guild, the photographs will be “candid, at-work pictures that will give Park Animals an appreciation of the size of the project and the kind of work that went into building the Museum.”

In addition to the workers’ photographs, the calendar will offer a “sneak peek” of the Museum’s interior and of a number of recently-acquired items in the Museum’s collection.

The calendar will be sold at a small kiosk outside the Museum construction site as well as at select shops in The Park. Online orders will also be taken, a SpokesAnimal for the Museum said. For more information, please contact the Park Museum order desk at orders@parkmuseum.info.

Original Publication Date: 4 October 2013
Review by Aednat Eilifint, TMD Arts and Entertainment Reporter

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DETAILS
Director
George Angus Doo

Actors
Eamon Colm
Gerlinde Taube
Natalia Paloma
Agostinho Pombo
Cynthia Offam (Human)
Derek Columbo (Human)
Winston Blackman (Human)

Screenings
October 1, 8:00 pm, Park Cinema
October 4, 5:00 pm, Park Cinema

Runtime
85 minutes

THREE minutes into George Angus Doo’s latest film, Shoot the Messenger, the screen goes dark. In the silence, the viewer is left to ponder what has just occurred: a shot fired into the brightly lit sky, the loud thumping noise that follows, the sound of boots running across grass and fallen leaves in the swamp-like environment.

When light and action return to the screen, we face six Humans at trial, recalling those elements from the witness stand. To his credit, Doo reveals little about the location of the court and the crime; the alleged perpetrators, plaintiff, judge and jury stand as EveryHuman or AnyHuman. But the trial is not an indictment of that species; rather, it is an examination of the complicated relationship between Doo’s own species — the Pigeon — and Humans. In many ways, as Doo said earlier this year, that relationship is “one of mutual respect and dependence.” But this film is less celebratory of that aspect than it is revelatory of the conflict, fed by ignorance, that is an integral part of the interactions between Pigeons and Humans.

The sportsmen at trial know very little, if anything, about the species they shoot at for sport. They have read no history and, therefore, feel no moral obligation to a species that has saved countless Human lives. As a result, they are puzzled by their obligation to appear in court and angered by the charges of wrongdoing.

“What kind of world is this now?” one of the accused asks aloud. It is not a rhetorical question. The world in which he grew up, he tells the court, was one in which shooting and hunting were respected activities.

“Now, what is it that we’re supposed to do?” he asks earnestly.

The film does not answer this question or any others; instead, it presents the accused and the viewer with even more questions as it explores not only the fraught relationship between the two species but that among Humans, themselves.

In this 2013 Winkie Award-winning film, Doo does a remarkable job of preserving the dignity of the characters while indicting and convicting the real perpetrator of the crime: ignorance.