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Bedfellows’ singer pleads at Mating Dance: “Help me save my family!”

May 6, 2017 By Aednat Eilifint, TMD Arts and Entertainment Reporter

bedbug-1 Hugo Percevejo, backing singer with the group PolyTICKS and The Bedfellows, has asked for our help to save the members of his family who reside outside The Park.

In an impassioned plea at yesterday’s Mating Dance, the singer explained that a large contingent of his family has lived outside The Park for decades, but that a recent “war” on his species had made that choice untenable.

“They are under constant siege, having to move from house to house, often in the middle of the night,” he said, moments after the group concluded their set.

Percevejo, who was, himself, attacked last December while on a short trip to visit friends outside The Park, said his species has become subject to violence and chemical attacks on a regular basis.

“My species is fighting a battle against Humans and I fear it’s one we cannot win,” he said. “We have no choice but to leave our homes. But we need your help to do that.”

The singer’s plea was met with cheers of support and promises of aid, but as of this morning, there had been no official word from either from the Archons or from the Department of Well-Being and Safety. Many of The Park’s aid groups have stepped up to offer their assistance, however, and some prominent members of The Park’s musical community have done so as well. Most  notably, the Endeka Elephant Band has offered to travel outside The Park to bring back Percevejo’s family members.

“We know the situation they’re in and we will do our best to save them,” said Árvakur Fíl, a member of the Endeka band, whose  bassist, Zuberi Tembo, was killed by Humans last year while visiting his family in Africa.

Filed Under: Breaking News, Park Life, The Arts, Entertainment, and Culture Tagged With: chemical attack, plea to save family, PolyTICKS and the Bedfellows, species under siege, violence

Month Without Metaphor director “revises and remakes” Park media circus

May 5, 2017 By Juho Morsk, TMD Media Reporter

mwm-flyersFive years after The Park’s first media circus, the new director of Month Without Metaphor is about to “revise and remake” the event for a different purpose.

In an announcement this morning, Ronald Grouse confirmed rumours of his recent talks with Rodolfo van de Gier, president of the Association of Media Outlets of The Park (AMOP), who was in charge of the 2011 event. Grouse’s announcement said the two have agreed to work together on a “new kind” of media circus that will have an “altogether different” purpose, but it offered scant details.

“We are planning to host a two-day event toward the end of the month that will have the full participation of Park media. We also extended an invitation to The Park’s literary community, including writers, publishing companies, and journal editors, as well as representatives of the University of West Terrier’s Cuthbert School of Journalism. Together, we are hoping to have a full and open discussion about the dissemination of information, the use of language and the responsibility of all those who are involved in communication,” the announcement said.

No exact times or locations were mentioned, nor whether the “fun and games,” such as playing reporter or hosting a mock interview, would be included in the new event.

Filed Under: Breaking News, Economy and Business, Education, Media, Month Without Metaphor, Park Life, The Arts, Entertainment, and Culture Tagged With: communication, media circus, Month Without Metaphor, Ronald Grouse, school of journalism

Tricolore to open pop-up version of new “grassRoutes” resto at Mating Dance

May 2, 2017 By Bergrún Íkorna, TMD Business Reporter

Tab TricoloreWith all that dancing and mingling and socializing, you can really work up an appetite at the Mating Dance.

But, this year, Tab Tricolore will come to the rescue.

In anticipation of his first annual Feral Roots Festival in July, the Celebrity chef, restaurateur, and author will open a pop-up version of his new restaurant (opening date as yet undetermined), grassRoutes.

Samples of the “all natural” fare were available this morning at a press gathering hosted by Tricolore and his former saucier, Barry “Béarnaise” Burmilla. While Tricolore walked through the crowd acting like a proud father, Burmilla expounded on each dish, discussing provenance, cooking techniques, presentation, and most important of all, flavours.

Since the permanent grassRoutes restaurant will feature naturally-sourced feral cuisine, Burmilla took pains to explain the meaning of the term, as well as the health benefits and financial rewards. He also offered these two important pieces of advice: Don’t buy anything that shouldn’t grow where you live or that is bigger than it should be. And don’t mess around with good natural ingredients.

“These are the only two rules to follow in feral cuisine,” he said. “And remember: food that is naturally grown and naturally-sourced is cheaper by half and three times as good for you.”

Despite his saucy nickname, Burmilla said he is just as “evangelical” about food as his former boss.

“Tab and I not only share a history, we share a passion for good, tasty, nutrition. Otherwise, we couldn’t work together,” he said.

Filed Under: Breaking News, Economy and Business, Park Life, The Arts, Entertainment, and Culture Tagged With: Barry Béarnaise Burmilla, feral cuisine, Feral Roots Festival, grassRoutes, Tab Tricolore

Ingolf Ewald donates “Wisdom Rejects Beauty” to Fowl Ball auction

April 29, 2017 By Aednat Eilifint, TMD Arts and Entertainment Reporter

wisdom-rejects-beautyRenowned artist Ingolf Ewald has donated one of his most famous paintings to the Fowl Ball auction.

“Wisdom Rejects Beauty,” which has hung for years in a gallery outside The Park, will be on the auction block on May 31, and will help to fund the new Avian retirement home.

In a short announcement this morning, Fowl Ball organizer Rafael Ortega expressed his “profound” gratitude to Ewald, calling him “an extraordinarily generous artist” who has shared not only his work but his time and enthusiasm with residents of The Park.

Ewald, who is known as a recluse, first arrived in The Park to open The Park Museum of Contemporary Art’s 2015 exhibition, “Art of the Domestic Feline.” In addition to opening the exhibition, Ewald lent his most famous painting, “Plumpen Rolletariat” to it. He followed that visit with another secret visit in 2016 and earlier this month, he painted live for six days at the PMoCA’s “ARCHONOGRAPHY.”

The artist himself will transport “Wisdom Rejects Beauty” to The Park in mid-May and it will hang in the PMoCA until the end of the month, when it will be moved to the Ball’s headquarters.

Filed Under: Breaking News, Park Life, The Arts, Entertainment, and Culture Tagged With: Avian Retirement Home, fundraising, Ingolf Ewald, PMoCA, Wisdom Rejects Beauty

Not just for the Birds: April’s Stereotype Sunday theme will be Avians

April 27, 2017 By Marikit Kuneho, TMD Park Life Reporter

flock-birdsThe theme of this month’s Stereotype Sunday will be Birds.

The announcement was made this morning in a joint press statement issued by the Archons and the Department of Well-Being and Safety.

“On April 30, we’ll have the opportunity to flock together at our monthly themed Stereotype Sunday. We look forward to seeing you there to gain new understanding and express our appreciation of The Park’s Avian population,” the statement said.

The statement also confirmed rumours that The Feral Four had accepted an invitation to speak at the event. The Feline band, who made a moving speech at the first annual Fowl Ball, has worked tirelessly over the past few years to rehabilitate the reputation of Felines vis à vis Avians, including donating a set of their song lyrics to the Feline charity, CatsCare.

Performances by The Canary Cousins, Banded Brothers, The Tweeters,  SCENTient Beings and Belles and Whistles were also confirmed in the announcement. Rapper Jargonhead, however, confirmed his own performance via social media.

Filed Under: Breaking News, Park Life, The Arts, Entertainment, and Culture Tagged With: Avians, Stereotype Sunday, theme

Chitter Radio Literary Awards adds new category for 2017: speeches

April 22, 2017 By Aednat Eilifint, TMD Arts and Entertainment Reporter

The Chitter Radio Literary Awards (CRLA) has added a new category to its already sizeable list of honours: speeches.

In a short communiqué issued this morning, CRLA director Guadalupe Tucán cited the need to expand the term, “literary,” and to continue to acknowledge the artistic elements of non-fiction as her reasons for adding the category.

“We need to continue to broaden our horizons and reward those artists whose work may not fit easily into the established categories,” the communiqué said.

Tucán, who has been CRLA director since 2015, began taking the awards in a different direction last year, when she allowed celebrity chef Tab Tricolore to serve his “Liberation Libation” to attendees. Though it was a controversial move, it illustrated what many call Tucán’s “sense of the bigger picture.”

“I’ve known Guadalupe for years and I know what she’s thinking when she does things like that,” said a longtime friend. “She believes that art and even literariness can be found as much in the mundane as in grand canvasses or great books. So, I’m not surprised by anything she does.”

Tucán said the category expansion is not expected to add more than a few minutes to the evening, which will be broadcast live on AVN Television.

The Chitter Radio Literary Awards take place June 15. Nominations will be announced in mid-May.

Filed Under: Breaking News, Economy and Business, Park Life, The Arts, Entertainment, and Culture Tagged With: art, Chitter Radio Literary Awards, speeches

Hermione Hippo appointed head judge of 2017 Toe-Hair Contest

April 21, 2017 By Fiona Lupu, TMD Events Reporter

Hermione HippoHermione Hippo will serve as head judge of the 2017 Toe-Hair Contest.

At a press event held this morning, Aintza Kanariar of the Department of Holidays, Festivals, and Celebrations, made the formal announcement:

“We are thrilled to announce that the very knowledgeable nurse Hermione Hippo will serve as head judge of the 2017 Toe-Hair Contest,” she said.

The veteran Park health professional is the head nurse at the Park Hospital for the Afflicted and Infirm and also serves part-time as Assistant Professor at the University of West Terrier School of Medicine.

“Few others have Hermione’s expertise,” Kanariar said. “We are humbled that she has agreed to take the time to participate in the contest.”

In making the announcement, the longtime Director of Public Relations for the body that chooses the judges emphasized the importance of the position of head judge:

“The position is an important one because, should there be a tie, the head judge, who is an Animal with greater expertise than the other judges, has the ability to choose the winner. It is a position of responsibility that calls for a great deal of knowledge and personal integrity. And that Hermione Hippo has in spades,” she said.

Kanariar also announced the other four members of the judging panel: Cornelio Lantra, Clementina Araña, Quinta Caribou, and Rafael Ortega.

The Toe-Hair Contest, which is in its 22nd year, is set to commence at 10:00 a.m. Park time on May 1.

Filed Under: Breaking News, Park Life, The Arts, Entertainment, and Culture Tagged With: head judge, Hermione Hippo, Toe-hair contest

Back by popular demand: PMoCA’s “ARCHONOGRAPHY” returns Sunday with special guest Ingolf Ewald

April 15, 2017 By Aednat Eilifint, TMD Arts and Entertainment Reporter

pmoca-1The Park Museum of Contemporary Art (PMoCA) made a surprise announcement this morning: its ARCHONOGRAPHY installation, which broke all attendance records during its initial two-month run, will reopen this weekend. And, it will host a special guest: renowned artist Ingolf Ewald.

Ewald, who is known for his painting, “Plumpen Rolletariat,” last visited The Park in August of 2015, when he opened the PMoCA’s “Art of the Domestic Feline” exhibition.

The ARCHONOGRAPHY installation, which the museum describes as “ultra-live,” is a tribute to the thirty-fifth anniversary of zoocracy. It honours those who’ve served in The Park’s government over the past thirty-five years by having Park artists paint portraits of Archons chosen by museum-goers. All twelve hundred portraits completed thus far hang in the museum and they will do so until the end of the year.

This second iteration of the installation will differ slightly, according to head curator Aamuun Maroodiga’s announcement today. The artists will be on-site only eight hours a day instead of the previous twelve, and the installation will run from Sunday, April 16 until May 1, after which the museum will close to make preparations for its next major exhibition. Ingolf Ewald will be painting portraits of Archons from April 15 until April 21.


The Park Museum of Contemporary Art’s “ARCHONOGRAPHY” will reopen on Sunday, April 15 and run until May 1, 2017. Admission to the event is free. 

Filed Under: Breaking News, Park Life, Politics/Law/Crime, The Arts, Entertainment, and Culture Tagged With: Archonography, art installation, Ingolf Ewald, Park Museum of Contemporary Art, portraits

Memes of Production to be official hosts of this year’s Anixi Agrarian Jubilee

April 11, 2017 By Aednat Eilifint, TMD Arts and Entertainment Reporter

Memes of ProductionIt’s official. And it’s a first for the Anixi Agrarian Jubilee.

The annual festival announced today that Bovine singing sensations Memes of Production will not only play at this year’s event, they will be its full-time hosts.

Jubilee chief organizer Miriam Wapiti made the announcement at a small press gathering today.

“We are very pleased that Memes of Production accepted our invitation to play host at this year’s event,” she said. “Their success at last year’s Jubilee proved that their music and their ethos are in sync with the values of our celebration.”

Wapiti said she’d be “forever grateful” to the group for rescuing last year’s event, when the boycott of its opening act as well as of The Park’s farmers and weather makers threatened to shut it down.

“They proved that politics has no place at the Jubilee,” she said.

While the event has been criticized over the past few years for becoming “too politicized,” both Wapiti and the Department of Holidays, Festivals, and Celebrations have attempted to rein in any overt politicking. Most notably, organizers refused to allow The Park’s farmers and weather makers to host information booths during the event five years ago.

Although Wapiti would not elaborate on the Memes of Production’s full rôle in the event, she did hint that they would have some say in choosing the musicians and other entertainers.

The Anixi Agrarian Jubilee will take place on May 21, 2017.

Filed Under: Breaking News, Park Life, The Arts, Entertainment, and Culture Tagged With: Anixi Agrarian Jubilee, farmers, Memes of Production, Spring

Leave it to Felines: How the idea of Animal self-rule took hold in The Park

April 10, 2017 By Éléonore Musaraigne, TMD Book Reviewer

3d-cover-fierce-urgency-of-miaowTHE FIERCE URGENCY OF MIAOW
Jor and the Feline Roots of Zoocracy
by Pieter N. Paard
372 pp. Marcellin de la Griffe Publishers Ftoo 20

Early in his life, George Livingstone Barnaby Cuthbert—known to us all as Jor—went for a short walk outside his home in the arms of the Human who’d adopted him. As they strolled toward a local parkette, they came upon an old woman who asked them to stop. She pointed to his four white paws, which she called gloves, and tapped him on the head with her index finger.

“Someday,” she said, “you’ll be a very big man in the park.”

Virtually all Park Animals have grown up on that story, so it seems surprising to find it told again in the first few pages of Pieter Paard’s new book, The Fierce Urgency of Miaow: Jor and the Feline Roots of Zoocracy.

But Paard’s retelling of the story is very much in keeping with his book’s title and its premise: that Jor’s felinity was central to his vision of Animal self-rule—and to his ability to have that vision.

“Feline culture, as it were, had developed beyond that of any other species in The Park, to the point where Jor was allowed access to ways of thinking that led him to consider the possibility of establishing Animal self-rule. His challenge was to convince those of other species that such a system of government was achievable; his own kind had been contemplating it for years,” Paard writes in the book’s opening pages.

In this way, Paard breathes new life into the “Doctrine of Feline Exceptionalism,” a set of beliefs about the superiority of Felines that is thought to have originated in the decades before zoocracy. At that time, the Felines of The Park—particularly the “Big Cats”—held sway. Hated by all but their own species, they nevertheless used their great intellectual prowess and sophisticated governing skills to bring about a transformation of The Park (then known simply as “the park”) that culminated years later in zoocracy.

The fact that these big Cats were not satisfied with ruling over the other species but sought to share power with them is what gives credence to the Doctrine.

“It is hard to imagine any other species that would have gone to such lengths to divest itself of its political power in order to allow those they considered lesser to achieve some form of equality,” says Paard, himself a proud Equine.

That it ultimately fell to a small Tabby—and a formerly domestic one at that—to fulfil the Big Cats’ dream is further proof for Paard that Felines are intellectually and morally exceptional beings.

“Jor’s leadership qualities and the rôle his sister Zoë played in his political achievements have been the subject of much study of late. But I believe it was his own instincts and his intuitive understanding of other Animals that helped him to establish zoocracy. Jor’s ability to speak to other Animals at an equal level and his mild manner were just two of the qualities that I believe helped him win over his political opponents. To those Animals in The Park who desperately wanted to believe in a government of shared power, Jor presented a trustworthy ally,” Paard writes.

Much has been written about Jor during this year of zoocracy’s thirty-fifth anniversary and many have questioned his motives. But even if, as Yoshita Tigru writes in her book, George Livingstone Barnaby Cuthbert: The Tabby King, he did contemplate establishing a monarchy and installing himself as king, respect for his fellow Animals ultimately won out.

“Jor’s legacy is and always will be that he established zoocracy in a Park that most others believed was ungovernable,” Paard writes.

If Paard commits any error in this book, it may be that he emphasizes Jor’s achievements and downplays his sacrifices. But we must never forget that Jor left a good life in a comfortable domestic situation to work toward making life better for all Animals. In that one act, he became a model of the highest moral stature and a hero to all.

Filed Under: Book Reviews, Breaking News, Education, Media, The Arts, Entertainment, and Culture Tagged With: book review, Jor, pieter paard, the fierce urgency of miaow, zoocracy

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