The Mammalian Daily

Satirical fiction in newspaper form

Lovely to look at - Book by Noreen

OTD in 2016—Rapper Will.o.be. under fire for criticism of zoocracy after Return of the Nut

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Rapper Will.o.be.First, it was Douglas Cheetah. Now, Rapper Will.o.be. is coming under fire for remarks he made at The Park’s emotional Return of the Nut ceremony on Saturday.

Just minutes after 2016 Keeper of the Nut Ekeoma L. Girraaf returned the Nut to The Park’s hibernating community, swearing the ancient oath that it was “kept from harm and preserved intact,” the singer and composer made some incendiary remarks to a Mammalian Daily Television (TMDTV) reporter.

In a “live at the scene” interview, the beloved musician criticized the Archons’ Groundhog Day address, as well as the Archons themselves, saying that they “embodied everything that is wrong with zoocracy.”

A shocked television audience then found themselves subjected to a barrage of specist comments, as Will.o.be. declared that “Fish do not speak for me,” that “[Chief Archon] Mink does not speak for me,” and that “very few other Animals have any idea what it’s like to be Feline.”

The composer and singer then went on a rampage against Animal self-rule, declaring that most Animals are not able to run their own lives, let alone the lives of millions of other Animals of all species.

“I’ve spent a lot of time in the Human world and I know that it doesn’t work there, either,” he said.

Minutes after the broadcast, Mammalian Daily Associated News Services (MDANS), TMDTV’s parent company, issued an apology for the rapper’s remarks, saying they did not reflect in any way the views of MDANS or its employees.

OTD in 2015—Barkettes to honour Tartan Crab with free concert at Memorial Pond

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Tartan Crab Memorial PondThisbe and the Barkettes will honour the Tartan Crab this Spring by holding a free concert at the memorial pond that bears his name.

In a statement released this morning, the group’s manager Hilde Blaft confirmed that the group made a specific request that a free concert be held at the Pond to honour the victim of The Park’s most famous unsolved murder.

The Tartan Crab, who was Nestor’s pet, was brutally murdered eleven years ago and his body was found on the walkway in front of the Reek-o-Rama. Although several Animals, the majority of whom were Canines, were brought in for questioning, Police still have no idea who the perpetrator of the crime was.

Nestor, whom some regard as The Park’s greatest poet. never spoke of the murder and declined to be interviewed over the course of his life.

A date has not yet been set for the concert at the Tartan Crab Memorial Pond.

OTD in 2017—Tavros scores interview coup with zoocracy founder’s biographer

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3d-tabby-king-1Yannis Tavros has scored a major media coup by booking an exclusive, pre-publication interview with the author of a new biography of The Park’s first leader.

Yoshita Tigru will join Tavros on his Toro Talk Radio show on Friday, February 10, to discuss her book, George Livingstone Barnaby Cuthbert: The Tabby King. Four days later, The Park will celebrate the anniversary of Jor’s birth.

In the new biography, which is bound to spark controversy when it hits the shelves on February 15, Tigru claims that The Park’s revered first leader considered establishing a form of monarchy before he fixed on the idea of  zoocracy, or complete Animal self-rule.

Tigru, who was allowed full access to all the extant papers of George Livingstone Barnaby Cuthbert (Jor), including the entirety of his sister’s diary, The AutoZOËography of ZoëCat, cites his sister as a “major force” behind both his political aspirations and his political decisions.

“There is no doubt that her rôle went far beyond that of a sounding board or even an advisor,” Tigru has said in the past.

This view aligns with that of another of Jor’s biographers, Daphne D.S. Katze, whose 2014 book, Jor: The Extraordinary Life of an Ordinary Cat, claims that it was Jor’s sister who turned his attention away from “simple Feline pleasures” to the idea of promoting harmony among the species in The Park.

Katze, who had only limited access to Zoë’s historical tome, has said recently that she was envious of Tigru’s unfettered access, but would “absolutely” trust her interpretation of what she read.

Free tickets to Tigru’s February 26 book launch are available at The Literary Apothecary. The launch will begin with a short reading at two o’clock, followed by a Q&A session and paw printing.

OTD in 2016—Directors’ Guild ousted me as prez due to my politics: Douglas Cheetah

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Douglas Cheetah photoRenowned director Douglas Cheetah claims he was ousted as president of the Park Directors’ Guild (PDG) because of his vocal criticism of The Park’s political system and especially because of his opposition to the continuation of sortition as a method of selecting The Park’s governing body.

“My politics offended them [the PDG) and for that I am not sorry. But the issue is that political beliefs have nothing to do with my ability to serve effectively on behalf of The Park’s directors,” Cheetah told host Yannis Tavros of Toro Talk Radio yesterday.

The director, who is best known for his award-winning film Black Cats Can’t Jump and for a moving and insightful documentary about an interspecial family, became a spokesAnimal for The Park’s pro-election group, Coalition Against Sortition in The Park (CASP) last April.

“The only way that I can see to stop the ongoing erosion of the principles of zoocracy is to establish a system in which we choose our leaders directly,” he said at the time.

The Park Directors’ Guild has made no comment on the situation other than to announce that Varden I.W. Spaniel will replace Cheetah as president on the fifteenth of this month. Spaniel is best known for his film, Stuffed Dogs Don’t Shed, for which he received the Golden Cap, the Guild’s highest honour, in 2009.

OTD in 2016—ZEAL calls for full investigation into dispute over Gourami Archonship

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ZEALPopular Park singer ZEAL has called for a full investigation into the dispute over Zafran Gourami’s Archonship.

On January 16, Gourami was sworn in as an Archon after being selected through the usual procedure of sortition. Ten days later, a Form 15C was submitted to the Department of Political Administration (DPA) disputing Gourami’s eligibility to serve.

ZEAL took to TMD Radio this morning to call on all Park Animals to “dispute this dispute.”

“This is an outrage and the reason for this dispute is obvious,” he said. “Gourami is a striped Fish and this is just another example of the subtle ways in which striped and spotted Animals experience prejudice and unequal treatment in The Park.”

To further his cause, ZEAL initiated a petition calling for the DPA to nullify the dispute and to move on with the business of governing The Park. The first to sign the petition was award-winning film director, Douglas Cheetah; the second was Momoko Yamaneko, Editor-in-Chief of Prionailurus Press.

Cheetah’s signature came as no surprise. Last year, he announced that he had lost faith in sortition altogether and believed that free elections were “the only path to true equality among the species.”

As for Yamaneko, she has become a vocal supporter of striped and spotted Animals and announced in April that her company would be showcasing the work of these writers.

The Department of Political Administration has not responded to ZEAL nor acknowledged the petition. DPA spokesAnimal Antoinette Fourmi confirmed on Tuesday that a panel will review the reasons for the dispute and render a decision by February 1.

OTD in 2017—Fleck + Stone to host information session on 2017 Prognostication Pad

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Groundhog Day celebrationsFleck + Stone, the high-end architectural firm hired by The Department of Holidays, Festivals, and Celebrations to design and build the 2017 prognostication pad, will host an information session for Park residents this weekend.

In a short press release this morning, the firm’s Chief Architect, Vadim Kobras, invited all Park residents to the information session which will be held on Saturday afternoon at the Ancient Open-Air Theatre.

“It is of utmost importance to the Fleck + Stone team that Park residents be in possession of all the facts surrounding the 2017 Groundhog Day prognostication pad,” the press release said. “We will be happy to answer any questions about the design and execution of this important piece of equipment.”

Although it didn’t directly address the controversy over the assumed high cost of the pad, the press release did imply that Park residents would see its value:

“The Fleck + Stone team is incredibly proud of the work it has done to help celebrate Groundhog Day in this very special year. We are confident that Park residents will be receptive to our design and will appreciate its uniqueness.”

The press release cum invitation ended with the words, “We were honoured to have been chosen for this job and we remain committed to supporting The Park and zoocracy in any way we can.” It was signed by the Chief Architect, himself.

According to sources close to the firm, Kobras will speak generally about the pad and building materials and go over some of the designs the team considered before fixing on the one that was built. No illustrations of the actual pad will be revealed, but Kobras is said to have also prepared a talk that deals with the history and significance of the prognostication pad.

The final design will be revealed in the early morning hours of Groundhog Day.

OTD in 2012—Chitter Radio rescues literary awards

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Chitter Radio, one of The Park’s most popular talk radio stations, has brought The Park Annual Literary Awards (PALA) back from the brink.

At a press conference this morning, Chitter President and C.E.O., Albana Ketri, confirmed that Radio 244883.7 (known as Chitter Radio) would assume full financial sponsorship of the Awards.

“We are delighted to announce that Chitter Radio will be the exclusive sponsor of the 2012 Park Annual Literary Awards. We look forward to forging a strong connection with the Awards and see this as a great opportunity to promote literacy both inside and outside The Park,” she said.

The Awards had previously been supported by The Park’s Department of Holidays, Festivals, and Celebrations, but budgetary constraints forced it to renege on its promise of funding for the 2012 season.

At the press conference, Ketri emphasized that Chitter Radio considers its association with PALA to be both a “privilege and a responsibility” and stated that Chitter Radio is “unequivocally committed”  to maintaining the high standards and integrity with which PALA is associated.

The Park Annual Literary Awards take place 15 June.

OTD in 2010—Cynics’ digital re-release tops charts

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Munch on this: Park recording artists, The Cynics (a.k.a. Philosopher Dogs) appear to have made a spectacular comeback with the digital re-release, this month, of their debut recording, Eat Your Food.

The group, which was certified by the Canine Music Association in 24 AZ, released two recordings during their first year, Eat Your Food and Take the A Frame. Sales of both recordings were “extremely strong, especially for newcomers”, says CMA President, R.F. Aarrf. But that success was not matched by their next release, No Dogs Allowed. Their next two recordings, Long Cool Human and S.I.T. were considered to be flops in terms of sales and many feared that the group would be unable to secure another recording contract.

Experts in the business side of music claimed the problem was a matter of timing and was caused by the music-buying public’s shift away from strident political statements.

“The Cynics were born of a political movement…if not an anti-Human movement, then, definitely, a questioning of Human-Canine integration. Unfortunately for the group, this came on the heels of a very strong conciliatory movement, both inside and outside The Park. Suddenly, no one wanted to hear about an interspecial struggle; they wanted to listen to tunes telling happier stories. And that wasn’t what the Cynics had to offer.”

Aarrf doesn’t believe that the group’s recent success signals a deterioration in Human-Canine relations. Instead, he thinks, it may indicate a cautious re-thinking of Humans’ place in The Park.

“I think Animals are taking a step back, paying more attention to their history, maybe, before they jump, with all four feet, into anything [with Humans] that might jeopardize their rights in the future,” he says. “And, so, they may be listening to the [Cynics’] lyrics more attentively than before.”

The Cynics, for their part, have made no public comment about their turn of fortune. According to their representative, no concerts are scheduled “at this time,” but the group is working on a new recording, to be released later this year. The title of that release is Do Clause.

OTD in 2017—PMoCA’s “ARCHONOGRAPHY” installation opens to record crowds

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pmoca-1The Park Museum of Contemporary Art’s first exhibition in honour of zoocracy’s thirty-fifth anniversary opened to record crowds yesterday.

According to PMoCA officials, “ARCHONOGRAPHY” broke attendance records dating back to the opening of the museum, itself.

“We were stunned,” said Aulikki Norsu, president of the museum’s board of directors, in an interview on Mammalian Daily Radio this afternoon.

“We were there until the wee hours of the morning getting everything ready, and when we left to go home, we saw the lineup to get in had already started.”

That was at three in the morning. By the time Norsu returned to open the installation, the line wound five times around the building. It has stayed that long ever since.

The art installation, which the museum describes as “ultra-live,” honours those who’ve served as Archons over the past thirty-five years. Every day until March 31, Park artists will be on-site twelve hours a day to paint portraits of museum-goers’ chosen Archons. All the portraits painted during the installation will hang in the museum until the end of this year.

Head curator Aamuun Maroodiga chose renowned autochthonous artist Hervé Huard, slow artist Fionn-Fionnoula T. Snail, merging artist Hugh Danlami Biri, and Clementina Araña to open the installation. At the time of publication, the group had completed sixteen portraits of past Archons.

The Park Museum of Contemporary Art’s “ARCHONOGRAPHY” runs from January 20-March 31, 2017. Admission to the event is free. 

OTD in 2015: Interview with Thisbe, Part One: “Life is what happens after the credits roll.”

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ThisbeA partial transcript of the Mammalian Daily Radio (TMD Radio) interview with Thisbe, hosted by Winsell Tamarin and broadcast live December 3, 2014, appears below. Please note, this transcript has been edited due to space limitations.

WT: Welcome, Thisbe. It’s a great privilege to talk to you today.
T: Thank you, Winsell. It’s a privilege to be here.
WT: I’d like to start off, if you don’t mind, by addressing some of your fans’ concerns about your upcoming tour and your career decisions in the last decade.
T: Yes, that’s fine. I knew you would want to talk about that.
WT: You embarked on a farewell tour some years ago—
T: Yes. 2007
WT: 2007. And—
T: And I fell ill and we cancelled the tour because we didn’t know when I would be well enough to resume work. And the Barkettes … particularly Estelle … had other commitments, so—
WT: And that brings me to my question. Not about the tour. About your relationship … with the Barkettes. There have been many rumours, as I presume you know, that you aren’t particularly close. Some even say that you aren’t on speaking terms.
T: That’s nonsense. I mean, about not being on speaking terms. Of course we’re on speaking terms. We practically grew up together. But, are we close? Who is to be the judge of that? We have all lived our own lives, even while performing together and spending almost every waking moment together for many years. We are our own Canines. But we care about each other. Deeply. And, to a great extent, we understand each other. Perhaps more than any other Canines could ever understand the five of us. And not just because we’ve been together for so long.
WT: And Noreen? What is your relationship with Noreen these days? I see that she dedicated her book to you.
T: Noreen is a very special Canine. We have a special relationship that defies definition. I was the one who rejected her as a Barkette, so I was the one who had to live with that guilt for years. I was afraid it would destroy her, but she is the most resilient Animal I’ve ever met. In the end, it was she who helped me to survive, rather than the other way around.
WT: So, would you say that you are close friends?
T: I don’t understand why you keep asking that kind of question. Noreen has her own special abilities and she has her own life. However close or not close we are, is our business.
WT: We’ll move on. What do you hope to gain through this new tour?
T: Gain? I don’t think we hope to gain anything, per se. We are continuing with our careers, after a hiatus of about 7 years. We did do a few concerts together during that time, but we didn’t tour. The Barkettes, themselves, toured and pursued other interests. Mercedes went back to school; Lorraine has a number of charities that she works with; Carmen loves to garden and Estelle has done a number of television spots. We have all been busy. We are not returning from the depths. We are all well and happy and ready to start a new phase in our lives.
WT: What did you mean when you said that Noreen helped you to survive?
T: As you know, I was very ill for a long time and part of my illness was diagnosed as melancholia. I didn’t quite know what to do with myself. I was frustrated and agitated a lot of the time and I took to chasing my tail. I didn’t know how to move forward. As I’ve said to others in the past few years, life is what happens after the credits roll and I found out quite quickly that I didn’t like it and that I really didn’t know how to deal with life. It was something I’d been able to avoid by working so much. My concerns weren’t of the everyday kind; they were all career-related. When I was faced with the sorts of things that most Canines … most Animals are … I didn’t know what to do. It was Noreen who steered me in the right direction.
WT: How so?
T: She visited me one day and gently suggested to me that there were certain truths about my life and my upbringing that I hadn’t faced head-on … that I had spent many years running away from who I really was and, even more than that, who I was supposed to be. She said maybe it was time for me to take a look at all that. 

END OF PART I
Stay tuned for PART II: “I was made for the shows.”

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