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OTD in 2017—Design of 2017 prognostication pad sparks criticism, spawns new memes

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2017-prognostication-PADThe design of the 2017 prognostication pad hasn’t just sparked intense criticism from attendees and design experts; it’s also spawned several new Park memes.

The confusing design, coupled with the grave illness suffered by 2017 POPS Ditmar Bismarmot, has spawned  a set of memes that appear to blame the pad and its designer, the architectural firm Fleck + Stone, for Bosmarmot’s illness.

The Park Official Prognosticator of Spring was found to be suffering from Premature Awakening (PA) from hibernation and was rushed to hospital just minutes after predicting an early Spring on Groundhog Day.

Despite these indisputable medical facts, the memes have taken off in a variety of forms, including one that shows an image of Bosmarmot sprawled across the top of the pad with the the warning: “Don’t get stoned by Fleck.” Another with a similar image says, “Ditmarred Again.” Yet another portrays the firm’s chef architect, Vadim Kobras, climbing up the pad, leaving a number of dead Groundhogs behind him on the steps.

For their part, the Archons have been swift to react to the memes, preferring to deal with them in a factual way. This morning, Balthasar Alouatta, spokesAnimal for the Archons, read a prepared statement from Chief Archon Klarissa Kuttu in which she wished Bosmarmot a speedy recovery. The statement went on to use the memes to address the issue of Premature Awakening and to direct Park Animals to information on the subject.

Thus far, neither the firm of Fleck + Stone nor its chief architect has publicly reacted to the criticism of the prognostication pad.

OTD in 2014—Groundhog Day organizer on shadow lawsuit: “They’ve brought shame on the POPS and on the celebrations.”

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PrognosticationOf all the things the chief organizer of The Park’s Groundhog Day celebrations has had to worry about over his decade-long career, the validity of the official prognostication has never been one of them. Until now.

“I’m in a state of shock,” said Wyatt Whistlepig, Jr. in a telephone interview this morning.

Roused just before dawn to attend the ceremonies, Whistlepig had every intention of returning to his burrow in the afternoon, as he has done every year. Instead, because of the shadow controversy, he has been awake for three days now.

“If this doesn’t constitute premature awakening, I don’t know what does,” he says. But he’s not complaining:

“Dealing with this and anything else that comes up, that’s just part of my job. And it’s a job I love.”

The controversy began just seconds after Solange Marmotte, 2014 Park Official Prognosticator of Spring (POPS), declared that The Park could expect another six weeks of Winter because she had seen her shadow. A group of disgruntled spectators claimed the shadow that Marmotte had seen was not her own, but one that appeared as a result of a fault in the Prognostication Pad.

Immediately, the organizers brought in experts to rule on the matter. Executives from Simply Structures, the firm that designed and built the Prognostication Pad, checked the structure for faults while artists from the Hani Gajah School of Art traced the shadow. Eventually a team of shadow experts ruled that, given the paw and claw that appeared on the artists’ tracings, the shadow must indeed have been Marmotte’s. Shortly thereafter, Mr. Justice Augustus Dindon signed the Official POPS’ Proclamation.

“At that point, I thought it was over,” said Whistlepig this morning. “We moved on to the other events and I didn’t give it another thought.”

Little did he know, though, as attendees listened to the Archons’ Address and partook of the tasty treats at the food stations, that the disgruntled group of spectators were planning to become litigants in a lawsuit that, in Whistlepig’s words, “is bound to tear The Park apart.”

That lawsuit alleges that the POPS did not in fact see her shadow on Groundhog Day and that, consequently, her prediction should be declared null and void. The suit was filed yesterday, February 3, at noon.

For his part, Whistlepig thinks the whole matter is a sad and, ultimately, silly one.

“To me, it’s a moot point. By the time the suit gets through our court system, Spring will have arrived, whether Marmotte saw her own shadow or not. All they’ve done [in launching the suit] is brought shame on the POPS, shame on the celebrations, and shame on the shadow. It’s a rain of shame, and for what?” he said, sighing.

OTD in 2016—Focus On: Archons’ Address

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Annual Archons' Address

Why is the Archons’ address so important?

The observation of Groundhog Day has its roots deep in the Animal tradition of weather prognostication. The Park’s elaborate, all-day celebration of this important day attracts record crowds annually.

But modern Park life has endowed the day with a political significance, as well. Park citizens, eager to discover what the new year has in store for them, await the annual Archons’ address, the first speech given by the 35 newly-selected Archons.

Let’s focus on the Archons’ address.

THE ARCHONS: WHO ARE THEY?
Each cohort of thirty-five Archons constitutes The Park’s government for a period of one year. The individual Archons hail from every species of citizen in The Park and they are chosen each year through the process known as sortition (lottery).

While their names are announced on January 15, they make their first appearance before The Park’s citizenry on January 16, the day on which they are sworn in. After the ceremony, the Archons go into seclusion and are neither seen nor heard from until Groundhog Day on February 2.

HOW DO THEY DECIDE WHAT TO SAY IN THEIR ADDRESS?
During those sixteen days, the Archons have a chance to get to know each other and to discover each other’s attitudes and opinions regarding the direction in which The Park should move. Economic, social, and health-related issues are the subject of robust discussion and it is through this process of discussion and debate that the Archons develop their agenda for the year.

Ideally, this agenda (which literally means “things to be done”) should address Park citizens’ most pressing needs and concerns. When the governing collective has made its final decision on the important issues that it will address during its tenure, it is ready to draft the Groundhog Day speech.

WHY THE SPEECH IS IMPORTANT TO PARK CITIZENS
Park citizens know virtually nothing about the members of their new government, even as they watch them being sworn in. While many may be acquainted with them personally, it is not likely they know with any certainty where these Animals stand on the important issues that face The Park.

As the Chief Archon reads the speech, she or he reveals the concerns and beliefs of the governing collective and lays the groundwork for the changes that it will attempt to make over the coming year.

That is why the Archons’ address, given on Groundhog Day, is so important to Park citizens.

WHAT PARK ANIMALS ARE LISTENING FOR
The Archons’ address does more than simply list a number of items that are of concern to the Archons or that they hope to act on during their tenure. The speech sets the tone for the new administration and for the relationship it will have with Park citizens.

What Park Animals are listening for are indications that the Archons are not only in tune with their concerns but that they will be open to input from the citizenry. Most who reside in The Park would agree that this is what makes good government.

OTD in 2016—Park shops get green light to stay open Groundhog Eve, Groundhog Day

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Groundhog Day specialsIn a stunning reversal of its longstanding policy, The Park Finance Office has given businesses the green light to remain open late on Groundhog Eve and into the early afternoon on Groundhog Day.

The news was announced simultaneously this morning by PFO head Valentina Abeja and by Wellington Whistlepig, president of the Park Association of Shops and Services (PASS).

In a separate announcement, Whistlepig praised Abeja for her willingness to listen and for her “forward thinking.”

“We are extremely pleased that the PFO has listened to our concerns and shifted its position on this issue. Groundhog Eve and Groundhog Day are not just a time for us to come together and celebrate. They hold enormous economic potential and we are grateful to the PFO’s forward thinking head for the opportunity to demonstrate that fact,” Whistlepig wrote.

In a radio interview this morning, Abeja said her decision to change the policy was based on practicality.

“In the past, we believed that if we allowed our shops to stay open, it would somehow take something away from the celebration of Groundhog Day. But after significant study of the issue, we came to the conclusion that that would not be the case,” she said.

Abeja also stressed the need for the PFO to view economic issues through the eyes of those on “the front lines of business.”

“It is our job to support Park business, not to stand in the way of opportunity.”

OTD in 2017—Fleck + Stone to host information session on 2017 Prognostication Pad

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Groundhog Day celebrationsFleck + Stone, the high-end architectural firm hired by The Department of Holidays, Festivals, and Celebrations to design and build the 2017 prognostication pad, will host an information session for Park residents this weekend.

In a short press release this morning, the firm’s Chief Architect, Vadim Kobras, invited all Park residents to the information session which will be held on Saturday afternoon at the Ancient Open-Air Theatre.

“It is of utmost importance to the Fleck + Stone team that Park residents be in possession of all the facts surrounding the 2017 Groundhog Day prognostication pad,” the press release said. “We will be happy to answer any questions about the design and execution of this important piece of equipment.”

Although it didn’t directly address the controversy over the assumed high cost of the pad, the press release did imply that Park residents would see its value:

“The Fleck + Stone team is incredibly proud of the work it has done to help celebrate Groundhog Day in this very special year. We are confident that Park residents will be receptive to our design and will appreciate its uniqueness.”

The press release cum invitation ended with the words, “We were honoured to have been chosen for this job and we remain committed to supporting The Park and zoocracy in any way we can.” It was signed by the Chief Architect, himself.

According to sources close to the firm, Kobras will speak generally about the pad and building materials and go over some of the designs the team considered before fixing on the one that was built. No illustrations of the actual pad will be revealed, but Kobras is said to have also prepared a talk that deals with the history and significance of the prognostication pad.

The final design will be revealed in the early morning hours of Groundhog Day.

OTD in 2016—Department of Political Administration confirms Gourami Archonship in dispute

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Form 15CThe Department of Political Administration (DPA) confirmed today that it is reviewing the selection of 2016 Archon Zafran Gourami.

In a statement issued this morning, DPA spokesAnimal Antoinette Fourmi said that one Form 15C was submitted yesterday. The department’s statement did not name the Animal who submitted the form.

In accordance with Section 127, subsection XIII, of The Park’s Constitution, Park citizens who wish to contest the selection of any Archon or Archons may do so by submitting a formal contest form (Form 15C) to the Department of Political Administration by January 31.

Although this law has existed since the institution of #sortition, very few Form 15Cs have been submitted. In an interview this morning on the Yannis Tavros show, Fourmi said that in the past ten years, the DPA has received only seven Form 15Cs.

“And, of those, only one resulted in a change of Archon,” she said.

Zafran Gourami was sworn in as Archon on January 16, 2016. The reasons for the dispute will be reviewed by a panel that will include members of the DPA, Chief Archon Raymond H. Mink and Mr. Justice Augustus Dindon. The final decision will be rendered by a majority vote. Should a reason be found to replace Gourami, that replacement will be sworn in on February 1.

OTD in 2014—Millicent Hayberry in conversation: My Groundhog Day

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MillicentHayberry YOUTUBE sizeGroundhog Day has its roots deep in the Animal tradition of weather prognostication. The Park’s celebration of the prediction of the Park Official Prognosticator of Spring (POPS) attracts tens of thousands of Animals annually, making it one of our most important occasions.

Today, The Mammalian Daily speaks to actress Millicent Hayberry about her recollections of Groundhog Days past and her feelings about future celebrations. This interview was conducted at the end of November 2013,  just before Millicent Hayberry went into hibernation.

***************************************

TMD: Millicent, how important was, or is, Groundhog Day to you and your family?

MH:  Groundhog Day has always been a special event in my family. It’s always had a special meaning to us.

We’re hibernators, of course, but we’ve always made a point of getting up and out on the second day of February to greet the celebrants and to hear the Groundhog’s prediction. I can’t recall a year that we didn’t do so and I can’t imagine a year that I wouldn’t do so.

TMD: How is Groundhog Day different now? Or, is it?

MH: In some ways, it’s tremendously different, in the way that we celebrate it, although it still keeps to its basic function and idea, which is to predict the future and to celebrate our survival.

In the old days, there wasn’t nearly as much fuss about the day as there is, today. Now, almost all of us hibernators decorate our burrows before we settle in. My next-door neighbour hangs ribbons and flags outside his burrow. Every year, I choose a different colour to decorate with and then I add splashes of that colour on my door, on the floor of my burrow, even on my bedding. When I finally settle down for a good Winter’s sleep, I drift off while thinking about all the delectable food that they’ll have ready for us on Groundhog Day. And that is one of the differences.

TMD: How so?

MH: When I first started attending the celebrations, there was no fancy food and there were no food tables. We had what they called a “food exchange.” Everybody brought something they’d made and they shared it with the others. It was wonderful. And enlightening. And it was a way of getting to know about your neighbours and about other species. There’s nothing like food to bring Animals together. Or to rip them apart, of course. But the wonderful thing, in those first years of zoocracy, was that we were really trying to get to know each other and to make zoocracy work. We had a lot invested in it.

TMD: Do you miss the celebrations of those bygone days?

MH: Do I miss them? Sometimes, I must say, I miss the simplicity of them. Groundhog Day was a small celebration, then. There weren’t such large numbers of Animals attending in those days. You can’t have that kind of simplicity with so many Animals in attendance. But, these days, members of all species attend the celebration and I think that’s a wonderful thing. And, so, Groundhog Day has become one of the high points in The Park’s social calendar and I wouldn’t trade that for all the simplicity in the world.

TMD: Getting back to food for a minute, do you feel we’ve lost something by having the event catered and not providing the food ourselves?

I do not. We are so fortunate in The Park to have such an abundance of comestibles, even with a relatively short growing season. And this fantastically large celebration gives our many great chefs the chance to showcase their skills. It’s a wonderful opportunity for everybody! And, I have to say, that nutritious and innovative cuisine they serve fuels my dreams throughout hibernation.

TMD: When you were young, how did you prepare for hibernation?

MH: When I was a young Chipmunk, hibernation preparation was the most exciting time of the year. Now, it’s Groundhog Day that’s become the focus, but preparing for hibernation is still exciting and I still think about those early years with great joy.

Around the middle of October, my littermates and I would begin our daily food-gathering excursions with Mother. We’d hunt for acorns and nuts and seeds and any other delicious food we could find that would fit in the food storage chambers of our burrows. We’d gather everything up in a big basket, which Mom would carry for us. Every night, when we got home, Mom would divvy up the supplies and we’d scurry off to our own burrows to fill the storage chambers. What fun it was! There were five of us and we were very competitive with each other. Each one of us wanted to have the fullest chamber. Mom knew that desire would motivate us, so she never discouraged it. But, after the food gathering was over, she made sure we all had the same amount of food in our burrows.

TMD: Do your litter mates still live in The Park? Will they be attending the festivities this year?

MH: Three of my litter mates live in The Park. One moved east, but she visits regularly. The four of us here will, indeed, be attending as a group this year. And I look forward to seeing Mammalian Daily reporters there, too.

TMD: And we look forward to celebrating with you and your family, Millicent. Thank you so much for taking the time to talk with us. 

MH: It was my pleasure.

OTD in 2016—Photos of Park Animals in hibernation “very disturbing,” say police, DWBS

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Artist's rendering of Animal in hibernation

Artist’s rendering

The emergence of a cache of photos that show Park Animals in various stages of hibernation is “very disturbing,” say Park Police and the Department of Well-Being and Safety (DWBS).

The photos, which likely were taken by cameras installed secretly—and illegally— in hibernators’ burrows, were posted last night on the gossip web site headsNtales.

PotWatcher, The Park’s foremost web-watching organization says the pictures appeared “without fanfare and without any mention of their provenance or their authenticity.”

“They appeared serially, about one every half-hour,” says Rufus Gordon Gaupe, President and CEO of PotWatcher.

Not surprisingly, the photos have gone viral despite a police order that headsNtales remove them from the site.

Cornelius Kakapo, DWBS Director of Public Relations, confirmed the department was notified after Gaupe reported the postings to police.

“To me, it’s not just a breach of privacy; it’s a breach of trust and a threat to interspecial harmony,” Gaupe told The Mammalian Daily.

Park police agree with Gaupe and are initiated a “full investigation” that includes staff from the Specist and Hate Crimes Unit (SHCU) and the Interspecial Investigations Unit. They have also set up a special hotline and are appealing to all Animals who think they might have seen anything related to the crimes or who know any Animal who might be involved.

“We want to talk to any Animal who has any ideas about this,” says SHCU Chief Inspector Maurice Addax.

The Park Police Hotline number is: 226-887-4277.

OTD in 2017—PMoCA’s “ARCHONOGRAPHY” installation opens to record crowds

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pmoca-1The Park Museum of Contemporary Art’s first exhibition in honour of zoocracy’s thirty-fifth anniversary opened to record crowds yesterday.

According to PMoCA officials, “ARCHONOGRAPHY” broke attendance records dating back to the opening of the museum, itself.

“We were stunned,” said Aulikki Norsu, president of the museum’s board of directors, in an interview on Mammalian Daily Radio this afternoon.

“We were there until the wee hours of the morning getting everything ready, and when we left to go home, we saw the lineup to get in had already started.”

That was at three in the morning. By the time Norsu returned to open the installation, the line wound five times around the building. It has stayed that long ever since.

The art installation, which the museum describes as “ultra-live,” honours those who’ve served as Archons over the past thirty-five years. Every day until March 31, Park artists will be on-site twelve hours a day to paint portraits of museum-goers’ chosen Archons. All the portraits painted during the installation will hang in the museum until the end of this year.

Head curator Aamuun Maroodiga chose renowned autochthonous artist Hervé Huard, slow artist Fionn-Fionnoula T. Snail, merging artist Hugh Danlami Biri, and Clementina Araña to open the installation. At the time of publication, the group had completed sixteen portraits of past Archons.

The Park Museum of Contemporary Art’s “ARCHONOGRAPHY” runs from January 20-March 31, 2017. Admission to the event is free. 

OTD in 2013—Varrian calendar to reside permanently in Park Museum

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The last printed copy of the Varrian Calendar will find a permanent home at the Park Museum.

The museum’s Board of Governors announced the acquisition in a statement released on January 18. According to the statement, The Park’s first calendar will become the centrepiece of a permanent exhibit that is tentatively entitled, “Eventualities and Artifacts.”

“The exhibit will trace the beginnings of zoocracy in The Park through an exhibition of artifacts, that is, concrete representations of the change from a more natural order to an artificially organized one. The Varrian Calendar will represent Park Animals’ attempts to delineate time and, eventually, to harness it,” the statement said.

The Varrian Calendar, which was based on the solar year, was The Park’s official calendar from the establishment of zoocracy until 28 AZ (2010). That year, the 35 Archons made the decision to harmonize the calendar with that of the world outside The Park. In 2011 (29 AZ), citizens in The Park began to use the Human Gregorian Calendar (HGC), but full calendar harmonization did not take effect until December 31, 2012.

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