The Mammalian Daily

Satirical fiction in newspaper form

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OTD in 2015—Cynics to re-release Take the A Frame

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A Frame (1)The Cynics (Philosopher Dogs) will release a new version of their wildly successful collection Take the A Frame next month, according to an announcement issued yesterday.

A late afternoon press release signed by the group’s founder and lead singer, Luther “Droop” Dachshund, said the group will release a digital version of the collection at the end of May. The announcement said the collection will include a brand new version of the title song as well as the digitally re-mastered original.

The release date is meant to coincide with The Park’s observation of Enforced Domestication Awareness month in June, Dachshund said in the announcement.

“Our group has been supportive of that initiative from its inception and we want to reinforce our relationship with it again this year,” he wrote.

Last year, The Cynics donated the proceeds of their song Diamond in the Ruff to the cause.

“We’ve been fighting enforced domestication for years, but there hasn’t been much movement on the issue until recently…We want to do as much as we can to further awareness of domestication’s harsh reality,” he said at the time.

Since then, The Cynics have performed very little, save for a few concerts at The Pound, the gastropub of which they are part-owners. And, although the press release did not mention any upcoming concert dates, a spokesAnimal for Rotunda Records, the group’s label since its founding, said he thought there might be something in the works.

“They’ve been working very hard in the studio and not just on the re-release,” the spokesAnimal said. “We all think it’s about time they went on tour again.”

OTD in 2015—Prionailurus Press to promote the literature of the striped and spotted

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Prionailurus Press Editor-in-Chief Momoko Yamaneko

Momoko Yamaneko stifled a nervous laugh as she responded to a reporter’s question at a press conference held at her office this morning.

The question was a simple one: “Why now?”

“You’d have thought by our name that this would have been our mandate all along…our raison d’être, so to speak,” said the Editor-in-Chief of Prionailurus Press, which today became the first publishing house in The Park to respond to the plight of striped and spotted Animals.

But Yamaneko stopped short of apologizing for the company’s seeming neglect of its own community.

“A constellation of factors influence publishing decisions,” she explained, “and often we are forced, by the markets and by our readers, to put our survival ahead of even our most heartfelt desires. But we called you here today to announce that the time has come for us to live up to our responsibility in this regard. We will be putting striped and spotted writers at the forefront. That part of our agenda is set for the next three years, at least.”

The  publishing house, she said, has committed a sizeable amount of currency and all its other resources to finding and publishing emerging writers from the striped and spotted community.

“We want to welcome them to the Prionailurus family,” she said. “We want hear and read their stories of the challenges they’ve faced in the past and those they face now. We want to strengthen our own community at the same time as we work to foster understanding among all species.”

The publishing house’s new mandate begins “now,” the Editor-in-Chief said emphatically, as the press conference drew to a close.

“We have a host of new and exciting initiatives in development. You will be hearing from us very soon in this regard,” she said.

OTD in 2013—ISML confirms discovery of ancient “shedding” song

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The Institute for the Study of Mammalian Life has confirmed the discovery of an ancient shedding song. The lyrics of the song were inscribed on a stone tablet that was found near The Park’s Wishing Well during a routine dig last Summer.

At a press conference held this afternoon on the grounds of the Institute, ISML Chief Archaeologist Catriona Cairn-Terrier characterized the find as “significant” and described the tablet as “basically in good shape, with a few breaks here and there at the ends, but nothing that prevented us from reading the letters on it.”

She credited a team of musicologists from the University of West Terrier’s Zedrich School of Music with helping the Institute’s staff determine the nature and meaning of the inscription on the stone.

“We knew from the way the words were arranged that it was some type of poem or poetic structure, but it wasn’t until we worked with the musicologists that we were able to comprehend its true essence,” she said.

According to Cairn-Terrier, shedding songs (as well as molting songs) were a popular genre many thousands of years ago.

“They celebrate the natural order of things…moving from one season to another…and especially the rebirth that occurs in the Spring,” she said.

The language of the inscription found on the tablet is known as “Mammalian XII,” an ancient language that is related to Mammalian VII and, according to archaeologists, one that was in use during the Hairy Mammal Era (HME). And although the entire song has yet to be transcribed, Cairn-Terrier offered up what she believes is the song’s chorus:

Spring is sprung!
The winter’s done!
The sun’s come out to play!
Let’s shed the old,
Don something bold – 
For summer’s on its way! 

OTD in 2015— Clementina Araña appointed head judge of 2015 Toe-Hair Contest

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Clementina ArañaArtist Clementina Araña will serve as head judge of the 2015 Toe-Hair Contest.

At a press event at the Ancient, Open-Air Theatre, Aintza Kanariar of the Department of Holidays, Festivals, and Celebrations, made the formal announcement:

“We are thrilled to announce that Clementina Araña has agreed to serve as head judge of the 2015 Toe-Hair Contest,” she said.

“One of the premier artists working in her medium, Clementina Araña has exhibited her work at the Park Museum of Contemporary Art (PMoCA), The Kipos Gallery, and The Knochen Kunst Gallery, as well as at a number of venues outside The Park. We are confident that her keen eye for detail will prove valuable on Contest day.”

In making the announcement, the longtime Director of Public Relations for the body that chooses the judges emphasized the importance of the position of head judge:

“The position is an important one because, should there be a tie, the head judge, who is an Animal with greater expertise than the other judges, has the ability to choose the winner. It is a position of responsibility that calls for a great deal of knowledge and personal integrity,” she said.

Kanariar also announced the other four members of the judging panel: Quinta Caribou, Antonio Geco, Remus di Rafineschi, and Esko Lammaskoira.

The Toe-Hair Contest, which is in its 20th year, is set to commence at 10:00 a.m. Park time on May 1.

OTD in 2010—Cynics to break silence on Toro Talk Radio

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The Cynics, who have remained tightlipped amid the controversy surrounding one of their best-known songs, plan to break their silence next week in one of the most unlikely places — in an interview with radio host, Yannis Tavros, on Toro Talk Radio.

The radio station, whose slogan, “All Bull. All The Time,” reflects its strict and exclusionary policy, explained the exception in a statement released yesterday afternoon:

“We at Toro Talk Radio are deeply committed to freedom of speech in The Park. When that freedom is threatened for any reason, we feel it is important to speak up and to defend this most sacred of rights. As a result of the unfortunate decision taken by the Association of Park Radio Stations regarding a song by The Cynics, we feel it is incumbent upon us to provide The Cynics with a neutral environment in which to discuss the implied charges. For this reason, we have invited them, along with their manager, Damien Skyle, to discuss their situation with Toro Talk Radio host, Yannis Tavros. We have also reached out to the APRS, but have not had a response from them to date. We look forward to providing The Park’s citizens with a free and open discussion regarding censorship and music on 18 Myrodia.”

OTD in 2015—PMoCA to exhibit Domestic Feline Art

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Domestic Feline ArtThe Park Museum of Contemporary Art (PMoCA) announced today that a new exhibition of Domestic Feline Art will open this Summer. The exhibition will be the first under recently-appointed head curator, Aamuun Maroodiga.

In an interview on TMD Radio this morning, Maroodiga said she chose domestic art for her first outing as curator “because it is so far removed from my own experience.”

“I wanted to remain at a distance from the art of my first exhibition,” she said.

Maroodiga, who spent many years teaching the Tuskan technique at the Hani Gajah School of Art, went on to say that domestic art makes her “uncomfortable…in a good way.”

“It takes me so far out of my comfort zone, that I have no choice but to put myself in the place of the domestic Animal and wonder, ‘How would I cope in this situation?'”

The head curator said the museum will draw from many different art forms: paintings, sculpture, performance art, among them.

“And we will be showcasing larger Felines as well,” she said. “Lions and Tigers…Felines whom we don’t usually associate with domestication, but who suffer from and with it nevertheless.”

The new exhibit, which has yet to be named, will open in the Summer.

OTD in 2013—Polar Bears’ Poetry Picnic: an exercise in restraint…and haiku

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Poems in the air
Tulips rise up from the ground
Spring is here at last!

With tensions running high in The Park this Spring, organizers of annual Park functions could be forgiven for dreading the very events that all of us have come to cherish.

And that’s exactly how it was for Seymour K. Worthington Polar Bear, whose first term as chief organizer of the Polar Bears’ Poetry Picnic (the position requires a three-year commitment) began on February 14.

“I was thrilled when I received the offer to become the Picnic’s chief organizer,” said Worthington, at a party held in his honour after the event. “But after the [Return of the] Nut business, I have to admit that that feeling was overtaken by dread.”

The 2012 winner of the first prize in The Park’s annual Toe-Hair Contest says he was “spooked” by the protests at that ceremonial event and by the chaos that ensued.

“Violence, arrests, a lack of respect for the occasion itself…I started wondering if we should postpone the Picnic or even skip it this year,” he says.

Though he never faltered in his commitment to the event, Worthington says he spent many sleepless nights wondering whether Park citizens were moving away from the very traditions that had made The Park viable in the first place.

After all, according to a survey conducted in early March by The Department of Holidays, Festivals, and Celebrations, Park residents are thinking twice about attending this year’s celebrations.

“The desire is there, there’s no doubt about that,” says Aintza Kanariar, Director of Public Relations for the department. “Park Animals love to celebrate. We love our seasonal festivals. And celebration has become a large part of our identity. But there’s also no doubt that recent eruptions at public events have taken their toll. These [festivals] are meant to be enjoyable but Animals are beginning to wonder whether they’re risking their safety by attending. That’s a situation we have to deal with head-on or we’ll soon find that we have nothing to celebrate,” she says.

As Picnic time drew closer, Worthington says he felt a responsibility to “to resurrect our celebratory spirit by redirecting our collective energy.” He decided to focus the Picnic on “happy, haiku poems.” No epics, no ballads, no elegies. Just “the shortest about the best,” he says.

“I wanted it to be upbeat. The Picnic has always been upbeat, though there has always been a mix of poetic styles. But this year, I decided to take control of it before it took control of me.”

Despite some staffers’ warnings that restrictions might keep Animals away, Worthington stood his ground. And triumphed in the end.

“I knew that if no one showed up, my first term would be my last,” he says. But in the end, Park Animals proved their commitment to The Park and to each other.

“The success of this year’s Picnic is the most beautiful poem of all,” Worthington says.

OTD in 2017—Travel ban will hurt our students, art school director tells Archons

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Hani Gajah School of ArtThe director of the Hani Gajah School of Art has made a heartfelt plea to the Archons: don’t restrict Animals’ travel outside The Park.

In an open letter published across Park media, Nolwazi Indlovu pleads her case for students’ “unrestricted exposure to the wider world,” while addressing the Archons’ reported concerns about safety.

“We at The Park’s premier centre of artistic education share your concern for the safety of all Park Animals. From the beginning, we have put our students’ safety first, yet we have designed curricula that require them to spend time outside The Park. We believe that the value of their enrichment through unrestricted exposure to the wider world outweighs any risk that might be involved,” the letter reads in part.

The letter is a response to the February rumour that the Archons plan to restrict Animal’s travel due to the inability of our legal representatives to aid Animals who have been charged or detained outside The Park.

While other Park educational institutions also require their students to spend some time outside The Park, the Hani Gajah School would be more adversely affected by any travel ban, since its four-year programme requires one year of full-time residency outside The Park.

The letter to the Archons was signed by Indlovu as well as by former Hani Gajah instructor and current curator of The Park Museum’s art gallery, Dorika Pumi, Hani Gajah alumni Anastazja Koci and Hanad Maroodiga, and Aamuun Maroodiga, head curator, Park Museum of Contemporary Art (PMoCA).

OTD in 2012—Literary mag sets up shop, tells Animals not to submit work

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Our newest literary magazine has issued a curious invitation to The Park’s creative community: please read us, but don’t try to write for us.

Grains of Truth, a journal that describes itself as “the embodiment of excellence” and “publisher of only the best in Animal writing” sent its first edition to store shelves less than a week ago. Along with it came an insert that warned writers not to attempt to have their work published in the journal.

The insert, which begins, “Dear Writers,” outlines the magazine’s policy vis-à-vis unsolicited submissions:

“While we maintain great respect for the work of The Park’s artistic community, we have neither the Animalpower nor the will to sift through piles of submissions in search of material to publish in our magazine. We appreciate your interest in our journal and hope that you enjoy reading the excellent fiction you find in it.”

The magazine’s editor, Dorine Ovella, declined The Mammalian Daily’s invitation to clarify the submission policy. Through a spokesAnimal, however, she issued this statement:

“We meant no offence to any writer when we issued our submission statement. We are a private journal and, as such, we reserve the right to publish work that is to our taste and, hopefully, to the taste of our readers.”

OTD in 2015—SuperGoof! comic plans June launch

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SuperGoof graphicIt’s not a drone. It’s not a puppet. It’s not even a toy.

It’s SuperGoof!, a new comic series that’s set to launch this coming June and which may prove to be the most powerful weapon in The Park’s anti-enforced domestication arsenal.

Conceived and produced by Anastazja Koci, an alumna of the Hani Gajah School of Art, the project was supported in part by the Founding Families Financial Corporation, in association with the Department of Well-Being and Safety (DWBS).

“We are always on the lookout for new ways to warn Animals about the dangers of enforced domestication,” says DWBS Director of Public Relations, Cornelius Kakapo.

“When Anastazja brought this to us, we hopped on board right away.”

The series chronicles the lives of two Domestic Animals: one Feline and one Canine, also known as the “SuperGoofs.”

The first book shows them in their formative years, learning “the tricks of the trade,” as the Canine puts it.

“In the first book, the Animals have no names,” Koci explains. “When they are addressed, it’s with terms of endearment…’Sweetie,’ ‘Precious,” that sort of thing. They have no identity outside of their rôles as pets.”

One of the most important lessons that comes from the first book is that Domestic Animals are not free to be themselves.

“It was a difficult choice to make, but I thought it was important to illustrate that the life of a Domestic Animal is not the true life of an Animal. I want to show Park Animals what it’s like not to be allowed to find your own food, to express your own personality, to make your own friends,” Koci says.

While she says the food issue was the most important to her, the title of the series says far more about the project as a whole.

“I’ve often been asked, ‘Why SuperGoofs?’ It’s hard to explain if you’ve never been in a Human household,” says Koci, who spent two years as a pet before moving to The Park.

“Humans like to be entertained by Animals. They like to be made to laugh. If an Animal wants to be fed, have a warm bed and be protected from the elements, she’d better make herself entertaining and snuggly. And research has shown that being ‘goofy’ and pretending to be not so bright can go a long way with Humans.”

The DWBS’s Kakapo says he thinks the project’s launch this year is a particularly timely one.

“After such a hard Winter, Animals might be thinking that it’s easier to succumb to domestication and a life with Humans. I think SuperGoofs! will go a long way toward convincing them otherwise,” he says.

The Park’s Enforced Domestication Awareness Month runs from 1-30 June.

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