The Mammalian Daily

Satirical fiction in newspaper form

Lovely to look at - Book by Noreen

Celebrity chef to feature food of the feral world in new TV series

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Tab TricoloreCelebrity chef Tab Tricolore will try his hand at television again in the new year.

In a run-up to his first Feral Roots Festival in July, the chef and restaurateur will host a television series on Vertebrate Vision Television (VVTV) featuring the “foods of the feral world.”

In a joint announcement across all media, VVTV and Tricolore shared their excitement about the show and emphasized their commitment to each other, despite their troubles last year.

In a separate post on his GooseBook page, Tricolore talked about his own feral roots and his relationship with the feral community outside The Park, where he was born.

“On food gathering missions for my many restaurants, I’ve had the privilege of reconnecting with the feral communities outside The Park. They have been enormously generous to me, sharing their crops and their recipes and I look forward to doing the same with my audience. Thank you again, Vertebrate Vision, for this great opportunity,” the post said, in part.

The television series will be broadcast on Tuesday nights, beginning in February 2018, a spokesAnimal for VVTV told The Mammalian Daily.

Stereotype STUNday: Snail Male lambasted for “aggressive” behaviour

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angry-snailIt wasn’t just his specist lyrics. Or the direction his tentacles pointed. Or even the tattoo (unprintable in this newspaper) on his shell.

It was, as the Department of Well-Being and Safety (DWBS) put it, “a combustible combination of the three” that led them to call Park Police to remove rapper SnailMale from the stage at this past weekend’s Stereotype Sunday.

Speaking at a press conference this morning, Cornelius Kakapo, Director of Public Relations for the Department of Well-Being and Safety, said although the department would not press charges against the rapper, he most definitely would be banned from performing at major events in The Park “for some time.”

“We believe he intended to be incendiary and that is his prerogative when he performs on his own at events that he has organized and that Animals have paid to attend. But it was absolutely inappropriate to bring that type of attitude and set list to an open event and, particularly, to an event that is organized to promote interspecial harmony,” Kakapo said.

According to Kakapo, most attendees were in agreement with the department’s decision to remove the rapper from the stage mid-performance.

“We had an enormous amount of feedback on this and I would say ninety percent of it is positive in terms of our actions,” he said.

SnailMale, whose songs are known to be angry and aggressive, has displayed specist tendencies in the past, but he has also been a supporter of interspecial harmony in The Park. In an open letter on his web site posted yesterday, the rapper said he was “unfairly treated and unjustly removed” from the event.

“They knew my work when they invited me to perform. So, why did they remove me for being who I have always been?” he asked.

SnailMale confirms performance at upcoming Stereotype Sunday

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Snail Male

Rapper Snail Male

Rapper SnailMale will perform at the next Stereotype Sunday, he announced today.

In a tweet this morning, the rapper confirmed his participation in the weekly event and invited his fans and followers to join him at the Ancient Open-Air Theatre, where he said he will take the stage at two o’clock. He ended the tweet with the hashtag, “GastropodPower.”

SnailMale is only the second musician who has been invited to perform at the weekly event. The first was ZEAL, who introduced his single, “Crossing the Line” there in July.

As the rapper’s tweet suggests, this Sunday’s event will focus on The Park’s Gastropods. The themed Stereotype Sundays, which were introduced in September, take place on the last Sunday of the month.

Beyond A Shadow Of A Doubt: Park Museum hosts first pop-up exhibit to honour POPS election process

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beyond-a-shadow-of-a-doubt-for-park-museumIn celebration of this year’s POPS election season, The Park Museum will host a pop-up exhibit entitled, “Beyond A Shadow Of A Doubt.”

In an announcement yesterday afternoon, the museum’s Board of Governors said the multimedia exhibit is meant to honour the POPS election process as well as this year’s unconventional campaign.

The exhibit will showcase material related to the 2003 decision by Mr. Justice Augustus Dindon to open the position of POPS to elections. It will also feature memorabilia from past campaigns, including posters, flyers, buttons, newspaper interviews, television and radio interviews, and recorded speeches.

This is the first pop-up exhibition hosted by the museum since its opening in March of 2015.

“Beyond A Shadow Of A Doubt” will run from 31 October until 17 November 2016.

Hire causes ire: Groundhog Day organizers take flack for Fleck + Stone

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jgroundhogdayThe Department of Holidays, Festivals, and Celebrations has become the object of the public’s ire since announcing yesterday that it had hired the architectural firm of Fleck + Stone to design the 2017 prognostication pad.

According to Park Police, officials at the department began receiving hate mail and threats shortly after their morning press conference, during which they introduced the firm’s chief architect Vadim Kobras, and discussed the size and style of the new pad.

“Within hours, the department received an onslaught of written [hate] material, which they reported to us. We immediately deployed officers to the scene and an investigation of the material is underway at our forensic laboratory,” Inspector Maurice Addax of the Specist and Hate Crimes Unit (SHCU) told the press this morning.

Police believe the negative reaction is due to the perceived expense involved in hiring the high-end firm, which is known for designing buildings of cultural import such as the Burrow Theatre and The Park Museum.

Perhaps in anticipation of that, members of the press received a fact sheet yesterday that outlined the costs of the prognostication pad and other accoutrements deemed necessary for the popular annual event. According to those figures, the cost of this year’s pad will be only slightly higher than last year’s.

Still, optics matter, says Park Finance Office head Valentina Abeja, whose last budget reduced the funds allotted to special events by two percent.

“If they’d asked me, I would have told them to hold off for a year or, at the very least, talk about the cost first. Animals who are struggling to make a living have a hard time understanding why we need a posh pad to celebrate Groundhog Day,” she said.

ZEAL, Stinktier make peace at Snowbird Farewell

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zeal-stinktier

Zeal and Faramund Stinktier at Snowbird Farewell

Popular Park singer ZEAL and Faramund Stinktier of the SCENTient Beings duo set aside their differences yesterday to play an emotional set together at the annual Snowbird Farewell.

It was an intense few minutes, not only for the two musicians but for all the celebrants at the annual gathering in honour of The Park’s Avian migrators. A few seconds after concluding the duo’s greatest hit, “Beings and Nuttiness,” the father of Reekabilly music ushered his singing partner Harimann Stinktier off the stage and invited ZEAL to come up and perform with him.

A very surprised ZEAL graciously accepted the invitation, and they sang three songs—two of ZEAL’s and one of the Beings’—before they left the stage.

Asked later by a reporter whether he’d planned the move, Stinktier said he hadn’t.

“I saw him [ZEAL] standing there in the audience and, you know, we haven’t spoken since he backed out of performing at the Winter Solstice celebrations because of my decision to transition to a Zebra. But when I saw him, it just made sense to me to give it a try. I didn’t ask him for understanding and we have no plans to sing together again. It was just a moment and that moment seemed right for us to bring harmony to the event,” he said.

ZEAL has not said anything about his performance yesterday.

Director Zebra peddles compassion and hope in WINK: PIFF Feature Film Review

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WINK Movie Poster 1WINK
♥♥♥♥♥♥

Directed by G.D. Zebra | 65 minutes | Premiere screening October 1 at the Park Cinema

It sounds cliché, but it was true: there wasn’t a dry eye in the theatre on the night of October 1.

By the time the credits rolled at the premiere of G.D. Zebra’s amazing new film, WINK, it seemed as though all Park Animals had found it in their hearts to embrace each other for the rest of time.

Of course, we knew it wouldn’t last. And it didn’t. But for one brief shining moment—all right, several, as the film was screened again on October 5—The Park seemed as Jor had meant it to be: open, free of prejudice, and dedicated to providing a peaceful, safe, and prosperous life to all its citizens.

Produced by Kevin Kodkod (of Black Cats Can’t Jump fame), and narrated in parts by Willem Leopard, WINK takes us on the personal journey of a group of striped and spotted Animals who, after suffering a lifetime of prejudice, opt to have their visible differences removed.

One might expect Zebra to have made his mark on the film through his personal perspective, but what makes WINK so powerful is the fact that he steps back and lets the participants tell their own stories. And, in large part, it is the timeline itself that allows us to feel the full effect of those stories.

As we follow the group for a period of three years—before, during, and after their stripe and spot removal procedures—the participants cease to appear to us as a homogeneous group. Rather, we see them as individuals who have experienced similar but distinct reactions to their visible otherness. And in discussing those reactions, they open a window through which we see their suffering and hopes more clearly.

As they introduce us to their families, their friends, and their way of life, their “otherness” seems to disappear. By the time they’ve booked their procedures, we find ourselves wondering why they’ve done it. Unfortunately, that wonder doesn’t last very long.

Indeed, we learn from the film’s title that these Animals have no way of escaping their past experiences which inform their lives forever. The title comes from a statement made by participant Aadhya Leopard, who when asked how it felt to emerge as a solid-coloured Animal, said, “It’s like a wink. It’s like I’m saying I’m just like you, but we both know I’m not.”

Participant Maximilian Appaloosa went even further. “What I discovered is that there is no such thing as an invisible minority. What your ancestors have suffered and the narrative you were raised on determines who you are and how you interact with others. And other Animals can sniff that out even if you look the same as they do. I discovered that all Animals have some kind of radar. It’s not just Bats,” he said.

The film, which lasts just over an hour, includes interviews with popular Park musician and anti-stripe-removalist ZEAL, anti-sortitionist and self-described “naturalist,” director Douglas Cheetah, and SCENTIENT Beings composer and father of Reekabilly music Faramund Stinktier, who announced his transition to being a Zebra last year.

But the film isn’t about the famous, or even about the striped and spotted Animals whose stories it tells. It is really about the rest of us, whose duty it is to confront our own otherness in order for all otherness to disappear.

WINK
The Park Cinema
October 17-31
Showtimes: 11:00; 1:00; 3:00; 5:00; 9:00

Stan the Spitman speaks out about the use and misuse of his product at PIFF

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Park Interspecial Film FestivalLess than a week after the end of the Park Interspecial Film Festival (PIFF), Stan the Spitman is speaking out about the unlawful use of his product at PIFF events.

In an op-ed piece published today in The Burro Beacon, Estanislao “Stan” Gonzalo de Llama condemned in no uncertain terms what some Animals did with his product at the film festival. And he let it be known that he intends to put a stop to it.

“I am proud of what I make and I don’t make it to be used to attack others, particularly others whose species or politics differ from my own,” he wrote in the newspaper.

The second generation SpitMeister (master of the art of spitmaking) was referring to the repeated use of spitballs at the screening of WINK, which opened the festival on October 1. Police charged twenty-one Animals with crimes of a specist nature after they threw spitballs at the director and other attendees as they entered the Park Cinema.

Although Stan has never condoned that sort of behaviour, he expressed a different view about it in Searching for the Spitman: A Journey Through Foam, Froth, and Fun, a film about his life that premiered at PIFF 2015.

In that film, he estimated that ninety per cent of his products go toward humiliating other Animals.

“It’s a fact of life in the profession,” he said. “But it doesn’t keep me up at night.”

In today’s o-ed piece, however, he said he’d changed his mind after witnessing events at this year’s festival.

“I can’t stand by and watch Animals use my product that way anymore,” he wrote. “It needs to stop.”

Harvest Festival organizers issue edict: no woes allowed

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Harvest FestivalIt’s official. The organizers of Tuesday’s Harvest Festival have issued an edict barring the advancement of any political or other agenda at this year’s event. And, in doing so, they claim to have the full backing of the Department of Holidays, Festivals, and Celebrations.

The edict is in keeping with last year’s decision not to allow The Weather Makers, Producers and Sellers Alliance of The Park (WMPSAP) and the Society of Concerned Park Cultivators, Planters, Growers, and Farmers (SCPCPGF) to host information booths at the Autumn celebration.

In a statement released late yesterday afternoon, the organizers said the festival “forbids any Animal or organization of Animals to “establish a presence at the Festival for the purpose of disseminating information unrelated to the Festival and/or of advancing a political or social agenda.”

The statement concludes by saying that the Harvest Festival is meant to be a “happy” event, a “celebration of our work and of our bounty,” and that all Animals are entitled to feel “joy and safety there, no matter what their beliefs are.”

Officer charged with injuring Doe of Peace at PIFF after-after party

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Police Officer charged

FCSW officer Paulus Koer

A Park Police officer has been charged with two counts of biting after a member of The Park’s peacekeeping force was injured during an outbreak of violence at last night’s PIFF after-after party.

Witnesses say that Doe of Peace Rozmonda Ricke, was “just doing her job,” separating the crowd at The PurrBoy Café, when a member of the Federation of Canine Security Workers (FCSW) approached her from behind and pulled her tail.

According to Ricke, who has been a member of the Does since the group was founded in 2014, there was “no time” to look around to see what was happening.

“I was focused on my job, which was to de-escalate the violence that suddenly had erupted at the café,” she said in a sworn statement early this morning.

When she did not respond to the tail-pulling, Paulus Koer, the FCSW officer, allegedly bit her on the back in an attempt to stop her from walking through the crowd. According to his statement, the second bite was necessary because the alleged victim “paid no attention to my first warning.”

The FCSW officer will appear in court today, where a date for trial will be set.

FCSW president Gareth Shepherd is expected to hold a press conference later this afternoon.

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