The Mammalian Daily

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Lovely to look at - Book by Noreen

OTD in 2016—Winter Solstice celebration unofficial kick-off to zoocracy’s 35th birthday bash

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Next week’s celebration of the Winter Solstice will not only be spectacular, it will be “a taste of things to come,” according to Aintza Kanariar, Director of Public Relations for the Department of Holidays, Festivals, and Celebrations.

In fact, the annual Winter festival will be the “unofficial kick-off” to The Park’s year-long celebration of the thirty-fifth anniversary of zoocracy.

The “totality of Park life” will be celebrated in 2017, not just Animal self-rule, Kanariar told reporters at a press conference yesterday.

“Every aspect of our culture, our politics, and our life here will be represented in our 2017 celebrations,” she said. “It will be a chance for all of us to come together and acknowledge this great thing that we have accomplished in The Park.”

And, should you feel a case of Non-Hibernators’ guilt coming on, Kanariar was quick to assure that “every Animal’s species and way of life will be recognized” and every Animal will have a chance to attend the many events planned for 2017.

As for the Winter Solstice, Kanariar said the full schedule will be released on the weekend.

OTD in 2013—Rapper Will.o.be. says he’s ready to stand trial Monday

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Rapper Will.o.be.

INTERVIEW

Rapper Will.o.be. sips spring water from a bowl.

“I want to keep my voice healthy and strong…for this interview and for the trial. I want to tell my story and I don’t want to sound the least bit hesitant,” he states.

Even so, he has limited this interview to ten minutes, so that he can continue to get into shape for his trial on Monday.

His legal representative, Sebastian Shepherd, lies a few feet away from him. Shepherd is a partner in the prestigious Park law firm of Terrier, Terrier, Wolfhound and Shepherd. He can see all and hear all but he promises he won’t intervene.

“The truth needs no clarification,” he says bluntly.

The rapper flicks his whiskers, anticipating a barrage of questions, only a few of which he’s prepared to answer. Nevertheless, he displays a lovely demeanour; he is not nearly as aggressive offstage as he is when he is performing.

“Without giving away too much,” he offers, “a lot of that is an act. But do I feel rage? Yes, I do. And I believe that we all should.”

These days, his rage is focused mainly on the three charges he plans to fight before a judge on Monday: two charges of assault on an Oak Tree and one charge of mischief.

“This whole thing is outrageous,” he states firmly. “I unequivocally deny that I ever did such a thing [sharpening his claws on an Oak Tree] — not on the night in question or ever in my life.”

There are witnesses, those who were in attendance at the Beats of Burden Music Festival, who say they saw him do just that. But there are no photographs.

“The evidence, as such, amounts to hearsay,” the rapper says. “And not only hearsay, but worse. It’s a scheme to defame me and my music, to say that I have no respect for The Park, to punish me for my success because not all of it came from The Park.”

This is not the first time Will.o.be. has made that charge. And this is what is true: much of his success has come from his time performing outside The Park.

“They say I objectify Animals, that I allow myself to be laughed at by Humans and others…that it’s not my music but my so-called antics that have made me successful. Well, I dispute that. I don’t play for Humans. I don’t expect them to understand. If they buy tickets to my concerts, I can’t help that, but I have used that money to help Park Animals. Before, they could only criticize me for the Human element at my concerts. But, with this new charge, they’ve drilled deeper. They’re saying that I have no respect for other forms of life and that is despicable. And they’ve kept me away from my beloved Park Trees for almost three months.”

As the interview draws to a close, Will.o.be. offers to show me his claws, the ones that he is accused of sharpening on a Tree that is a cousin to The Park’s much-revered Ancient Oak. I question the gesture: no matter how they look, they can provide no evidence of anything, so many months after the charges were laid.

But, as it turns out, I may be wrong. The rapper who is so in-your-face about Animals living a “natural” life appears to have his claws professionally clipped on a regular basis.

“And that’s just a preview of my evidence,” he says, purring.

See also:  Rapper Will.o.be. to stand trial for defacing Tree at music fest

Rapper Will.o.be. will stand trial on Monday. Watch this space for up-to-the-minute reports.

OTD in 2013—Pivotal moment in Jor’s life highlighted in new biography

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Pivotal moment in Jor's lfie

A new biography of The Park’s first leader highlights a pivotal moment in Jor’s life, and it is a moment for which all residents of The Park will feel gratitude, says the book’s author.

“There was a time, during Jor’s early years, when he wasn’t working toward interspecial harmony, when such pursuits hadn’t even entered his mind,” says Daphne D.S. Katze.

“Up until then [this turning point], he was a regular Cat. And only those very close to him, such as his sister Zoë (also known as ZoëCat), knew what happened that fateful day and how it changed him. He went from being a domestic Cat in pursuit of Feline pleasures, to [being] a champion of all species and a hero to many,” Katze says.

According to its publisher, Prionailurus Press, Katze’s book stands out from all the other biographies of the founder of modern zoocracy because she was given “unfettered access” to his papers, as well as all other documents concerning him, including The AutoZOËography of ZoëCat, the now-recovered autobiographical work of his older sister.

“Daphne [Katze] was able to glean so much from that alone. Even without looking at the other material, she would have had a book that tells us more than we have ever known about Jor,” says Momoko Yamaneko, Editor-in-Chief of Prionailurus Press.

Katze’s book, Jor: The Extraordinary Life of an Ordinary Cat, is scheduled to be released early in the new year.

OTD in 2016—Stereotype STUNday: Snail Male lambasted for “aggressive” behaviour

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angry-snailIt wasn’t just his specist lyrics. Or the direction his tentacles pointed. Or even the tattoo (unprintable in this newspaper) on his shell.

It was, as the Department of Well-Being and Safety (DWBS) put it, “a combustible combination of the three” that led them to call Park Police to remove rapper SnailMale from the stage at this past weekend’s Stereotype Sunday.

Speaking at a press conference this morning, Cornelius Kakapo, Director of Public Relations for the Department of Well-Being and Safety, said although the department would not press charges against the rapper, he most definitely would be banned from performing at major events in The Park “for some time.”

“We believe he intended to be incendiary and that is his prerogative when he performs on his own at events that he has organized and that Animals have paid to attend. But it was absolutely inappropriate to bring that type of attitude and set list to an open event and, particularly, to an event that is organized to promote interspecial harmony,” Kakapo said.

According to Kakapo, most attendees were in agreement with the department’s decision to remove the rapper from the stage mid-performance.

“We had an enormous amount of feedback on this and I would say ninety percent of it is positive in terms of our actions,” he said.

SnailMale, whose songs are known to be angry and aggressive, has displayed specist tendencies in the past, but he has also been a supporter of interspecial harmony in The Park. In an open letter on his web site posted yesterday, the rapper said he was “unfairly treated and unjustly removed” from the event.

“They knew my work when they invited me to perform. So, why did they remove me for being who I have always been?” he asked.

OTD in 2015—ZEAL backs out of performance at Celebration of the Winter Solstice

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ZEALAttendees at this year’s Celebration of the Winter Solstice will not have the opportunity to enjoy ZEAL’s music live.

In a communiqué issued this morning, The Department of Holidays, Festivals, and Celebrations announced that the popular Park singer has backed out of his commitment to perform at December’s festivities.

“We regret to announce that ZEAL will not be performing at this year’s Celebration of the Winter Solstice,” the communiqué said.

While the department’s announcement gave no reason for the cancellation, a post on ZEAL’s web site said “unforeseen conflicts” had “made it impossible” for him to perform at the celebrations this year.

In a follow-up statement, Aintza Kanariar, the department’s Director of Public Relations, said that while she regrets ZEAL’s withdrawal from the celebration, “We do have a stellar lineup to offer that includes musical performers, dancers, and many other artists of the highest calibre. We wish ZEAL well in his endeavours and we hope he will be able to join us at future celebrations.”

The Celebration of the Winter Solstice begins at sunrise on Monday, December 21. Food will be served until 11:00 pm. The Solstice will occur at 11:49 pm Local Park Time (LPT).

OTD in 2012—Band’s new song, “Put a Leash on It” sparks controversy

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The Park’s Canine community is threatening to boycott all music by the controversial band, Les Chiens Débraillés, after the release yesterday of its new song, “Put a Leash on It.”

In an open letter to the band and its management and to the Canine Music Association (CMA), DoGGeD, a newly-formed group of “concerned Park Canines” wrote of their “dismay and feelings of dejection” when they heard the song.

“We are writing to let you know that we find the song’s message offensive and condescending. In releasing this song, Les Chiens Débraillés has alienated its fellow Canines and, in so doing, shown its lack of taste in both music and intraspecial relations,” the letter read.

In response, Philippe Chiendeur, the band’s manager, released a one-line statement saying that the band does not comment on “the meaning or message of any of its musical material”.

Canine Music Association President R.F. Aarrf also released a short statement. In it, he said the CMA does not deal directly with complaints from “disgruntled individuals or groups.” The last controversy the CMA was involved in was the dispute between the Association of Park Radio Stations and the popular Park band The Cynics, after the APRS pulled a Cynics song from the airwaves.

Earlier today, however, The Marsupial Messenger’s acclaimed music reviewer Pierre Sucre came to the defense of the band. In a short column, he wrote that DoGGeD “has it all wrong.”

“Leaving aside the stereotype that Canines have no sense of humour, this group [DoGGeD] has completely missed the point of the Chiens Débraillés song. To the rest of us, the song is a lament. It’s about the economy, stupides, and the effects the downturn has had on our sense of independence. In my opinion, the song isn’t even about Canines. It’s about trying to survive in a world in which we do not have complete control over our lives,” Sucre wrote.

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See also:

Association pulls Cynics’ song from airwaves

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OTD in 2011—Book Review: Shaken But Not Stirred

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When violence broke out between Park Police and protesters at an otherwise peaceful anti-amalgamation rally in August, many Animals (both in attendance and at home) assumed that The Park’s court system would deal with the fallout. After an open investigation into the matter, which relatively few Animals attended and which was only covered superficially by Park media, the event receded into memory. Never mind that one Goose was killed and several others were injured at the event; there was The Park’s film festival to attend and hibernation preparations to be made, among other (seemingly more important) things.

Contrast this with the intense reaction to the murder of the Tartan Crab, the Groundhog Day violence, and the Mongoose weather trial and you might think you see a growing trend toward apathy among Park residents.

That is, in fact, what is happening, says veteran psychoanalyst Dr. Berthilidis Strix, who is best known as co-author of the book, The Silent Cluck.

In her new book, Shaken But Not Stirred, Strix discusses the two distinct lines that she sees forming in The Park: growing prosperity alongside growing apathy. In Strix’s view, it is at the point at which these lines intersect that they become a threat to our way of life.

Unlike many analysts, Strix believes that these two seemingly independent streams feed each other and that, in fact, our growing apathy is responsible, in part, for our growing prosperity: “Without this new-found ability to ignore the plight of others, it would be next to impossible for us, in good conscience, to amass these great quantities [of food and other material goods]…and, now, the pursuit of same has become the foundation of our growing economy.”

Strix is highly critical of what she calls this “new division of consciousness” and warns that unchecked apathy will have dire consequences for Park Animals in the future.

“We need only look to other species to see the end result [of apathy]”, she writes.

While Strix emphasizes in Shaken But Not Stirred that she can offer no solutions, one suspects that these may appear before long in a follow-up book. Her insights are far too important to serve only as philosophical fodder.

OTD in 2014—Park Museum poaches PMoCA curator

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Park Museum

Dorika Pumi has been appointed head curator of the Park Museum’s art gallery

One of the most prolific and adventurous curators the Park Museum of Contemporary Art (PMoCA) has ever employed has been poached by the Park Museum.

In a controversial move that some say bodes well for its future, the soon-to-be-opened Park Museum confirmed in a press release yesterday that Dorika Pumi will assume the position of head curator when the Park Museum opens in January.

In an announcement on the Museum’s web site, the Board of Governors called Pumi’s appointment, ”one of many milestones along the road to the realization” of the Museum. The press release also included praise for her work.

“We are honoured that she has accepted our offer and we look forward to nurturing a long and fruitful relationship with her,” it concluded.

Pumi, who is best known for her 2013 art installation How Much Was That Doggie in the Window? was also responsible for the Museum’s K-NONical Kismet exhibit and the controversial but well-received series of sketches entitled, Better To Be Lost Than Loved.

Read the Park Museum’s press release here.

OTD in 2016—Hire causes ire: Groundhog Day organizers take flack for Fleck + Stone

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jgroundhogdayThe Department of Holidays, Festivals, and Celebrations has become the object of the public’s ire since announcing yesterday that it had hired the architectural firm of Fleck + Stone to design the 2017 prognostication pad.

According to Park Police, officials at the department began receiving hate mail and threats shortly after their morning press conference, during which they introduced the firm’s chief architect Vadim Kobras, and discussed the size and style of the new pad.

“Within hours, the department received an onslaught of written [hate] material, which they reported to us. We immediately deployed officers to the scene and an investigation of the material is underway at our forensic laboratory,” Inspector Maurice Addax of the Specist and Hate Crimes Unit (SHCU) told the press this morning.

Police believe the negative reaction is due to the perceived expense involved in hiring the high-end firm, which is known for designing buildings of cultural import such as the Burrow Theatre and The Park Museum.

Perhaps in anticipation of that, members of the press received a fact sheet yesterday that outlined the costs of the prognostication pad and other accoutrements deemed necessary for the popular annual event. According to those figures, the cost of this year’s pad will be only slightly higher than last year’s.

Still, optics matter, says Park Finance Office head Valentina Abeja, whose last budget reduced the funds allotted to special events by two percent.

“If they’d asked me, I would have told them to hold off for a year or, at the very least, talk about the cost first. Animals who are struggling to make a living have a hard time understanding why we need a posh pad to celebrate Groundhog Day,” she said.

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