The Mammalian Daily

Satirical fiction in newspaper form

Lovely to look at - Book by Noreen

OTD in 2011—Inktvis and Krake perform at annual Snowbird sendoff

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Inktvis and Krake, the current darlings of The Park’s musical scene, performed before a packed crowd at last night’s Snowbird Farewell. The pair played alongside The Canary Cousins and the rap group, The Tweeters, marking the first time in Park history that non-Avian musicians have been invited to perform at the annual festival.

“We were delighted that they accepted [our invitation],” said Arabella Hawk, spokesBird for the yearly event.  “The more species that come out to participate in our celebration, the more the Avian citizens of The Park feel the love. It helps us to know that we’ll be welcome when we return in the Spring.”

The aquatic pair performed a selection of songs and instrumentals from their earlier recordings as well as their current hit, 3 Hearts, 1 Head. As the festival drew to a close, they returned to the stage to sing backup for The Canary Cousins during their encore of Life is Tweet.

 

OTD in 2016—Stan the Spitman speaks out about the use and misuse of his product at PIFF

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Park Interspecial Film FestivalLess than a week after the end of the Park Interspecial Film Festival (PIFF), Stan the Spitman is speaking out about the unlawful use of his product at PIFF events.

In an op-ed piece published today in The Burro Beacon, Estanislao “Stan” Gonzalo de Llama condemned in no uncertain terms what some Animals did with his product at the film festival. And he let it be known that he intends to put a stop to it.

“I am proud of what I make and I don’t make it to be used to attack others, particularly others whose species or politics differ from my own,” he wrote in the newspaper.

The second generation SpitMeister (master of the art of spitmaking) was referring to the repeated use of spitballs at the screening of WINK, which opened the festival on October 1. Police charged twenty-one Animals with crimes of a specist nature after they threw spitballs at the director and other attendees as they entered the Park Cinema.

Although Stan has never condoned that sort of behaviour, he expressed a different view about it in Searching for the Spitman: A Journey Through Foam, Froth, and Fun, a film about his life that premiered at PIFF 2015.

In that film, he estimated that ninety per cent of his products go toward humiliating other Animals.

“It’s a fact of life in the profession,” he said. “But it doesn’t keep me up at night.”

In today’s o-ed piece, however, he said he’d changed his mind after witnessing events at this year’s festival.

“I can’t stand by and watch Animals use my product that way anymore,” he wrote. “It needs to stop.”

OTD in 2013—Review: Shoot the Messenger

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TMD Backstage Pass PIFF 2013

DETAILS

Director
George Angus Doo

Actors
Eamon Colm
Gerlinde Taube
Natalia Paloma
Agostinho Pombo
Cynthia Offam (Human)
Derek Columbo (Human)
Winston Blackman (Human)

Screenings
October 1, 8:00 pm, Park Cinema
October 4, 5:00 pm, Park Cinema

Runtime
85 minutes

THREE minutes into George Angus Doo’s latest film, Shoot the Messenger, the screen goes dark. In the silence, the viewer is left to ponder what has just occurred: a shot fired into the brightly lit sky, the loud thumping noise that follows, the sound of boots running across grass and fallen leaves in the swamp-like environment.

When light and action return to the screen, we face six Humans at trial, recalling those elements from the witness stand. To his credit, Doo reveals little about the location of the court and the crime; the alleged perpetrators, plaintiff, judge and jury stand as EveryHuman or AnyHuman. But the trial is not an indictment of that species; rather, it is an examination of the complicated relationship between Doo’s own species — the Pigeon — and Humans. In many ways, as Doo said earlier this year, that relationship is “one of mutual respect and dependence.” But this film is less celebratory of that aspect than it is revelatory of the conflict, fed by ignorance, that is an integral part of the interactions between Pigeons and Humans.

The sportsmen at trial know very little, if anything, about the species they shoot at for sport. They have read no history and, therefore, feel no moral obligation to a species that has saved countless Human lives. As a result, they are puzzled by their obligation to appear in court and angered by the charges of wrongdoing.

“What kind of world is this now?” one of the accused asks aloud. It is not a rhetorical question. The world in which he grew up, he tells the court, was one in which shooting and hunting were respected activities.

“Now, what is it that we’re supposed to do?” he asks earnestly.

The film does not answer this question or any others; instead, it presents the accused and the viewer with even more questions as it explores not only the fraught relationship between the two species but that among Humans, themselves.

In this 2013 Winkie Award-winning film, Doo does a remarkable job of preserving the dignity of the characters while indicting and convicting the real perpetrator of the crime: ignorance.

OTD in 2011—PIFF Opening Gala sets scene for successful 7th Festival

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PIFF organizers appeared jubilant last night, as they gathered outside The Park Cinema following the screening of the festival’s opening film, Naked, Toothless, and Blind.  Alongside them, celebrities and reporters stood, dodging flashbulbs and waving to the adoring crowd.

“It’s been an uphill battle all year,” said PIFF Communications President, Leola Ocelot, referring not just to funding problems but to the fact that several films that were scheduled to debut here were still in the shooting stage when the 2011 list was announced.

“In the end, though, everything worked out perfectly and it looks as though this is going to be our most successful festival yet,” she concluded.

On the red carpet, flashing freshly-whitened teeth and swishing tails adorned with carefully-placed rhinestones , NT and B‘s twin stars Anders and Frederikke Egern answered reporters’ questions in between chatting with their film’s producers, Etienne Escurel and Mabbina Marmot.

The 7th Annual Park Interspecial Film Festival continues until October 5.  A total of thirty films will be screened at venues across The Park.

OTD in 2016—WINK director to host pre-premiere party tonight at The Feeding Station

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WINK Movie PosterWINK director G.D. Zebra will host a pre-premiere party tonight at Mikko Tikkeri’s The Feeding Station, The Mammalian Daily has learned.

According to our sources, the guests are all A-listers, not only in the film industry, but in the fight against discrimination against Animals of Pattern.

The coveted party invitations were sent out Tuesday night and our sources tell us that it’s a definite “yes” for WINK producer Kevin Kodkod and one of the film’s stars, Willem Leopard. Other invitees are said to include Douglas Cheetah, Mary Margay, Millicent Hayberry, Monique Tigress, Carlos Geraldo Gato de León, director of Noon Nuttiness film I Am Geoffrey’s Cat, Faramund Stinktier, ZEAL, S.L. Pomfret (aka Fish Rap), Zachariah Skunk, Balbina Ko of Holstein Fashion, and Momoko Yamaneko, and Editor-in-Chief of Prionailurus Press.

OTD in 2014—Social media site gewper in talks to produce scented movie: rumour

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GewperThe Park’s social media darling gewper (pronounced “Gooper”) is said to be in talks with producer Egbert Bunzing to bring a scented film to the Park Interspecial Film Festival (PIFF) next year.

The social media site, which is owned by RhinoTech, Inc. has enjoyed enormous success since it ventured into scent two years ago. The company’s partnership with Enterprises Moufettes, S.A., makers of the popular scent-masking product, FeralNoMore™, proved to be a game-changer, according to Consuela Tapir, who runs the tech rumour web site, TikTekTok.

“They opened up a whole new world with the ability to smell [those with whom they were interacting] and it has yet to be matched by any other company,” she says.

RhinoTech’s earnings skyrocketed a year after they introduced scent to the site and the company was believed to be working on a project that would allow members to touch each other across cyberspace. Tapir says that idea has been put on hold temporarily and they are now looking to break into what she calls “pure entertainment.”

For his part, those who know Bunzing say that he’s been looking for an “edgy” new idea and that this “is right up his alley.” Calls to his publicist, however, have not been returned and repeated requests for RhinoTech Chief Executive Officer Aldrich Nashorn to comment on this story have gone unanswered.

OTD in 2011—PIFF organizers announce opening night film

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With less than two weeks to go before the first red carpet affair, the organizers of The Park Interspecial Film Festival (PIFF) today confirmed the name of the work that will open this year’s event.

At a press conference held this morning at the Park Cinema, PIFF Communications President, Leola Ocelot, announced that the first film to be screened at the opening gala on October 1 will be Naked, Toothless, and Blind.  The film, which was produced by Etienne Escurel and Mabbina Marmot, has been described as a “dark tale enveloping a bright interior.”

The Park Interspecial Film Festival is celebrating its 7th year this season.  Before calendar harmonization, the Festival was known, affectionately, as “Five Days in Felis.”  In its first year, the Festival screened six films; this year, organizers say, thirty films will grace screens across The Park and the list of celebrity attendants is the longest in the Festival’s history.

OTD in 2016—Button maker received order for Millicent Hayberry candidacy: rumour

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It’s been over a month since Park citizens heard the rumour that Millicent Hayberry was considering a bid for 2017 Park Official Prognosticator of Spring (POPS).

Though she has kept mum on the subject, a source close to one of The Park’s most prominent button makers has told The Mammalian Daily that  the company received an order to produce buttons for her campaign.

The source, who wishes to remain anonymous, said the order came in two weeks ago from a “campaign leader.” The order is said to be for three different versions of a button, one of the prototypes of which appears on this page.

Hayberry, who is wrapping up her performance at the Burrow Theatre in “Godwit,” the first of three mystery plays by Gianfranco Colocolo, is expected to make some form of announcement before the end of the month. Candidates have until November 5 to enter the race.

Sources tell The Mammalian Daily that were Hayberry to run, she would have the support of Hieronymous Hedgehog, along with a number of other prominent hibernators. Her candidacy may lean heavily on the idea of “breaking the species barrier,” since all successful candidates for POPS have been Groundhogs. Nevertheless, since the 2011 and 2012 candidacies of Zachariah Skunk and Lorenzo Michele Chipmunk, there has been a call for broadening the field in this election and making the list of candidates more representative of The Park’s population.

OTD in 2014—Does of Peace add “new dimension” to Beats of Burden music fest: Alfredo Ox

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Does of PeaceJargonhead may have been the headliner and the SCENTient Beings may have unveiled their new “reekabilly” sound but, according to The Beasts of Burden’s lead singer Alfredo Ox, the real stars of this past weekend’s music festival were the Does of Peace.

The Park’s new peacekeepers even got a shout-out from Ox when he leapt to the Beats of Burden stage on Friday night, ostensibly to welcome back our estivators. In an unexpected twist, Ox used the occasion to praise the Does, who he said, “grabbed an opportunity where there was none and made us the beneficiaries.”

“They’ve added a whole new dimension to peacekeeping and to our lives and I want to thank them for that,” he concluded.

Doves of Peace spokesBird Georgina Golub concurred on Sunday. “They were fantastic … and not just in an auxiliary way. They’re absolute naturals and an important addition.”

OTD in 2013—Music fest under fire for selling products to Humans

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Beats of BurdenwareThe organizers of the first annual Beats of Burden music festival have come under fire for creating and selling products that are specifically geared to Human consumers.

At a rally held this afternoon outside the Ancient, Open-Air Theatre, members of groups that aid The Park’s refugees, as well as Park artists and shopkeepers, marched around the theatre, chanting their disapproval of what they call the festival organizers’ “outrageously offensive” decision.

“This is an incredible betrayal,” said Dorika Pumi, who curated The Park’s first art installation at The Park Museum of Contemporary Art. Entitled, “How Much Was That Doggie in the Window?” the installation has been described as “a living, breathing, depiction” of the horror of enforced domestication of Canines by Humans.

“I can tell you honestly that this is the last thing that we, as an organization, believed would ever happen,” said Vizsla Hoover of Runaway Rovers. Hoover’s group, which was involved in the art installation, assists Canines who have escaped enforced domestication.

“After years of working with refugees who have suffered tremendously at the hands of Humans, I am shocked that they [the festival organizers] saw fit to pander to them just for the sake of money,” she said.

Hoover is one of many in The Park’s immigrant and refugee aid community who is calling for the organizers to cease creating products for and selling those products to Humans.

“I looked at the catalogue and the number of products geared to Humans was almost equal to those for Animals,” Hoover said. “It is appalling.”

For their part, the music festival’s organizers say only that they believe many of the products offered for sale can be used by “any species.”

“We have offered a variety of products for sale in support of The Park’s refugee community. We have tried to be inclusive of all species and we believe we have been successful, in that many of these products have universal appeal. We do not, however, believe it is our job to determine which products should be geared to which species. That would undermine our intent, which is to service the Park community across its entire spectrum,” a festival statement said.

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