The Mammalian Daily

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On This Day—September 24, 2014: The Nut Bar assumes annual sponsorship of PIFF’s “Noon Nuttiness”

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Glass shape made of nuts with strawIt’s always made sense but now they’ve made it official: The Nut Bar announced today that it will become the annual sponsor of “Noon Nuttiness” at the Park Interspecial Film Festival (PIFF).

“Noon Nuttiness,” the exclusive screening of comedy films between the hours of 12:00 p.m. and 2:00 p.m., has been wildly successful since its inception. Now entering its third year, PIFF organizers believe it will prove to be the most popular event of this year’s festival.

“This is huge news,” said PIFF Communications President Leola Ocelot, referring to The Nut Bar’s sponsorship announcement.

Speaking at a hastily-arranged press conference this morning, she praised the company for their initiative.

“They’re a very generous company and we greatly appreciate their support of our annual comedy mini-fest,” she said. “This was entirely their idea and it took us all by surprise. I hope other companies will follow their example,” she added.

The Park Interspecial Film Festival will run from 1-5 October, 2014.
The first “Noon Nuttiness” film will be screened on October 2.

On This Day—September 19, 2014: Police called in as Zebras block stage to SCENTient Beings at music festival

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Zebras block stageThe dream of a peaceful Beats of Burden music festival was shattered last night when a herd of Zebras blocked the SCENTient Beings’ entry to the stage.

After several tense minutes, the festival’s official hosts, The Beasts of Burden, butted their way through the herd and made a heartfelt appeal to the Zebras.

“This festival is not about personal politics or identity politics,” Alfredo Ox said. “This festival is a peaceful and joyous attempt to support The Park’s refugees. These are Animals who have suffered terribly in their lives and we are here this weekend to lend our support to them, both emotionally and financially. I appeal to you as sentient beings, yourselves, to take your cause elsewhere. We will listen to you at another time, at another venue. But, for now, please step back and allow the next set of musicians to take the stage.”

Ox’s appeal fell on deaf ears, however, but as he was speaking, the Does of Peace moved in to begin active peacekeeping. While the Doves flew above the herd, the Does mixed among the Zebras, moving them to the sides and securing a path for the SCENTient Beings to ascend the stage.

The group of Zebras, led by Jafari Pundamilia and Elton Zebra, demanded an apology from SCENTient Beings composer Faramund Stinktier. In a communiqué last week, the Zebras accused Stinktier of committing a crime against them when he revealed that he’d always believed he was a Zebra.

“By perpetuating a stereotype and using that stereotype for the betterment of his own life, he has committed a crime against The Park’s Zebra community,” the communiqué said.

When the Beings finally made it to the stage, they briefly acknowledged the protesters by saying they had the “utmost respect for The Park’s Zebra community,” and dedicated the night’s set to “all Animals of all species everywhere.”

Park Police, who were called to the scene by Beasts of Burden manager Ignatius Herder, said no charges were laid last night.

“We attended at the scene, but no charges were laid. We’re not expecting to be called out again,” said spokesAnimal for the police.

The Beats of Burden music festival wraps up this evening. SCENTient Beings are scheduled to perform again this afternoon.

On This Day—September 18, 2014: Park’s grooming houses gear up for PIFF

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The Pluming RoomVowing not to repeat the mistakes that led to the stampede before last Spring’s Fowl Ball, The Park’s grooming houses have banded together to ensure that all clients are cared for as they prepare to attend The Park Interspecial Film Festival (PIFF).

“We want to assure our clients that they will be seen, no matter what. To that end, we will honour all appointments in the order in which they were made and all last-minutes will be seen, though they may have to wait a bit,” says Tallulah, owner of Tallulah’s Toilettage, the grooming house at which the Spring stampede occurred.

Tallulah confirmed that at a meeting held in late August, the owners of all The Park’s grooming houses voted in favour of establishing an ad hoc coalition to meet the needs of Park residents during the busy PIFF season. Last week, that coalition, which they call the Association of Registered Grooming Houses (ARGH), appointed nurse Hermione Hippo to triage the last-minute appointments, as well as to keep the groomers on schedule.

“It will require a military-like precision to ensure that all are groomed properly and Hermione is the best one to effect that,” says Tano Pagun, co-owner of The Pluming Room.

“I can’t imagine having to deal personally with fly-ins,” he says. “But we are committed to preventing the frustration that led to the Spring violence. In our view, once is too many [times]. We must learn from our mistakes.”

In addition to all their usual staff, the grooming houses will have a number of extra “paws and beaks on deck,” to assist because ARGH has drafted all members of the first graduating class of the School of Aesthetics.

“Even those who moved on to other careers will be using their knowledge and expertise in this field come early October,” Tallulah says.

On This Day—September 17, 2016: The Endeka Elephant Band plays on without its beloved bassist

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Tembo bassThe ten remaining members of The Endeka Elephant Band took to the stage last night for the first time since the death this past July of their beloved bassist, Zuberi Tembo.

In an emotional mid-set tribute during the first night of the Beats of Burden Music Festival, each member of the band placed a rose at the foot of Tembo’s bass, which stood at the front of the stage for the entirety of their set.

It was a fitting acknowledgement of the Elephant they described as “a gentle soul who loved music and valued freedom.”

“Even though we miss him terribly, we know that Zuberi’s spirit is with us now and will live on forever in the music he made, in the work he did, and in his tireless fight for freedom,” band member Árvakur Fíl said.

The band followed that with a sweet and tearful rendition of “Recollections” and ended their set with “Seismic Connections.” They returned for only one encore: Tembo’s rousing, “Food For All.”

The Endeka Elephant Band returns tonight to play one last set at the festival.

The Beats of Burden Music Festival continues until midnight 18 September 2016.

On This Day—September 13, 2016: PMoCA unveils Slow Art Movement painting in honour of Park’s estivators

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Heike Slak

Slow artist Heike Slak’s “Beacon”

Tomorrow marks the official end of estivation. It’s time to welcome back the friends we haven’t seen for over two months and to move into The Park’s busy Autumn social season.

But even though a large number of Park Animals will be coming out of a state of torpor tomorrow, estivation traditionally has not received as much attention as its Winter counterpart, hibernation.

All that is set to change in the coming years and the Park Museum of Contemporary Art (PMoCA) is leading the way.

Tomorrow evening, in honour of our estivating citizens, the PMoCA will unveil a painting by slow artist Heike Slak.

The painting, which bears the title, “Beacon,” was commissioned last year by the museum.

“This is the first work by a slow artist that we have displayed. We are very proud to hang this painting in the PMoCA in honour of our estivators. and we look forward to a long and happy relationship with the Slow Art Movement,” the museum’s head curator Aamuun Maroodiga told the press this morning.

Slak, who will come out of estivation tomorrow, delivered the painting to the museum at the end of May.  Maroodiga confirmed at the press gathering that Slak will attend the unveiling tomorrow evening.

On This Day—September 12, 2016: The Beats gets bigger: lineup for music festival’s fourth year announced today

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Beats of Burden logo“Bigger” and “better” were the words most often uttered this morning as Beasts of Burden lead singer Alfredo Ox announced the lineup for the fourth annual Beats of Burden Music Festival.

“We know that bigger isn’t always better, but in this case it is,” Ox told the throng of reporters outside The Draft, the pub that he and his Beasts of Burden bandmates own.

“We asked ourselves, what could make this event better? How do we stay true to our purpose without this becoming just another music festival?”

The answer to that question, Ox said, was to bring the musical and other acts closer to that purpose.

“We want The Park’s refugees, who are the festival’s raison d’être, to always be within your sight or hearing. We want you —no matter what you’re listening to, no matter what you’re watching, no matter what you’re eating—to have our refugees front and centre in your mind. Yes, we want you to have a Whale of a time, and that’s no pun. NIML will be at the festival, down by the Tartan Crab Memorial Pond. But we also want you to remember that this is a charity festival, a festival with a purpose, not just a Porpoise,” he said, as the crowd groaned.

As far as the music lineup goes, many of these groups have performed at the festival before: Inktvis and Krake, Eggie and The Pigs, The Feral Four, The Canary Cousins, Banded Brothers, Spontaneous Generation, NIML, rapper Will.o.be., The Cynics, The Tweeters, Les Chiens Débraillés, GHC, Jargohead, Fish Rap, and The DomEstyx.

But there are newcomers, such as Belles and Whistles and Memes of Production and up-and-comers, including Erdferkel!, plucked just past Friday from the Beats in the Bar (formerly the Open Mic at The Draft), as well as last year’s pick, The Crumb Seekers.

Even bigger musical news comes in the form of Last Stand, the band whose members all hail from endangered species, and ZEAL, who begged off last year’s Celebration of the Winter Solstice because he refused to play at the same event as the SCENTient Beings’ Faramund Stinktier. The Beats will feature both, though they’ll play at different venues.

As well, Ox said he personally invited The Endeka Elephant Band, whose bassist, Zuberi Tembo, was killed this summer on a trip home to Africa. The band agreed to play on two of the three days of the festival, and Ox said he took that as a compliment.

“Zuberi Tembo was a refugee and I think the band wanted to honour that,” he said.

This year’s festival will introduce a new category, Spoken Word Extemporaneous (SWE), which Ox said he’s particularly excited about. And the comedy portion will feature Dalmanik and Woodruff Dalmatio, with a few “surprises” in store for Saturday.

Another first for the festival is the Rodent gymnastic troupe, “Out of the Box.” Ox was also proud to announce that the organizers of the annual Park ART Walk had agreed to resurrect their 2014 exhibit, “From Fear to Freedom,” which highlights the art of The Park’s refugees.

As usual, the Beasts of Burden will take the stage every day and night and they’ll be acting as auctioneers during Saturday night’s gala auction.

With all that, and the “long list of surprises” that Ox boasted about, it’s hard not to believe that this bigger Beats will be even better.

The Beats of Burden Music Festival will take place at venues throughout The Park 16-18 September 2016.

All proceeds from the festival go toward assisting The Park’s refugees.

On This Day—September 10, 2016: WINK: Most controversial opening film ever for PIFF 2016

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Park Interspecial Film FestivalIf controversy is a predictor of success, then award-winning director G.D Zebra’s WINK is set to be the most successful opening film ever at The Park Interspecial Film Festival (PIFF).

PIFF Communications President Leola Ocelot announced the opening choice this morning at a press conference outside the Park Cinema. It didn’t take long for the hoots and howls to begin.

Flanked by the film’s director and one of its stars, Willem Leopard, Ocelot fielded questions from Park media while she ducked stones, sticks, and balls of mud. It is not clear whether these were intended for her or for Zebra and Leopard.

The film, which was produced by Kevin Kodkod (of Black Cats Can’t Jump fame), follows a group of striped and spotted Animals for a period of three years—before, during, and after they have their stripes and spots removed. The film records for “posterity and illumination” the group’s experiences, feelings, and fears—both as Animals of pattern and then as solid-coloureds.

Included in the film are interviews with popular Park musician and anti-stripe-removalist ZEAL, anti-sortitionist and self-described “naturalist,” director Douglas Cheetah, and SCENTIENT Beings composer and father of Reekabilly music Faramund Stinktier, who announced his transition to a Zebra last year.

Ocelot said the October 1 gala screening would be the film’s début.

“There be no sneak preview or even a trailer release,” she said.

The Park Interspecial Film Festival (PIFF) runs from 1-5 October 2016.

On This Day—September 6, 2014: SCENTient Beings to debut “reekabilly” at 2014 Beats of Burden Music Festival

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SCENTient

The popular Park duo SCENTient Beings will debut their new musical style, reekabilly, next month at the Beats of Burden Music Festival.

According to their publicist Hartwig Stinktier, the SCENTients took themselves off the stage last year after coming to the realization that their music required a “complete redo.”

The pair, who released their first recording, Beings and Nuttiness, two years ago got their first big break when the organizers of the Anixi Agrarian Jubilee booked them in 2012 .

“Their careers took off from there,” Stinktier says, “but they were never completely happy with what they were doing. They never felt their style really suited them.”

Enter Damien Skyle, best known as the manager of The Cynics. He convinced the duo to try out a number of different musical styles, including rap, but nothing felt quite right to them until they decided to fuse country music with “parts of their essential selves.”

“When I first heard it, it made me swoon,” Skyle writes on their newest recording. “It was fresh and it was organic, with just a tinge of melancholy. It was so right.”

Stinktier says the pair is “psyched” about debuting their new music at the Beats of Burden festival, since the proceeds go to assisting The Park’s refugee population.

“Their ancestors were refugees and they were treated unkindly by many,” says Stinktier. “The SCENTients have never forgotten that.”

Beats of Burden logoThe Beats of Burden Music Festival will take place in The Park
12-14 September 2014.

On This Day—September 5, 2015: UWT Art Gallery, Park Museum vie for art of endangered species

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Underwater Mammal ArtThe soon to be opened new art gallery at the University of West Terrier is engaged in a battle with the Park Museum for the opportunity to house and display a selection of works by members of The Park’s endangered species.

Although some of the pieces in question formed part of the 2015 Park ART Walk in August, most of the artists whose works were displayed have to date refused invitations from The Park’s art galleries in favour of private showings, most often at their own abodes.

“Obviously, this would be a real coup for us, but that is by no means the only reason we want to house the art,” said Bibiano Montanaro, spokesAnimal for the President of the University, in an interview on TMD Radio yesterday.

“As an educational institution, we feel we are the appropriate place for this art and that’s why we are engaged in this battle. But, I must say, we didn’t think we would have to fight at all, let alone this hard,” he said.

For its part, The Park Museum maintains that its mission is to house as much as it can that is representative of life in The Park.

“That means, past, present and even future,” says curator Dorika Pumi, who failed in her attempts as curator of the Park Museum of Contemporary Art (PMoCA) to attract artists who were members of endangered species.

And although Pumi contends that this “isn’t personal at all,” many in The Park’s art world believe otherwise.

“I don’t blame her for trying to redeem herself, but I don’t think she should do it on the backs of endangered artists,” says Anastazja Koci, an alumna of the Hani Gajah School of Art. Koci, who was shortlisted for the position of curator at the UWT art gallery, says she was taught by Pumi and maintains the utmost respect for her.

“But I think she’s pushing too hard on this,” she says.

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