The Mammalian Daily

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Lovely to look at - Book by Noreen

Park Museum, ISML battle over home for beloved book

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The AutoZOEography of ZoeCat


The Park Museum and the ISML are currently engaged in a battle over the establishment of a permanent home for one of The Park’s most iconic literary works

The Park Museum is engaged in a contentious battle with The Institute for the Study of Mammalian Life over the establishment of a permanent home for one of The Park’s most iconic literary works.

The AutoZOËography of ZoëCat was written by Zoë, the sister of Jor, The Park’s first leader and the founder of modern zoocracy. The book went missing ten years ago, but was discovered last July by workers excavating at the site of the new Park Museum.

After the workers alerted the ISML to the discovery, Chief Archaeologist Catriona Cairn-Terrier convinced the Institute’s Board of Governors to provide a home for the book there.

According to Cairn-Terrier, no discussion about a time frame for housing the book ever took place.

“Our decision was never challenged and we assumed that it was permanent. We sectioned off a part of our lobby and built a display case that would protect the book from deterioration. We did all this in full view of everyone and at no time did the Park Museum voice any complaints. Now, they want assurances that we will hand it over to them. Quite frankly, I don’t know why they think we would agree to that,” Cairn-Terrier says.

For its part, the Park Museum contends that it is “intuitively obvious” that the book should be housed at the Museum.

“ZoëCat was and is still revered in The Park as a great thinker and as an important influence on Jor and, therefore, on the development of modern zoocracy. Every one of the 6,975 pages of her book is a part of Park history and the citizens of The Park deserve to be able to visit the work in the building that was constructed to house our history,” says Sukuta Rhinoceros, one of the founders of the Museum and a member of its Board.

The autobiographical tome, which is filled with Zoë’s personal, political, and philosophical musings, was never formally published. The book that was found by the excavators is believed to be the only extant copy.

Animal Actors’ Union takes stand on content in theatre, film

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Union of Park Stage and Screen Actors


The Union of Park Stage and Screen Actors has taken a stand on the content of the plays and movies in which its members will participate in the future.

The Union of Park Stage and Screen Actors (UPSSA) has taken a stand on the content of the plays and movies in which its members will participate in the future.

Current UPSSA President Wilbur J. Pika made the announcement this morning while speaking at the opening of the Millicent Hayberry Centre for the Study of Drama and Performance at the University of West Terrier.

“No longer are Park Animals willing to allow themselves to become accessories to the crimes committed by many playwrights and screenwriters. No longer will our well-trained and highly skilled members participate in so-called artistic ventures that denigrate Animals of any kind in any way,” he declared before a highly receptive audience.

Pika followed up his speech by distributing the “UPSSA Fair Representation of Animals in Theatre and Film Manifesto,” which outlines the circumstances under which UPSSA members will refuse work in plays and movies.

The most important part of the Manifesto, Pika said, is the fact that 97% of UPSSA members agreed on its contents.

“We had a series of very serious, you could even say sombre meetings,” Pika said. “And we were all in agreement that we would reject any work that depicts Animals as stupid, lazy, beholden to Humans, or in any other negative or stereotypical fashion,” he said.

Rapper Will.o.be. says he’s ready to stand trial Monday

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Rapper Will.o.be.

INTERVIEW

Rapper Will.o.be. sips spring water from a bowl.

“I want to keep my voice healthy and strong…for this interview and for the trial. I want to tell my story and I don’t want to sound the least bit hesitant,” he states.

Even so, he has limited this interview to ten minutes, so that he can continue to get into shape for his trial on Monday.

His legal representative, Sebastian Shepherd, lies a few feet away from him. Shepherd is a partner in the prestigious Park law firm of Terrier, Terrier, Wolfhound and Shepherd. He can see all and hear all but he promises he won’t intervene.

“The truth needs no clarification,” he says bluntly.

The rapper flicks his whiskers, anticipating a barrage of questions, only a few of which he’s prepared to answer. Nevertheless, he displays a lovely demeanour; he is not nearly as aggressive offstage as he is when he is performing.

“Without giving away too much,” he offers, “a lot of that is an act. But do I feel rage? Yes, I do. And I believe that we all should.”

These days, his rage is focused mainly on the three charges he plans to fight before a judge on Monday: two charges of assault on an Oak Tree and one charge of mischief.

“This whole thing is outrageous,” he states firmly. “I unequivocally deny that I ever did such a thing [sharpening his claws on an Oak Tree] — not on the night in question or ever in my life.”

There are witnesses, those who were in attendance at the Beats of Burden Music Festival, who say they saw him do just that. But there are no photographs.

“The evidence, as such, amounts to hearsay,” the rapper says. “And not only hearsay, but worse. It’s a scheme to defame me and my music, to say that I have no respect for The Park, to punish me for my success because not all of it came from The Park.”

This is not the first time Will.o.be. has made that charge. And this is what is true: much of his success has come from his time performing outside The Park.

“They say I objectify Animals, that I allow myself to be laughed at by Humans and others…that it’s not my music but my so-called antics that have made me successful. Well, I dispute that. I don’t play for Humans. I don’t expect them to understand. If they buy tickets to my concerts, I can’t help that, but I have used that money to help Park Animals. Before, they could only criticize me for the Human element at my concerts. But, with this new charge, they’ve drilled deeper. They’re saying that I have no respect for other forms of life and that is despicable. And they’ve kept me away from my beloved Park Trees for almost three months.”

As the interview draws to a close, Will.o.be. offers to show me his claws, the ones that he is accused of sharpening on a Tree that is a cousin to The Park’s much-revered Ancient Oak. I question the gesture: no matter how they look, they can provide no evidence of anything, so many months after the charges were laid.

But, as it turns out, I may be wrong. The rapper who is so in-your-face about Animals living a “natural” life appears to have his claws professionally clipped on a regular basis.

“And that’s just a preview of my evidence,” he says, purring.

See also:  Rapper Will.o.be. to stand trial for defacing Tree at music fest

Rapper Will.o.be. will stand trial on Monday. Watch this space for up-to-the-minute reports.

Pivotal moment in Jor’s life highlighted in new biography

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Pivotal moment in Jor's lfie


A new biography of The Park’s first leader highlights a turning point in Jor’s life. The book is scheduled to be released by Prionailurus Press early in the new year.

A new biography of The Park’s first leader highlights a pivotal moment in Jor’s life, and it is a moment for which all residents of The Park will feel gratitude, says the book’s author.

“There was a time, during Jor’s early years, when he wasn’t working toward interspecial harmony, when such pursuits hadn’t even entered his mind,” says Daphne D.S. Katze.

“Up until then [this turning point], he was a regular Cat. And only those very close to him, such as his sister Zoë (also known as ZoëCat), knew what happened that fateful day and how it changed him. He went from being a domestic Cat in pursuit of Feline pleasures, to [being] a champion of all species and a hero to many,” Katze says.

According to its publisher, Prionailurus Press, Katze’s book stands out from all the other biographies of the founder of modern zoocracy because she was given “unfettered access” to his papers, as well as all other documents concerning him, including The AutoZOËography of ZoëCat, the now-recovered autobiographical work of his older sister.

“Daphne [Katze] was able to glean so much from that alone. Even without looking at the other material, she would have had a book that tells us more than we have ever known about Jor,” says Momoko Yamaneko, Editor-in-Chief of Prionailurus Press.

Katze’s book, Jor: The Extraordinary Life of an Ordinary Cat, is scheduled to be released early in the new year.

Museum takes heat for letter blaming construction workers

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Park Museum

The Park Museum’s Board has been criticized for blaming the Builders’ Guild for the current dispute that has halted  construction on the museum since September 14.

The Board of Governors of the Park Museum has come under fire for appearing to blame members of the Association of Professional Park Construction Workers (APPCW) for the ongoing strike at the museum.

In an open letter addressed to the museum’s future patrons, the Board contends that it has bargained “in good faith” and been conscientious about attending negotiations with the APPCW’s representatives. The letter appears on the museum’s web site.

“At no time did we threaten to void our contract with the Builders’ Guild (APPCW), as was reported, nor have we ever failed to attend negotiations. We believe that we have bargained in good faith with the members of the APPCW and, to the best of our ability, we have met members’ demands,” the letter begins.

Some critics, however, have accused the museum’s Board of Governors of “whitewashing” and some have even suggested the letter is a form of sabotage.

“I think they might be using that letter to bait the APPCW,” said Gareth Shepherd, Park Police Officer and President of the Federation of Canine Security Workers (FCSW).

“We’ve seen this kind of thing happen and it can turn very ugly,” he said.

Construction of the main building of the Park Museum ceased on September 14, when talks between the APPCW and the museum’s Board of Governors broke down. In the letter, the museum’s Board of Governors appears to blame APPCW members’ “demands” for the current impasse, something which Shepherd says is common tactical error.

“More often than not, it backfires,” he says. “[Their] use of the word ‘demand’ is the first indication that they are trying to sway public opinion with the letter, rather than just using it to inform future patrons of the delay. Their hope appears to be that donors and future patrons will place the blame for the delay and for escalating costs on these ‘demands’ rather than on both parties’ inability to come to an agreement.”

The full letter appears here.

Rapper Will.o.be. to stand trial for defacing Tree at music fest

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Rapper Will.o.be.Rapper Will.o.be. will stand trial in December on one charge of mischief and two charges of assault on a living being, it was announced today. The charges relate to the singer’s alleged defacing of an Oak Tree during the last evening of the Beats of Burden music festival in September.

With his legal representative by his side, the rapper appeared before Mr. Justice Augustus Dindon yesterday afternoon. The Justice formally laid the charges, set the date for trial, and placed restrictions on the rapper’s pre-trial travel. The Justice also advised the accused not to spend any long period of time close to Park Trees.

In a short statement that appeared on his web site, the beloved Park musician expressed his disappointment that the matter had to be resolved in court.

“I had hoped to avoid a court trial, but this was deemed impossible unless I confessed to the crimes with which I have been charged and of which I am not guilty,” he wrote. He also thanked his fans and supporters, saying that he hoped he hadn’t let anyone down.

“I believe that my actions on September 16 were misinterpreted and misunderstood and I welcome the opportunity to explain myself to the court and to Park citizens,” he wrote.

On the evening of September 16, the last night of the Beats of Burden music festival, Will. o.be. was arrested after several event attendees said they saw him sharpening his claws on the trunk of an Oak tree behind the Tartan Crab Memorial Pond. The Tree, which is a cousin to The Park’s Ancient Oak Tree, was found to be missing a significant amount of bark. Park Police immediately restricted access to the tree and the trunk was subsequently treated by a specialist in the field. The Tree is expected to make a full recovery.

Review: Shoot the Messenger

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TMD Backstage Pass PIFF 2013

DETAILS

Director
George Angus Doo

Actors
Eamon Colm
Gerlinde Taube
Natalia Paloma
Agostinho Pombo
Cynthia Offam (Human)
Derek Columbo (Human)
Winston Blackman (Human)

Screenings
October 1, 8:00 pm, Park Cinema
October 4, 5:00 pm, Park Cinema

Runtime
85 minutes

THREE minutes into George Angus Doo’s latest film, Shoot the Messenger, the screen goes dark. In the silence, the viewer is left to ponder what has just occurred: a shot fired into the brightly lit sky, the loud thumping noise that follows, the sound of boots running across grass and fallen leaves in the swamp-like environment.

When light and action return to the screen, we face six Humans at trial, recalling those elements from the witness stand. To his credit, Doo reveals little about the location of the court and the crime; the alleged perpetrators, plaintiff, judge and jury stand as EveryHuman or AnyHuman. But the trial is not an indictment of that species; rather, it is an examination of the complicated relationship between Doo’s own species — the Pigeon — and Humans. In many ways, as Doo said earlier this year, that relationship is “one of mutual respect and dependence.” But this film is less celebratory of that aspect than it is revelatory of the conflict, fed by ignorance, that is an integral part of the interactions between Pigeons and Humans.

The sportsmen at trial know very little, if anything, about the species they shoot at for sport. They have read no history and, therefore, feel no moral obligation to a species that has saved countless Human lives. As a result, they are puzzled by their obligation to appear in court and angered by the charges of wrongdoing.

“What kind of world is this now?” one of the accused asks aloud. It is not a rhetorical question. The world in which he grew up, he tells the court, was one in which shooting and hunting were respected activities.

“Now, what is it that we’re supposed to do?” he asks earnestly.

The film does not answer this question or any others; instead, it presents the accused and the viewer with even more questions as it explores not only the fraught relationship between the two species but that among Humans, themselves.

In this 2013 Winkie Award-winning film, Doo does a remarkable job of preserving the dignity of the characters while indicting and convicting the real perpetrator of the crime: ignorance.

Rapper Will.o.be. to Park’s estivators: “Welcome back!”

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Beats of Burden Music Festival logo

Famous Park rapper Will.o.be. opened the first annual Beats of Burden Music Festival on Saturday with a tribute to The Park’s estivating population.

As the rapper leapt to the stage amid almost deafening cheers, he stopped to bow to a group of estivators at the front of the crowd.

“I’m as happy as everybody else is that The Park’s entire population is present and accounted for and ready to roar,” he said. Then he turned his microphone toward the obviously enthusiastic audience and exhorted them to “Roar! Roar! Roar!”

And roar they did, through his opening set, three encores and even when he was brought back to perform with the music festival’s founders, The Beasts of Burden.

“This is the most fantastic audience I’ve ever had,” the rapper said, and the Beasts’ lead singer Alfredo Ox concurred.

“You amaze me!” he shouted.

“If I ever get down on things…or think things are impossible, I will think of this weekend and the turnout that we’re getting and how much we care about each other in The Park. I know that the words ‘Thank You’ are not enough, but they will have to do for now, until we have time to write you all a song of thanks,” he said.

The Beasts then performed one of their biggest hits, “The Day the Oxen Rose,” after dedicating it to “the beneficiaries of this festival…The Park’s refugees.”

The Beats of Burden Music Festival continues until tonight. All proceeds from the festival (including related clothing and other products) will go toward aiding The Park’s refugees.

Music fest under fire for selling products to Humans

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Beats of BurdenwareThe organizers of the first annual Beats of Burden music festival have come under fire for creating and selling products that are specifically geared to Human consumers.

At a rally held this afternoon outside the Ancient, Open-Air Theatre, members of groups that aid The Park’s refugees, as well as Park artists and shopkeepers, marched around the theatre, chanting their disapproval of what they call the festival organizers’ “outrageously offensive” decision.

“This is an incredible betrayal,” said Dorika Pumi, who curated The Park’s first art installation at The Park Museum of Contemporary Art. Entitled, “How Much Was That Doggie in the Window?” the installation has been described as “a living, breathing, depiction” of the horror of enforced domestication of Canines by Humans.

“I can tell you honestly that this is the last thing that we, as an organization, believed would ever happen,” said Vizsla Hoover of Runaway Rovers. Hoover’s group, which was involved in the art installation, assists Canines who have escaped enforced domestication.

“After years of working with refugees who have suffered tremendously at the hands of Humans, I am shocked that they [the festival organizers] saw fit to pander to them just for the sake of money,” she said.

Hoover is one of many in The Park’s immigrant and refugee aid community who is calling for the organizers to cease creating products for and selling those products to Humans.

“I looked at the catalogue and the number of products geared to Humans was almost equal to those for Animals,” Hoover said. “It is appalling.”

For their part, the music festival’s organizers say only that they believe many of the products offered for sale can be used by “any species.”

“We have offered a variety of products for sale in support of The Park’s refugee community. We have tried to be inclusive of all species and we believe we have been successful, in that many of these products have universal appeal. We do not, however, believe it is our job to determine which products should be geared to which species. That would undermine our intent, which is to service the Park community across its entire spectrum,” a festival statement said.

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