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Mammalian Daily becomes first Park newspaper to ban Human jokes

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BanDEVELOPING STORY

“A guy walks into a bar on two feet…”

So begins the most popular twenty-minute set at The Howler, The Park’s only comedy club.

The joke was written and is performed weekly by Dalmanik, who is widely considered to be the king of The Park’s “new comedy.” But as of today, Dalmanik will not be able to make that joke on the pages of The Mammalian Daily.

That’s because so-called “Human jokes” have now been officially banned by the newspaper.

In an “urgent memo” sent to all employees of The Mammalian Daily on Friday, managing editor Orphea Haas declared that poking fun at Humans, “our fellow Mammals,” is not appropriate in a modern Park.

“While it would be foolish of me to suggest that we in The Park have no issues with Humans, it would be equally foolish to suggest that making fun of them, denigrating and disparaging them, either in comedy, poetry, prose, or news coverage, is appropriate,” the memo says.

As a result, Haas has banned all of the above from The Mammalian Daily’s news pages, web site, radio, podcasts, and all other enterprises connected to Mammalian Daily Associated News Services.

This is the first time any kind of ban on joking or comedy has occurred in any Park media, according to Noburu Akita, Executive Director of the Centre for the Study of Newspaper Activity in The Park (C-SNAP).

“I don’t believe we’ve seen anything like it since the establishment of zoocracy,” he said in a radio interview this morning. “I thought zoocracy valued a free and open press. I think Haas is moving in a very dangerous direction by closing the paper rather than opening it up. What with refusing to name her journalists and this, she is taking a few steps backward and that is very disturbing.”

Not all media experts agree with Akita, though. Ludwiga Saimiri, UWT Professor of Journalism and former director of the Centre for the Incorporation and Integration of Interspecial Values in Journalism (CIIIVJ), issued a statement this morning in which she said she thought this was a positive move on Haas’s part.

“I support Orphea Haas in her determination to keep the news free of frivolous commentary and damaging and reprehensible jokes. Interspecial values demand that we attempt to understand and accommodate those who are different from ourselves. We have a duty to treat every Animal with respect,” the statement said.

Tickets for Hayberry mystery series gala opening on sale today: Burrow Theatre

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Ticket for Gala

Tickets for the gala opening of the new Gianfranco Colocolo mystery series will go on sale this afternoon at one o’clock at the box office of The Burrow Theatre.

The series of mystery dramas by the award-winning author of Murder at the Fishbowl will begin on April 8 with Godwit. The names of the next two plays in the series have yet to be announced.  All three will be directed by Jean-Luc Briard and star renowned actress Millicent Hayberry in the rôle of the “chirpy” detective.

The series has been in the works for several years, according to an interview given by Colocolo in Misterio magazine.

“This is my first foray into stage drama, but I’ve been thinking about doing it for some time,” he said.

He also admitted that he wrote the detective rôle with Millicent Hayberry in mind.

“I hoped that presenting her with a fait accompli would help get her on board with the project and I like to think that it did.”

For her part, Hayberry, who is best known for her portrayal of the late author Imogen Aardeekhoorn in both the stage and screen productions of Mixed Nuts, has said that she embraced the rôle because it was out of her comfort zone and she thought it was time to retire her Mixed Nuts image.

“It’s a problem with a huge success like that,” Colocolo said in the magazine interview. “You become identified with one character and the audience refuses to accept you as any other. The same thing happened to me with Fishbowl. I think both Millicent and I have come together at the right time.”

After its gala opening, Godwit will run until the first week of May.

PMoCA announces 2016 live art installation, “Anatomy of a Bath”

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Anatomy of a BathThe Park Museum of Contemporary Art (PMoCA) has revealed the details of its fourth annual art installation.

At a press conference held this afternoon, Aulikki Norsu, president of the museum’s board of directors and head curator Aamuun Maroodiga announced the museum will unveil its latest installation at the beginning of May.

Entitled, “Anatomy of a Bath,” the installation is the second live art installation the museum has hosted. The first was the wildly successful, “How Much Was That Doggie in the Window?” which was presented in 2013 by then PMoCA curator Dorika Pumi.

As Pumi did with “Doggie,” Maroodiga recruited Animals from The Park’s refugee communities, as well as from charities, including CatsCare, LynxLink, and EQUALSS, to staff the twenty-four hour exhibit. The Animals will be presented in groups of six and each individual will be showcased for ten minutes every hour during a shift of six hours. So far, Maroodiga has recruited four full-time groups and one back-up group and, she says, interviews are ongoing.

“We have to be prepared, once we open,” she says. “Once they see what we’re doing, more Animals will want to join in and others will tire of the work. I expect we’ll be hiring throughout the life of the exhibit.”

Details of the gala opening are expected to be released within a week.

Balls columnist lends private collection to Park Museum’s new Flyball exhibition

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Bailey Balls Columnist

Bailey: balls columnist and co-curator of Park Museum exhibition

The Mammalian Daily’s balls columnist has lent his private collection of balls to The Park Museum’s latest exhibition.

In a statement released today, the Board of Governors of The Park Museum and curator Dorika Pumi thanked Bailey for his “trust and generosity” in making the temporary donation and said the museum had benefitted immensely from his “vast knowledge of balls.”

Entitled, “Flyball and the Importance of Balls in the Everyday Life of Park Animals,” the exhibition is the museum’s first sports-related event. According to the pre-opening information, it will not only highlight the sport of flyball, but will also serve as “a tribute to the enduring relationship between Animals and balls.”

Last July, Bailey announced that he was taking a leave of absence from his column at the newspaper to co-curate the exhibition along with the museum’s head curator Dorika Pumi. His private collection of balls includes over twenty different types, most of which he or his ancestors have used in play. Some, which were bought at auction, date from pre-zoocratic times.

The opening date for the exhibition has not yet been announced, but a spokesAnimal for the museum says public viewing will follow a gala opening, “in the early Spring.”

Hair and skin colouring, stripe removal hurt Park, says Artifice Destiny author

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Look! No stripes on this Zebra.

The author of a controversial new book published by Prionailurus Press says that the growing popularity of aesthetic changes such as stripe removal and artificial hair and skin colouring will have devastating long-term effects on The Park and its citizens.

In an interview this week, Artifice Destiny author Marika Kaméleon told The Mammalian Daily that such alterations to our natural selves will not only change the way we see ourselves and each other, but they will also have a detrimental effect on Park politics, government, and our collective commitment to zoocracy.

“The basis of our life here is a commitment to viewing each other equally, regardless of species, size, or colour and this kind of artifice makes a mockery of that,” she said.

Kaméleon, who is also a therapist at The Park’s Extinction Anxiety Clinic, said she has already seen a number of younger patients who see procedures such as stripe removal as “adaptive” ways to avoid the extinction of their species.

“They come here talking about the hatred they’ve experienced and the threat to their lives and the future of their species, but they don’t see that caving in to hatred and prejudice is not an adaptation so much as a surrender. Some say it’s their version of ‘fight or flight’ but I say no to that. Moving in the direction of homogeneity is not the answer,” she said.

Kaméleon’s book became a bestseller almost as soon as it was released last week, but it has garnered its share of controversy, particularly from The Park’s business community and its grooming houses, some of which still offer stripe removal services.

“I have always been against the procedure, personally, but I don’t feel as if I have the right to deny it to Animals who seek it,” said Tallulah of Talulah’s Toilettage. “I don’t think it’s fair of Kaméleon, as a therapist, to advise her patients against doing something that might help them feel better.”

Rehearsals to resume in March on Millicent Hayberry mystery series

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Millicent Hayberry

Millicent Hayberry: Back onstage at the Burrow Theatre April 8

Rehearsals will resume next week at The Park’s Burrow Theatre for the Gianfranco Colocolo mystery series starring renowned actress Millicent Hayberry.

A spokesAnimal for the theatre confirmed director Jean-Luc Briard’s tweet of February 23, in which he said he was “Getting into shape for Tuesday rehearsal.” According to the theatre, rehearsals begin on Tuesday, March 1, a little over a month before the April 8 opening.

Hayberry, who is best known for her portrayal of author Imogen Aardeekhoorn in both the stage and screen productions of Mixed Nuts, emerged from hibernation on Groundhog Day and has been resting since, but is said to be anxious to return to work.

“Millicent lives for her work and if she could, she’d skip hibernation altogether in favour of working,” said a close friend of the actress.

Despite that, rehearsals that were scheduled for the month of February were cancelled, in part due to Hayberry’s physical state.

“She was weak coming out of hibernation, which isn’t surprising,” said the same friend. “But her spirits are high and they will carry her through the first gruelling days of rehearsal all the way to the opening.”

For his part, Gianfranco Colocolo, the award-winning author of Murder at the Fishbowl, has yet to name the mystery series, preferring to keep that as a mystery, as well. Tickets for the series (single plays or for the whole series) will go on sale in mid-March at The Burrow Theatre.

Rapper Will.o.be. under fire for criticism of zoocracy after Return of the Nut

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Rapper Will.o.be.

Rapper Will.o.be: “Animals are not fit for self-rule.”

First, it was Douglas Cheetah. Now, Rapper Will.o.be. is coming under fire for remarks he made at The Park’s emotional Return of the Nut ceremony on Saturday.

Just minutes after 2016 Keeper of the Nut Ekeoma L. Girraaf returned the Nut to The Park’s hibernating community, swearing the ancient oath that it was “kept from harm and preserved intact,” the singer and composer made some incendiary remarks to a Mammalian Daily Television (TMDTV) reporter.

In a “live at the scene” interview, the beloved musician criticized the Archons’ Groundhog Day address, as well as the Archons themselves, saying that they “embodied everything that is wrong with zoocracy.”

A shocked television audience then found themselves subjected to a barrage of specist comments, as Will.o.be. declared that “Fish do not speak for me,” that “[Chief Archon] Mink does not speak for me,” and that “very few other Animals have any idea what it’s like to be Feline.”

The composer and singer then went on a rampage against Animal self-rule, declaring that most Animals are not able to run their own lives, let alone the lives of millions of other Animals of all species.

“I’ve spent a lot of time in the Human world and I know that it doesn’t work there, either,” he said.

Minutes after the broadcast, Mammalian Daily Associated News Services (MDANS), TMDTV’s parent company, issued an apology for the rapper’s remarks, saying they did not reflect in any way the views of MDANS or its employees.

Directors’ Guild ousted me as prez due to my politics: Douglas Cheetah

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Douglas Cheetah photo

Renowned director says his politics led to ousting by the Park Directors’ Guild

BREAKING NEWS

Renowned director Douglas Cheetah claims he was ousted as president of the Park Directors’ Guild (PDG) because of his vocal criticism of The Park’s political system and especially because of his opposition to the continuation of sortition as a method of selecting The Park’s governing body.

“My politics offended them [the PDG) and for that I am not sorry. But the issue is that political beliefs have nothing to do with my ability to serve effectively on behalf of The Park’s directors,” Cheetah told host Yannis Tavros of Toro Talk Radio yesterday.

The director, who is best known for his award-winning film Black Cats Can’t Jump and for a moving and insightful documentary about an interspecial family, became a spokesAnimal for The Park’s pro-election group, Coalition Against Sortition in The Park (CASP) last April.

“The only way that I can see to stop the ongoing erosion of the principles of zoocracy is to establish a system in which we choose our leaders directly,” he said at the time.

The Park Directors’ Guild has made no comment on the situation other than to announce that Varden I.W. Spaniel will replace Cheetah as president on the fifteenth of this month. Spaniel is best known for his film, Stuffed Dogs Don’t Shed, for which he received the Golden Cap, the Guild’s highest honour, in 2009.

ZEAL calls for full investigation into dispute over Gourami Archonship

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ZEAL

Singer ZEAL calls for investigation into Gourami Archonship dispute

Popular Park singer ZEAL has called for a full investigation into the dispute over Zafran Gourami’s Archonship.

On January 16, Gourami was sworn in as an Archon after being selected through the usual procedure of sortition. Ten days later, a Form 15C was submitted to the Department of Political Administration (DPA) disputing Gourami’s eligibility to serve.

ZEAL took to TMD Radio this morning to call on all Park Animals to “dispute this dispute.”

“This is an outrage and the reason for this dispute is obvious,” he said. “Gourami is a striped Fish and this is just another example of the subtle ways in which striped and spotted Animals experience prejudice and unequal treatment in The Park.”

To further his cause, ZEAL initiated a petition calling for the DPA to nullify the dispute and to move on with the business of governing The Park. The first to sign the petition was award-winning film director, Douglas Cheetah; the second was Momoko Yamaneko, Editor-in-Chief of Prionailurus Press.

Cheetah’s signature came as no surprise. Last year, he announced that he had lost faith in sortition altogether and believed that free elections were “the only path to true equality among the species.”

As for Yamaneko, she has become a vocal supporter of striped and spotted Animals and announced in April that her company would be showcasing the work of these writers.

The Department of Political Administration has not responded to ZEAL nor acknowledged the petition. DPA spokesAnimal Antoinette Fourmi confirmed on Tuesday that a panel will review the reasons for the dispute and render a decision by February 1.

Department of Holidays, Festivals, and Celebrations releases 2016 Groundhog Day Schedule

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2016 Groundhog Day scheduleThe Department of Holidays, Festivals, and Celebrations has released the Official Schedule of the 2016 Groundhog Day Celebrations.

At a press conference held early this morning, Aintza Kanariar, Director of Public Relations for the department, announced plans for the “jam-packed” Groundhog Day celebration.

Those who attend the event annually will be pleased to find their favourites at this year’s festival, Kanariar said. But there will also be a stunning newcomer: between the much-anticipated Archons’ Address and the super-celebratory Groundhog Day Parade, the department has scheduled a dramatic presentation by the Does of Peace.

“We’re making history again with this one,” Kanariar said. “The is the first time that a group such as the Does of Peace has performed during the celebrations.”

She also confirmed that this year’s parade will have a larger contingent of floats.

“Not only will the parade be a fuller one, but some of the floats will be representative of charities and advocacy groups in The Park. They want you to know that although they work with the troubled and dispossessed every day, they also know how to celebrate,” she said.

One of the most important aspects of the Groundhog Day celebrations is the food and for the second year in a row, the department will extend the hours of the food stations. A full five hours have been added, which will take the entire festival into the evening.

“It’s part of our commitment to inclusiveness. It was very successful last year, because some Animals are up and about in the morning and others take a little longer to get going. And some take afternoon naps. We want all Park Animals to be able to enjoy what is one of the most important holidays on The Park’s calendar,” she said.

And, don’t forget: for the third year in a row, the events will be covered live by Mammalian Daily reporters here on Twitter.

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