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OTD in 2016—PMoCA unveils Slow Art Movement painting in honour of Park’s estivators
Slow artist Heike Slak’s “Beacon”
Tomorrow marks the official end of estivation. It’s time to welcome back the friends we haven’t seen for over two months and to move into The Park’s busy Autumn social season.
But even though a large number of Park Animals will be coming out of a state of torpor tomorrow, estivation traditionally has not received as much attention as its Winter counterpart, hibernation.
All that is set to change in the coming years and the Park Museum of Contemporary Art (PMoCA) is leading the way.
Tomorrow evening, in honour of our estivating citizens, the PMoCA will unveil a painting by slow artist Heike Slak.
The painting, which bears the title, “Beacon,” was commissioned last year by the museum.
“This is the first work by a slow artist that we have displayed. We are very proud to hang this painting in the PMoCA in honour of our estivators. and we look forward to a long and happy relationship with the Slow Art Movement,” the museum’s head curator Aamuun Maroodiga told the press this morning.
Slak, who will come out of estivation tomorrow, delivered the painting to the museum at the end of May. Maroodiga confirmed at the press gathering that Slak will attend the unveiling tomorrow evening.
OTD in 2016—The Beats gets bigger: lineup for music festival’s fourth year announced today
“Bigger” and “better” were the words most often uttered this morning as Beasts of Burden lead singer Alfredo Ox announced the lineup for the fourth annual Beats of Burden Music Festival.
“We know that bigger isn’t always better, but in this case it is,” Ox told the throng of reporters outside The Draft, the pub that he and his Beasts of Burden bandmates own.
“We asked ourselves, what could make this event better? How do we stay true to our purpose without this becoming just another music festival?”
The answer to that question, Ox said, was to bring the musical and other acts closer to that purpose.
“We want The Park’s refugees, who are the festival’s raison d’être, to always be within your sight or hearing. We want you —no matter what you’re listening to, no matter what you’re watching, no matter what you’re eating—to have our refugees front and centre in your mind. Yes, we want you to have a Whale of a time, and that’s no pun. NIML will be at the festival, down by the Tartan Crab Memorial Pond. But we also want you to remember that this is a charity festival, a festival with a purpose, not just a Porpoise,” he said, as the crowd groaned.
As far as the music lineup goes, many of these groups have performed at the festival before: Inktvis and Krake, Eggie and The Pigs, The Feral Four, The Canary Cousins, Banded Brothers, Spontaneous Generation, NIML, rapper Will.o.be., The Cynics, The Tweeters, Les Chiens Débraillés, GHC, Jargohead, Fish Rap, and The DomEstyx.
But there are newcomers, such as Belles and Whistles and Memes of Production and up-and-comers, including Erdferkel!, plucked just past Friday from the Beats in the Bar (formerly the Open Mic at The Draft), as well as last year’s pick, The Crumb Seekers.
Even bigger musical news comes in the form of Last Stand, the band whose members all hail from endangered species, and ZEAL, who begged off last year’s Celebration of the Winter Solstice because he refused to play at the same event as the SCENTient Beings’ Faramund Stinktier. The Beats will feature both, though they’ll play at different venues.
As well, Ox said he personally invited The Endeka Elephant Band, whose bassist, Zuberi Tembo, was killed this summer on a trip home to Africa. The band agreed to play on two of the three days of the festival, and Ox said he took that as a compliment.
“Zuberi Tembo was a refugee and I think the band wanted to honour that,” he said.
This year’s festival will introduce a new category, Spoken Word Extemporaneous (SWE), which Ox said he’s particularly excited about. And the comedy portion will feature Dalmanik and Woodruff Dalmatio, with a few “surprises” in store for Saturday.
Another first for the festival is the Rodent gymnastic troupe, “Out of the Box.” Ox was also proud to announce that the organizers of the annual Park ART Walk had agreed to resurrect their 2014 exhibit, “From Fear to Freedom,” which highlights the art of The Park’s refugees.
As usual, the Beasts of Burden will take the stage every day and night and they’ll be acting as auctioneers during Saturday night’s gala auction.
With all that, and the “long list of surprises” that Ox boasted about, it’s hard not to believe that this bigger Beats will be even better.
The Beats of Burden Music Festival will take place at venues throughout The Park 16-18 September 2016.
All proceeds from the festival go toward assisting The Park’s refugees.
OTD in 2015—Zorro sentence: One month in jail, five years of repayment to community
Raimundo Zorro received his sentence today
BREAKING NEWS
Seated beside his lawyer Pernilla Varghund, Raimundo Zorro showed no emotion this afternoon as he awaited the arrival of Mr. Justice Augustus Dindon. And although he respectfully stood when the Superior Court justice finally entered the courtroom, he said only one word during the entire thirty-minute process.
Before announcing his sentencing decision, the justice asked Zorro, whom he found guilty in late August of inciting hate by hosting the SplotchWatch web site, whether he had had any change of heart since he was charged last April.
Zorro stood again and whispered, “Yes,” but did not elaborate any further.
In his preamble to the sentencing, Justice Dindon reiterated his horror at what Zorro had done and the potential it had to undo the many years of work that had led to zoocracy.
“You are not sufficiently young to be ignorant of the consequences of what you were doing,” the justice said.
“Nor are you sufficiently old to have done it with a view to undermining our system of government or the peace and prosperity that we cherish in The Park. I am forced, therefore, to conclude that you, sir, acted with malicious intent only toward a group of Animals that, as far as I can tell, has never done you any harm.”
For this reason, the justice said, he deliberated for a long time, seeking to find a sentence that would encourage Zorro to reconsider his views as well as allow him to “redeem himself” in the eyes of the community that he harmed.
The full sentence handed down by Mr. Justice Dindon is as follows:
- one month of incarceration beginning today (September 11, 2015)
- a full five years of volunteership on a rotating basis: one month at a time at each of The Park’s charities, with double the amount of time spent at charities that promote the equality of striped and spotted Animals
- five years of supervision by court-appointed staff
In addition, Zorro is prohibited from hosting any web sites of any nature and pertaining to any subject for the next three years.
When the justice had concluded, Zorro said nothing and was removed from the courtroom by staff and led to the Park jail, where he will spend the first month of his sentence.
OTD in 2016—WINK: Most controversial opening film ever for PIFF 2016
If controversy is a predictor of success, then award-winning director G.D Zebra’s WINK is set to be the most successful opening film ever at The Park Interspecial Film Festival (PIFF).
PIFF Communications President Leola Ocelot announced the opening choice this morning at a press conference outside the Park Cinema. It didn’t take long for the hoots and howls to begin.
Flanked by the film’s director and one of its stars, Willem Leopard, Ocelot fielded questions from Park media while she ducked stones, sticks, and balls of mud. It is not clear whether these were intended for her or for Zebra and Leopard.
The film, which was produced by Kevin Kodkod (of Black Cats Can’t Jump fame), follows a group of striped and spotted Animals for a period of three years—before, during, and after they have their stripes and spots removed. The film records for “posterity and illumination” the group’s experiences, feelings, and fears—both as Animals of pattern and then as solid-coloureds.
Included in the film are interviews with popular Park musician and anti-stripe-removalist ZEAL, anti-sortitionist and self-described “naturalist,” director Douglas Cheetah, and SCENTIENT Beings composer and father of Reekabilly music Faramund Stinktier, who announced his transition to a Zebra last year.
Ocelot said the October 1 gala screening would be the film’s début.
“There be no sneak preview or even a trailer release,” she said.
The Park Interspecial Film Festival (PIFF) runs from 1-5 October 2016.
OTD in 2014—Data Tree hacking: Police issue update
Tree hacking update: Humans responsible, say Police
At a press conference this morning, Chief Inspector Maurice Addax of the Park Police’s Specist and Hate Crimes Unit (SHCU) issued an update on the April hacking of one of The Park’s largest Data Trees.
Flanked by Inspector Antonia T. Fossa of the Interspecial Investigations Unit (IIU) and C. Astrid H. Ant, Head of The Park’s Ant Security and Intelligence Service (ASIS), Addax confirmed that data Retrievers working for the private firm AROO had recovered enough data to confirm that Humans were involved in the hacking.
“The data, in combination with the debris that was recovered from the site by my team, confirm beyond any doubt that Humans were the perpetrators of the crime,” the ASIS head told reporters.
Also in attendance at the press event was Sierpinski Squirrel, Chief Financial Officer of A. Corn and Partners. The Squirrel’s firm stored most of their data in the Tree, which is believed to be more than 70 years old.
“They [the data Retrievers] were able to retrieve much of our client data and for that we are extremely grateful, but this has been a very challenging few months for us and for our customers,” the Squirrel said after the press conference.
When asked whether the investigation was now considered closed, Addax admitted that options were limited, but denied that Police had formally closed the investigation.
“No, we consider the investigation to still be open, but the sad fact is that we have no control over Humans. We cannot prosecute them, either inside or outside The Park and we cannot recover damages from them. Our only options are to try and prevent such things from happening again and to that end, we are working to develop new security policies. The investigation will remain open until we have these policies in place,” he said.
OTD in 2016—Avian Messenger’s Tinamou takes leave of absence for “personal reasons”
A month after Alvin Tinamou’s empty nest was discovered outside The Park, The Avian Messenger has confirmed that he has decided to take an “extended leave of absence” from his rôle as publisher of The Park’s most trusted Avian newspaper.
In a statement that was part announcement, part biography, and part tribute, the newspaper’s managing editor Fiorentina D’Aquila wrote that it was “with deep sadness and profound regret” that the paper made the announcement.
Writing eloquently and with obvious sympathy for Tinamou, D’Aquila called her publisher “beloved by staff and readers alike” and quoted colleagues who attested to his commitment to journalistic integrity and to The Park’s Avian community.
“Most of what I’ve learned has come from my working for and with Alvin Tinamou. My interactions with him never failed to teach me something or to broaden my view. I will be forever grateful to him and I wish him only the best at this most challenging time in his life,” D’Aquila quoted Editor-in-Chief Donatella Falcon as saying. Falcon will replace Tinamou for the duration of his leave.
Though Tinamou was not quoted in the piece, it was confirmed that he cited “personal reasons” for his decision. Those personal reasons no doubt arose from the theft of his nest in June and its subsequent discovery—minus the eggs—last month.
Tinamou has remained silent about the tragedy, but those close to him say it has taken a great toll on him and his mate Adela.
“Alvin has suffered terribly from this loss. He needs some time to rest, to be with Adela, and to process what has happened. They have both been in shock for months,” his cousin Augustus told The Mammalian Daily.
OTD in 2012—Specist signs appear on Park fences
Park Police today initiated a house-to-house search for the “pawpetrator” of one of The Park’s most heinous crimes: the posting of specist signs on the northwest side of the fence. The signs, which bear the message, “No Dogs Allowed,” were discovered early yesterday morning by Winifred D. Raccoon, as she made her way along the fence, en route to her job as manager of the popular Park restaurant, The Compost Heap.
At a press conference held this morning, Chief Inspector Maurice Addax of The Park Police Force’s Specist and Hate Crimes Unit (SHCU) confirmed rumours that the signs were “paw-painted” and fastened “unprofessionally” to the fence. The signs have been sent to the forensics laboratory for pawprint testing and for other tests that might help identify the origin of the paint and poster board. Results of that testing will be made available within a few days, he said.
In another shocking revelation, Chief Inspector Addax confirmed that a second set of signs had been discovered. These signs, which prominently display a Dog whose body has been marked with an “X,” were discovered on a series of posts a few feet from the original site. No lettering appears on these signs but, said C.I. Addax, “there is evidence that these signs were produced professionally, probably at one of a number of print shops that we know to exist outside The Park.”
Also fielding questions at the press conference was Inspector Antonia T. Fossa of the newly-formed Interspecial Investigations Unit (IIU). The unit, which is an independent division of the SHCU, has as its mandate the investigation into “all occurrences in which the suggestion of specist intent is present.”
Inspector Fossa implored the public to “remain calm and optimistic” in the face of this latest incident.
“We know that tensions are running high [in The Park] at the moment, but we encourage you to remain calm and optimistic that the pawpetrator of this crime will be apprehended and brought to justice in due course.”
In addition, she stressed that, “Nothing is to be gained by jumping to conclusions regarding the species or identity of the said pawpetrator.”
In his concluding remarks to the press, C.I. Addax announced that the SHCU had appointed Lamia Bonobo to act as official liaison between the police units and Park residents.
“We believe that the appointment of Mr. Bonobo will relieve some of the anxiety of the local populace and, at the same time, facilitate the free flow of information,” he said.
This article originally appeared in Issue #116 of The Mammalian Daily.
OTD in 2016—Third time’s a charm as Open Mic at The Draft becomes “Beats in the Bar”
For the past two years, it’s been the beats before the Beats but from now on the open mic evening at The Draft will officially be known as “Beats in the Bar.”
“They say the third time’s a charm and we think so too,” the Beasts of Burden posted yesterday on their GooseBook page. The post also confirmed that the Beats in the Bar will officially become an annual event.
“The Department [of Holidays, Festival, and Celebrations] has put it on The Park’s official calendar and so should you,” the Beasts’ lead singer Alfredo Ox told Toro Talk Radio host Yannis Tavros yesterday afternoon.
And he emphasized that “the name has changed, but its purpose hasn’t.”
“We’re still looking for raw talent, unknown artists, and new beats. We still want to showcase the best of the pre-fest at our main event. So, come on out and show us what you’ve got,” he said.
In its short history, the open mic evening has become one of The Park’s biggest talent searches. But it didn’t start out that way, the Beasts’ manager Ignatius Herder says.
According to Herder, the open mic night was originally conceived as a way to “warm up” Park residents in advance of the Beats of Burden Music Festival, which was new and not very well known.
“So Alfredo put out the call to Park musicians and we thought we’d get what would amount to a pre-show, but we couldn’t have been more wrong,” Herder says. “These young, talented, untested musicians came in and blew the whole thing wide open.”
Since then, not only has the evening become a showcase for new talent, but Ox himself has become the mentor of five young artists.
“That was a total surprise,” Alfredo Ox told The Mammalian Daily last year. “Mentoring was the last thing on our minds when we started this thing.”
The rules for this year’s event are the same as last year: those who wish to play or sing are asked to add their names to a list that will be posted outside The Draft tomorrow morning.
“Whether or not you perform, you will be a great time,” Herder says. “But come prepared to stay out all night.”
OTD in 2015—UWT Art Gallery, Park Museum vie for art of endangered species
The soon to be opened new art gallery at the University of West Terrier is engaged in a battle with the Park Museum for the opportunity to house and display a selection of works by members of The Park’s endangered species.
Although some of the pieces in question formed part of the 2015 Park ART Walk in August, most of the artists whose works were displayed have to date refused invitations from The Park’s art galleries in favour of private showings, most often at their own abodes.
“Obviously, this would be a real coup for us, but that is by no means the only reason we want to house the art,” said Bibiano Montanaro, spokesAnimal for the President of the University, in an interview on TMD Radio yesterday.
“As an educational institution, we feel we are the appropriate place for this art and that’s why we are engaged in this battle. But, I must say, we didn’t think we would have to fight at all, let alone this hard,” he said.
For its part, The Park Museum maintains that its mission is to house as much as it can that is representative of life in The Park.
“That means, past, present and even future,” says curator Dorika Pumi, who failed in her attempts as curator of the Park Museum of Contemporary Art (PMoCA) to attract artists who were members of endangered species.
And although Pumi contends that this “isn’t personal at all,” many in The Park’s art world believe otherwise.
“I don’t blame her for trying to redeem herself, but I don’t think she should do it on the backs of endangered artists,” says Anastazja Koci, an alumna of the Hani Gajah School of Art. Koci, who was shortlisted for the position of curator at the UWT art gallery, says she was taught by Pumi and maintains the utmost respect for her.
“But I think she’s pushing too hard on this,” she says.
