The Mammalian Daily

Satirical fiction in newspaper form

Lovely to look at - Book by Noreen

OTD in 2016—Memes of Production seize the Jubilee—and the day

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Memes of ProductionCan it be only a week ago that the Memes of Production took over the Anixi Agrarian Jubilee and made it their own?

How many of us thought the annual Spring event would wither and die without Eggie and the Pigs as the opening act, and the stars of the day— The Park’s farmers— nowhere to be seen?

Yet, in stepped this group of musicians whose recordings, all told, number four. Yes, four, all of which the group, itself, recorded. Under most circumstances, these Animals would never be invited to such an important event.

But they stepped in, where other musicians refused to tread. And, for good reason, it must be said. Still, the Memes went to great pains to clarify their position: they were there simply as musicians, having been asked by the Jubilee’s chief organizer Miriam Wapiti, to “save the day.”

But the Memes did much more than that. As their signature song says, they seized the day. By interspersing covers of some of The Park’s best—and least political— songs with riffs on their own, including “Sign of the Thymes: An Herbal Tick,” the group managed to keep attendees enthralled and the Jubilee, well, jubilant.

Kudos to the Memes, whose success and ability did not go unnoticed, either by Park citizens or by its record companies. Rumour has it that Hoofer Records, who signed The Beasts of Burden well over a decade ago, has offered them their first recording contract.

OTD in 2016—Designs by Holstein fashion show will highlight perils of domestication

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Holstein FashionDesigns by Holstein announced today that it will host a fashion show during The Park’s Enforced Domestication Awareness Month (EDAM).

At a press event this morning, company president and CEO Balbina Ko confirmed that she had been in talks for the past year with the Archons, the Department of Well-Being and Safety and the Department of Holidays, Festivals and Celebrations about her company’s participation in the event.

“They were enthusiastic but didn’t at first understand how our company could fit in with their theme,” she admitted.

Ko assured them the show would not be an advertisement for her business but would, instead, highlight the perils of domestication for all Animals.

“We put our company’s best and most forward-thinking designers on this project and none of the items in the show is for sale. That was a decision we made in August,” Ko said, even though plans for their participation were only finalized in March.

“As you can see, we are optimists,” Ko laughed. “And we are honoured to be able to share that optimism with the rest of The Park during Enforced Domestication Awareness Month.”

The fashion show will run twice during the month-long awareness event. And while the show will be free of charge, Ko said said she hopes all attendees will consider making a donation to EQUALSS, the charity established by Holstein Fashion, the parent company of Designs by Holstein. EQUALSS supports the full equality of striped and spotted Animals (as well as others) in The Park.

OTD in 2015—Delay over, Tab Tricolore’s “La Langue au Repos” to open at PMoCA June 6

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The Tongue At RestThe long-awaited and much-delayed 2015 art installation overseen by renowned Chef Tab Tricolore is set to open at the Park Museum of Contemporary Art (PMoCA) on Saturday, June 6.

The installation, which is entitled, “La Langue au Repos/The Tongue at Rest,” is a collaborative effort among Tricolore and five other Park artists who were chosen by Tricolore himself.

“Not all the artists I chose work in media that are, strictly speaking, the visual arts,” Tricolore said at a press conference yesterday.

“It was a stretch for many of us to translate what we do best into this medium. But I think we have succeeded admirably. My compatriots are great artists in their own right and I am honoured to have had the opportunity to work with them. I will be eternally grateful to them, for reasons only they and I will ever fully understand,” he said.

The other “artists” chosen by Tricolore are renowned autochthonous artist Hervé Huard, Nesthetics designer Romulus Bowerbird, choreographer Gustav Hermelin, Slow Artist Fionn-Fionnoula T. Snail, Clementina Araña, and Reekabilly singer and composer Faramund Stinktier.

While Tricolore served as creative director of the project, he was quick to emphasize its collaborative nature.

“We all have the greatest respect, not only for each other and for each other’s work, but for the medium in which each of us expresses ourselves most often,” he said. “There was no competition among us. The competition was to produce the best art installation the PMoCA could ever host.”

This installation will be the first to open at the museum since its announcement last April that it intends to host an annual art installation. The PMoCA’s curator, Aamuun Maroodiga, was not involved with the installation, the museum says, since it was initiated last Autumn and her tenure began in March. It was the museum’s former curator, Dorika Pumi, who signed off on the project.

See also: Tab Tricolore: Working on this art installation has saved me

OTD in 2012—Park Literary Awards to bear sponsor’s name

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The Park Annual Literary Awards (PALA) will undergo a name change at the end of May. They will bear the name of their sponsor, Chitter Radio, and be known officially as the Chitter Radio Literary Awards.

The announcement was made at a press conference late yesterday afternoon. Present at the conference were Albana Ketri, President and C.E.O. of Chitter Radio, members of the organizing committee, and the Director of Public Relations for The Park’s Department of Holidays, Festivals, and Celebrations, Aintza Kanariar.

“We think it is fitting that the Awards should bear the name of their proud sponsor,” Ketri said, as she unveiled the new logo for the event.

Until this year, the Awards had been supported by The Park’s Department of Holidays, Festivals, and Celebrations. It was announced in January that Radio 244883.7 (known as Chitter Radio) would assume full financial sponsorship of the Awards, after budgetary constraints forced the Department to pull its funding.

The Awards will take place 15 June.

OTD in 2014—Park Museum puts out call for personal items related to domestication

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Park Museum

The Park Museum has put out a call for items of a personal nature related to domestication and enforced domestication. The Museum says it requires such items for display in its upcoming exhibit marking Enforced Domestication Awareness Month.

In a statement posted on the Museum’s web site, the Board of Governors requested contributions from Park Animals of items such as collars, leashes, cages, carrying cases, feeding paraphernalia (including bowls, etc.), grooming tools, toys, and I.D. tags. The Museum intends to borrow the requested items and assures Animals that their belongings will be “treated with the utmost care and respect” and be returned to their owners at the conclusion of the exhibit.

Details of the exhibit have not yet been released, but a spokesAnimal for the Board of Governors said the requested items will be displayed in a section called, “Ways and Means.”

To read the Museum’s full statement, click here.

OTD in 2013—It’s official: Beasts of Burden to kick off Agrarian Jubilee

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Beasts of BurdenIt’s official: The Beasts of Burden will open The Park’s annual Anixi Agrarian Jubilee tomorrow.

The confirmation came late this afternoon in a short statement from the band’s manager, Ignatius Herder:

“The Beasts of Burden are pleased to announce that they have accepted the invitation to open The Park’s annual Anixi Agrarian Jubilee on May 20, 2013. They are humbled by this honour and look forward to this wonderful event,” the statement said.

The six-Animal band, whose hits include “Donkey Hot,” “Pack of Lies,” and “The Day the Oxen Rose,”  has not performed in The Park since their sold-out Summer concert in 2006. Last Autumn, they opened a pub called The Draft and they are rumoured to be recording a collection of songs to be released later this year.

One of the largest and most popular festivals in The Park, the Anixi Agrarian Jubilee marks the beginning of The Park’s growing season. Other musical acts scheduled to perform at the event include The Feral Four, The Endeka Elephant Band, Eggie and The Pigs, Banded Brothers, The DomEstyx, and Spontaneous Generation.

OTD in 2012—SCENTient Beings to join line-up at Agrarian Jubilee

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There’s a whiff of change in the air, as the annual Anixi Agrarian Jubilee prepares to welcome freshman artists, SCENTient Beings, to the 2012 entertainment line-up.

According to their manager, The SCENTients were invited by Jubilee organizers, “at the last minute, but they are honoured and thrilled to be performing at such an important event.”

The duo, who released their first recording, Beings and Nuttiness, ten days ago, has never performed before such a large audience.

“They have played The Tabby Club and they’ve been on the road for a few months, but they’ve never sung in such company or on such an important occasion,” their manager said.

One of the largest and most popular festivals in The Park, the Anixi Agrarian Jubilee marks the beginning of The Park’s growing season. Traditionally a mixture of sombre and sweet, the Jubilee has historically been a venue for more “tried and true” performers, such as Thisbe and the Barkettes and The Beasts of Burden. This year, however, organizers say they decided to “add something new and untried to the mix,” while maintaining the tenor of the occasion.

Other performers in the Jubilee line-up include Les Chiens Débraillés, The Feral Four, The Endeka Elephant Band, The Canary Cousins, The Tweeters, and Will.o.be.

The Anixi Agrarian Jubilee takes place on May 20, 2012.

OTD in 2015—Barkettes’ set list disappears from theatre moments after concert ends

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Set ListThe set list for the May 8 concert of Thisbe and the Barkettes, held at the Ancient, Open-Air Theatre, has gone missing.

According to theatre security, the list was affixed to the stage throughout the concert and it was security’s job to remove it after the band packed up.

“We were given specific instructions about its removal,” said a spokesAnimal for the theatre.

“We were told to keep it safe and secure, because Thisbe wanted to donate it to The Park Museum.”

Hilde Blaft, the group’s manager, told TMD Radio she is “incensed” by the occurrence.

“It must have been ripped from the stage moments after the concert ended,” she said in a brief radio interview this morning.

She said she had no idea who would do such a thing, and she made an emotional appeal to have the set list returned.

“Please, if you are the one who took it, please, please return it to the theatre. We will ask no questions and press no charges. It is of emotional value to all of us involved with Thisbe and the Barkettes and we only want to see it safely returned so that we can have it preserved at The Park Museum,” she said.

OTD in 2015—Barkettes triumph at sold-out concert

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Dancing in the aislesREVIEW
♥♥♥♥♥♥♥♥♥♥
Thisbe and the Barkettes
Bring Your Own Bone Tour
At the Ancient Open-Air Theatre
Friday, May 8

They were dancing in the aisles. And that is no metaphor.

By the time Friday’s concert by Thisbe and the Barkettes wrapped up—two hours later than scheduled—there was no Animal left who was lying, sitting, or standing still.

“I’ve never seen anything like it. Not even at the Beasts of Burden concert ten years ago,” said music aficionada and longtime Barkettes fan Miriam Wapiti. “It was overwhelming.”

That feeling was unanimous. And mutual, as well.

The first Park concert of the group’s Bring Your Own Bone tour delivered on its promise both musically and emotionally and as Thisbe said just before the encores began, “We will never forget this feeling. You don’t know what you’ve given us.”

The evening opened with a very short video of highlights of the group’s career, including a few snippets from I Love a Man in a Collar, Rauf Wiedersehen Shepherd’s documentary about the group that opened the 2012 Park Interspecial Film Festival (PIFF).

Then, The Barkettes ascended the stage, not together as expected, but one by one: first, Estelle, then, Lorraine, Carmen and, finally, Mercedes. By this time, the crowd was clamouring for Thisbe. Screaming, howling and banging their own home-made instruments, they kept up a steady call for the singer until suddenly all fell silent. From stage left, they could see just the tip of Thisbe’s nose. Then, after a quick shake, she bounded onto the stage to join her Barkettes.

Wearing a bespoke collar in raspberry, she acknowledged the crowd with a quick shake of the paw before launching into a solo version of Goin’ to the Groomer. Then, the Barkettes joined her for Four Strong Paws, Halcyon Days, Puppy Love, I Will Follow Her, Perrito, Perrito, Sto Spiti Mou/At My House, It’s My Bone and I’ll Chew It If I Want To, and a jazzed-up version of Papa’s Got a Brand New Ball.

But the evening wasn’t just a nostalgic trip through the group’s greatest hits. Rumours that their recent studio work has included new music were confirmed in the second half of the show when they introduced three new songs: You Should Know By Now, Working Dog/Sporting Life, and Again.

Of course, one of the great highlights of the night occurred just before the concert’s end when Noreen joined the group onstage for a rousing rendition of Stuffed Dogs Don’t Shed. Though she’d planned to sing only one song with her idols, the crowd called for encores and Noreen ended up singing her heart out all the way through Mud Season and Paws Across The Water.

One last surprise awaited the audience at the end of the night: after the group’s bows and thanks and encores and final exit, Thisbe returned for one last solo and sang I’ll Never Walk Alone to her adoring fans. When she was done, she had only two words left for the screaming crowd: “With gratitude,” she said.

Ditto.

Thisbe and the Barkettes return tonight to sing at The Wishing Well at 8:00 p.m.

OTD in 2012—Slow Art Movement picking up steam in Park

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The Slow Art Movement (SAM) is catching on with art-savvy Animals in The Park, according to the child of one of the Movement’s founders.

Fionn-Fionnoula T. Snail, the offspring of Marcel-Marcelle T. Snail, Jr., says the Movement is gaining ground in The Park, and this is making it easier for Slow artists to have their work shown in local galleries.

“Just a year ago, it was next to impossible for artists in the Movement to get into The Park galleries. Now, we are seeing a huge change and Movement artists are far more hopeful about their work being seen,” the Snail said in an interview yesterday on Reptile Radio.

The Snail, who serves as art critic at the recently-reorganized Mollusk Messenger, said that even galleries such as the Ewe and Moo have expressed interest in showing Slow Art.

Tegwin Cooter, Director of The Tortoiseshell Gallery, concurs with the Snail’s assessment.

“We used to be the only gallery in The Park that had any interest in the Movement; now, we have to compete with other galleries. The Movement is really gaining momentum. I wouldn’t be surprised if we began to see showings outside The Park,” she says.

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